The script isnt good, especially last 6eps. There are a lot of illogical & incoherent part. There is a problem with editing too, on eps 32-36 suddenly "the speed" of each scene is increasing (I feel like I watch with speed 1,25x). A lot of characters are like "tools" or brainless just for story catalyst. The villains are also bad written. This drama reminds me to A Journey to Love' s problem.
I dont mind with the death of characters, as long as the logic is solid (like Love in Pavilion). I also dont mind with "light" political intrique like Blossom, as long as the script is logical & coherent, & all aspects of the drama are solid (I love Blossom so much!!).
The acting quality of all actors (I enjoy Xuan Lu's acting!), the chemistry of FL & ML (yuning & zuer do great job), our F4, Manman's maids (and also my wetv express!) make me still watching till end, eventhough I watch it with a grumble. Seems director Deng Ke's dramas arent my cup of tea.
Just finished watching all eps. There are minor flaws around last 3eps. But over all I'm very satisfied with #dearhongrang 🔥 Now I'm teary. The 11eps journey is amazing.
When I watched half of first eps, I felt familiarity. I loved this kind of tension & ambience. It felt familiar, reminded me to Voice. Then I checked MDL, & found that this drama came from Voice & The Guest's director! So I'm right, I can feel the director's signature LOL.
I realized costume cdrama tend to focus on justice & wisdom from upper class society to ordinary people (top to down). So power struggle happen between themself: the rich yet powerful who protect ordinary people vs the corrupt one. While costume kdrama focus on ordinary people seek for justice & fight against corrupt upper class (bottom to up).
The question about the origin of evil is a good one and it is also tied up in the concept of Predeterminism and…
Thanks for elaborate this topic. Also another value that this drama try to provoke is "our hate toward evilness, is also an evil potent/tendency/act".
The dark evil tree in this drama also keep reminds me to nature law of blackhole. Even the light cant escape its gravitation. And blackhole keep absord the light around it.
Love in pavilion give us reflective idea about the origin of evilness & social disparity. What is evilness?: Is it a Being on our universe (so it is always there & absolut)? Is it only implication of natural law from human perspective (because our universe is it what is it)? Evilness come from the absense of goodness? Or evilness is actually only about different value priority?
Those worldview will affect our perspective toward life. Should we do sacrifice to eliminate evilness? Especially when it "always there" & part of our imperfection as entity in this universe.
This drama has solid script (the structure is very good), good acting , beautiful ost, & acceptable production quality. The pace of story is also good. (Love in pavilion doesnt do A journey to love's mistake toward ending.)
PS: Finally zhangyunlong get spotlight. He is so underrated eventhough his acting is good.
Seems I have to do philosophical research why a film/series with illogical script & poor aesthetic quality can still so impactful on audience through ethical & emotional aspect 😭😭😭
TWOT is so relevant with recent years global geopolitics. Thats why its feel more heartbreaking 💔 Can all of human "enjoy beauty of life & live a free life", and ultimately, a peaceful life? Or peaceful world is something like this drama tries to depict: its like white olive tree. It only grows & lives in human belief.
Are eps 1-10 written by same script writer that write post eps 10? Eps11 till now eps 16, have deeper dialogue & more meaningful scene. The dialogue between Song Ran & Li Zan (on conflict scene & resolution conflict scene) are superb.
This drama reminds me to A Journey to Love' s problem.
I dont mind with the death of characters, as long as the logic is solid (like Love in Pavilion). I also dont mind with "light" political intrique like Blossom, as long as the script is logical & coherent, & all aspects of the drama are solid (I love Blossom so much!!).
The acting quality of all actors (I enjoy Xuan Lu's acting!), the chemistry of FL & ML (yuning & zuer do great job), our F4, Manman's maids (and also my wetv express!) make me still watching till end, eventhough I watch it with a grumble.
Seems director Deng Ke's dramas arent my cup of tea.
When I watched half of first eps, I felt familiarity. I loved this kind of tension & ambience. It felt familiar, reminded me to Voice. Then I checked MDL, & found that this drama came from Voice & The Guest's director! So I'm right, I can feel the director's signature LOL.
I realized costume cdrama tend to focus on justice & wisdom from upper class society to ordinary people (top to down). So power struggle happen between themself: the rich yet powerful who protect ordinary people vs the corrupt one. While costume kdrama focus on ordinary people seek for justice & fight against corrupt upper class (bottom to up).
Also another value that this drama try to provoke is "our hate toward evilness, is also an evil potent/tendency/act".
The dark evil tree in this drama also keep reminds me to nature law of blackhole. Even the light cant escape its gravitation. And blackhole keep absord the light around it.
Love in pavilion give us reflective idea about the origin of evilness & social disparity. What is evilness?: Is it a Being on our universe (so it is always there & absolut)? Is it only implication of natural law from human perspective (because our universe is it what is it)? Evilness come from the absense of goodness? Or evilness is actually only about different value priority?
Those worldview will affect our perspective toward life. Should we do sacrifice to eliminate evilness? Especially when it "always there" & part of our imperfection as entity in this universe.
This drama has solid script (the structure is very good), good acting , beautiful ost, & acceptable production quality. The pace of story is also good. (Love in pavilion doesnt do A journey to love's mistake toward ending.)
PS: Finally zhangyunlong get spotlight. He is so underrated eventhough his acting is good.
TWOT is so relevant with recent years global geopolitics. Thats why its feel more heartbreaking 💔
Can all of human "enjoy beauty of life & live a free life", and ultimately, a peaceful life?
Or peaceful world is something like this drama tries to depict: its like white olive tree. It only grows & lives in human belief.