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So when combined with the Weibo comments, GWG's face, and the underwhelming quality of what's been shown so far, it would seem like he was not pleased with the filming process or show quality.
But social media accounts will tend to exaggerate things for clicks, as is usual.
Did the original novel have much story on younger East/West? Yiwei mentioned WKW's Ashes of Time version. But I thought that was pretty much all original story and somewhat contradicted the sinister character of OYF. While I appreciated WKW's imaginative twist, it would be so lazy for them to just re-adapt WKW.
Debatable: more realistic, serious acting, grittier visuals, speeding or skipping through some frustrating parts, Huang Rong (sometimes serviceable, sometimes lackluster in portraying one of the most iconic and dynamic characters)
Bad: not capturing LOCH's expansive and heroic romanticism in visuals (2017); stories (rushing through the plot, not properly setting up key characters and moments); created new character and plot issues including Yang Kang, OYK (awful incoherent setup for his falling in love with HR).
I liked the 2017 version up to the whole ship/island (which is a problem segment in multiple versions) a lot better.
The 1983 version is the OG trailblazing classic that deserves all the praise. It's great for nostalgia and killer OST. But if we are to judge it by modern standards it also has many issues, even ignoring the visuals, CGI, and makeup/styling.
If that's how dumb he is, then I fully support modifying his character. I'm not sitting through dozens of episodes rooting for a dumbass to be saved from his own mess.
I'm far less upset than after the first episode as I can at least see the intent and effort to address the frustrating and illogical points of the story--all the misunderstanding driven conflicts and noble idiocies.
Before it just looked like a medical case study in collective long Covid.
It actually kind of make sense that all the Jianghu people judging him and coaxing him to give up his Jin noble identity has no appreciation or even concept of what it's like to grow up with YK's privilege. They are also colored by their bitter disdain for the Jin as Song loyalists, that in their mind choosing Song over Jin should be automatic. So they completely overlook Wanyan Honglie's fatherly treatment of YK or how someone who grew up Jin royalty may harbor many affections for the positives of Jin, something not easily erased overnight.
I like some of the new twists added in, or at least the idea, regardless of the execution. The scene with MN and YK hustling for money as street performers was nice. As if it wasn't humbling enough for YK to be essentially begging for money, then to be humiliated and threatened by a corrupt official must be a serious shock to someone so prideful.
The 2017 version seems to be going for something more mystical and enchanting. I liked the look of the early episodes of the snowy scene, temple scene, and later Peach Blossom Island scenes. This version seems to be going for a grittier style, which is fine as well.
Post link https://kisskh.at/discussions/jin-yong-wuxia-universe-tie-xie-dan-xin/126903-loch-ways-to-improve-the-story?pid=3075905&page=1#p3075905