Amazing + superb!!!!
What an acting, What a story, what an emotions I'm impressed by 2 episodes and waiting for more episodes ... The actors play thier role amazing they own it... it's gonna be amazing bl... love it ... Firstly i love the duration of episodes like not other bl 10 11 minuts... its sometime annoying because we love the series but it was so short we want story with more explanation... And in this bl there are some cute,crazy, movements and funny and sometime sad which touch the heart.. I'm in love with this bl love the actorsWas this review helpful to you?
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Why do people like this drama so much?
This drama is highly talked about and recommended so I thought checked it out and wow...Beware of Rant.
Worst Romantic-Gaming drama I have ever seen:
1st - The FL is a stalker. Let's just put it out there. She is. She follows the ML around & sends him weird spam-like messages from a fake internet cafe account & follows him places. How he doesn't block, ghost her and file a restraining order I really don't know.
2nd - The FL is famous on her own but for some reason, she's still incredibly stalker-like & timid. She has her own fan base but has 0 confidence. I can't tell you how many times I was cringing at her behavior towards the ML.
3rd - The ML's reason for leaving his old team... I was waiting for this big reason why he left his old team. The captain must have done something pretty terrible for the ML to cry & whine so much about his old captain choosing to leave the team right? Wrong! Turns out the ML is crying & whining over the captain leaving FOR HIS CHILD!! The captain chose to take care of his child over the team. In what world does a grown man guilt someone else over taking care of their child??
4th - If you love dramas with gaming this is not the drama for you. The "gaming" is poorly portrayed. "Here's a black screen with boxes and code, & OH we won!" It's just poorly poorly done.
5th - The Chinese nationalism. Nationalism is fine but this was way overboard.
Honestly, I had such a hard time getting through it. The only saving grace is how absolutely handsome the ML & his cousin are. It does get better after episode 30 or so but I do not understand the hype of this drama. At times its absolutely painful to get through.
Would not recommend.
Would never re-watch.
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A "Siren" Who Forgot to Sing
Why is she called a Siren when she refuses to use any of her abilities to charm her way into the world and push people away constantly? When I first started watching this drama, I thought it was incredibly underrated and had the potential to be one of the top shows of the year. However, as the episodes progressed, my attention and love for the series began to fade.First of all, there was no need for it to be twelve episodes long or released on a weekly schedule. This drama had the scope of an eight-episode binge-watch and nothing more. Returning weekly makes viewers want to drop it because the payoff doesn't feel worth the wait. Twelve episodes felt like too much for this specific plot, so the writers added unnecessary filler to bridge the gaps, only to wrap it all up with a predictable killer and anticlimactic ending
Given the title Siren's Kiss, I expected the female lead to be an enchanting, "siren-like" figure who used her wit and charm to make men succumb to her. Instead, she was portrayed as a traumatized victim whom men flocked to out of pity. It would have been a much better twist if she actually were the killer; sirens are supposed to be mystical, beautiful, and deadly, but we mostly watched her in a state of perpetual fear and anxiety for twelve episodes straight.
As for the main couple, their chemistry feels like a 50/50 split. In some scenes, the acting feels forced and lacks passion, while in others, they look great together—especially in the kissing scenes. It feels like the "chemistry" comes mostly from the fact that they are two very attractive people rather than a deep, natural connection.
The side characters were also quite frustrating. From the sister and the police officers to her coworkers, almost everyone except the leads felt like "rage-bait." Then there is the killer—who didn't clock that? From episode one, it was the most obvious person. Why choose them? The comment sections were full of people calling it early on. Making the female lead the villain would have provided the "gag" the show desperately needed. Instead, every "reveal" felt flat. Whenever the crimes pointed to her, it was only used as a cheap cliffhanger for the next episode, only to be resolved immediately with no real tension.
Overall, the drama has a decent storyline that is easy to follow and a good-looking cast, but the villains are average. It isn't special enough to go out of your way for, but it’s not a complete waste of time either. They could have done more, but in the end, they did an "okay" job. Not bad, not great—just okay.
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A Vivid Portrayal of Queer Struggles against Heteronormative Society
“With or without it, you’re still you.”I should warn you now: this review may not make much sense. I’ve just finished Love in the Big City, and my thoughts and feelings are a bit scattered. But isn’t that what Love in the Big City is all about? It’s about thoughts, regrets, and emotions that seem all over the place, yet somehow come together in a relatable and bittersweet culmination of life’s chaotic realizations.
Adapted from Park Sang Young’s novel, Love in the Big City is less a love story and more a journey of finding peace and acceptance with yourself and your circumstances. It follows Ko Yeong (Nam Yoon Su), a gay man navigating multiple relationships, from his best friend Choi Mi Ae (Lee Soo Kyung) to his mother Eun Suk (Oh Hyun Kyung) to his lovers—Kim Nam Gyu (Kwon Hyuk), No Young-Soo (Na Hyun-Woo), and Gyu Ho (Jin Ho Eun)—all while coming to terms with his HIV diagnosis, which he refers to as “Kylie.”
It’s a story about failure, success, and facing the parts of yourself that’s been through both.
Read the complete article here-
https://the-bl-xpress.com/2024/10/23/love-in-the-big-city-series-review-ep-1-to-8/
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Till episode 10 it was quite fine, but then the script plummet...
The positive first: The special effect makeup was on point :) Even the acting was on point, even when we know that Pooh will never be a top actor because he does need a lot of speech training, but his facial expressions where also on point. When I watch a horror/mystical/crime series I expect the characters to act appropiate and we did not get that all the time. It makes no sense whatsoever when King enters the "Fridge" alone - no police officer would do that - also that Thup left the car, when his mom said he should not - there are more of such loopholes. As usual with a change2561 production the culminating finale is rushed and does not make much sense. The fighting in the end was also so off for me. So as usual the scriptwriters could not complete a very good story appropriately.To contrast this type of show with poetic love scenes felt off and it seems they did cut the NC scenes, because the editing is quite rough in that places. I would have prefered when the main couple had lust and desire first and love after the solving of the case which would also have more impact. The side couple was done better, because there was love from Darin all the time, but Sey not recognizing it. King which was not liked by most disappeared and the father-son conflict was unresolved. Was there corruption at work because dad would like to bury the case? We will never know, because the scriptwriters made the choice to give us drama but not resolve it.
I personally don't like stupid acting characters and I don't like drama when it's not resolved. So while I had rated this show very high till episode 10, the end "ruined" it for me. It's not catastrophically bad, but it could have been so much better. And so this series is far from a 9.5 or 10 I see here in so many reviews. I will always be critical when I see bullshit and I really hate it when they do it. Maybe some of you are fangirling or fanboying over the couples, but I do not care about the couples or the actors, only the story and the performance count (and of course production quality - but I can't say anything negative about that). For me it's a disappointment that a very good show got ruined for no benefit at all.
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it sucks
read the original novel or even the webtoon. don't watch this shit. make it flop let the director suffer for even trying to ruin it for the people who love orv.dokja is a victim of bullying and violence and yet they painted him as a bully and a fucking murderer? seriously? if you didnt have time to read the novel then you should've just not made the damn movie. why is gilyoung a fucking toddler? why is jihye a grown as woman? why do they have guns? removing the abuse dokja faced, the pain he has suffered through just to cater to incels. removing SA faced by heewon, domestic violence faced by dokja and his mother and the whole coin farming part really tells us about your misogynist mindset. take this la and shove it up your ass you misogynist motherfucker.
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One of those series whose true beauty unfolds only gradually
Happily, another jewel in the KDrama sky of 2025. Our Unwritten Seoul is one of those series whose true beauty unfolds only gradually—like the secret bloom of an evening primrose, opening quietly under the cover of dusk, revealing its radiance only to those who wait with patience.Many voices have called the series emotionally profound, poetic, introspective, healing… It spent weeks in the global Netflix charts and entered the Top 10 in more than 28 countries. At its heart, it is a drama about identity, self‑perception, and familial wounds. And within it, Park Bo‑young surpasses herself in a dual role as Mi‑ji and Mi‑rae.
What first appears to be a quiet drama reveals itself as a finely woven net of fate, self‑deception, transformation, and quiet hope. It does not show a world that is better, but one that is honest. A world where dreams fail, families grow weary, people live side by side without listening to each other. And yet: there are strawberries. There are warm embraces. There is the possibility of beginning again.
The story of twin sisters who exchange roles may sound familiar, but here it becomes a meditation on identity, self‑worth, and the longing to be someone else.
Park Bo‑young does not merely carry the series—she shapes it. As Mi‑ji and Mi‑rae—and, in truth, as four substantial versions of them: each as herself, and each as the other in disguise. She grows through the subtle distinctions of expression, the quiet shifts in tone and posture, the evolving body language. Rarely has a double role been so convincingly embodied.
Lee Ho‑su (Park Jin‑young) is not the typical love interest. He is a man marked by scars, visible and invisible. Half deaf, half estranged from his own body, he becomes a mirror of imperfection—the very quality that makes the series so valuable. His relationships with mentor, mother, past, and with Mi‑rae and Mi‑ji are told without pathos.
The cafeteria jobs, the small‑town life, the broken dreams—these make Our Unwritten Seoul a counterpoint to dramas suffocated by glamour. Even though its stars come from the KPop orbit, their performances reach a new level: restrained, reflective, human. Even the supporting characters carry their own stories, which gradually draw us in. This makes the world believable and layered. The supporting actresses Cha Mi‑kyung, Kim Sun‑young, and Jang Young‑nam add depth without overshadowing.
And then the deliberate contrasts: city and countryside, high‑rise and strawberry farm. The farm scenes are almost meditative—a place of healing. Han Se‑jin’s departure from the hedge‑fund world is more than symbolic: it is about rediscovering a way of life that does not need to be efficient.
The theme of self‑compassion also finds its place here: the series asks not only how we see others, but how we treat ourselves when no one is watching.
The OST serves as an emotional companion. The visual design is carefully attuned to the story. The series employs a chiastic structure, working with opposites and reflections so that the characters’ development and healing become visible. Even the colors shift gradually, reflecting the inner states of the protagonists.
In the end, the story closes a circle. The characters return to places where they began—changed, grown, carrying their old wounds, which now can begin to heal. Subtle, beautiful. And, indeed: valuable.
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Top-notch production that leaves you craving for more!
The scenery in this drama is simply breathtaking, especially the Jifeng Pavillion with its elegant woodwork and raining white petals that look almost like snow. The costumes, action scenes and CGI are also on point. I'm genuinely impressed with the high-quality production.It has a very similar feel to Ten Miles of Peach Blossoms and The Journey of Flower, which were also directed by Lin Yu Fen, perhaps a little darker and less fantasy-like. And just in case you're wondering, Pearl Eclipse is pretty much stand-alone so no need to watch the others in the Novoland series beforehand.
The drama starts off with a master-disciple relationship between Fang Jianming and Fang Haishi that would soon blossom into a bittersweet and forbidden romance, where they're destined to meet but still restrained in many ways. It's not supposed to be a straightforward love, but rather the slow-burn and somewhat tormenting type. Yet, this is what makes those rare moments of sweetness even more precious. Personally, I find that the real charm of this show lies in its maturity and character development. But do get prepared, because you'll be taken on one crazy rollercoaster ride!
Yang Mi is literally in her element here playing a strong, cross-dressing FL. Despite the age difference, she still pulls off the role of the playful yet smart and daring young master Haishi very naturally. I think having Yang Mi doing her own dubbing really helps as well, so all credits to her. And those intense fighting scenes radiate some serious badass FL energy. I nearly forgot to breathe watching her shoot archery while spinning 360 on horseback! As she becomes Madam Pearl, we get to see Haishi swapping her boyish charms for a more mature and elegant persona, highlighting the different phases of her life. I particularly love her sibling bickering with Zhouying, they're such a hilarious comedy duo. But as much as they would tease each other, you can also feel their deep sibling bond and how they always have each other's back, especially Zhouying being the caring big brother that he is.
I'm going to be honest here, it took me a couple of eps to warm up to William Chan as Fang Jianming. I found his hairstyle a bit flat and awkward at first but I've grown fond of it gradually. He's graceful and calm normally but also fierce and intimidating when the occasion calls for it. I love how he's so protective of his disciples despite the cold front and prefers to selflessly suffer in silence, like all our favourite C-drama kuuderes (ahem... Ye Hua, Bai Zi Hua, Zhou Sheng Chen just to name a few). However, he's way too loyal and devoted to the Emperor that it's almost to a fault. It makes me often wonder whether they should just marry each other... Oh wait, they kind of did with the Baixi oath, where Fang Jianmiang has to act as a body double and shoulder all the injuries that befall Emperor Xu. This is surely not the 'love triangle' I had quite expected. Poor Haishi, it looks like she'll have a very fierce rival to beat, the bromance.
We're also greeted with another 2 couples along the way: Emperor Xu and Tilan, Zhuoying and Zheliu. While the fates of all 6 characters are very much intertwined, each couple still has its own pace and storyline.
The Emperor... sometimes I just want to reach across the screen and slap him hard. The guy can be so exasperating at times. His attitude towards Tilan at the beginning is uncalled for, regardless of his past suffering. As a ruler, Emperor Xu is not greedy or evil but he's not exactly empathetic or prudent either. Fortunately, his temperament does get much better and I quite like his 'passionate' bromance with Fang Jianming, as complicated as it may be. On the other hand, Tilan is portrayed as kind and supportive but I do find her character a bit weak sometimes. I guess her being a "caged bird", restricted by her royal upbringing and female status, serves as a contrast to Haishi who's "free" like a falcon having been raised as a boy in the imperial secret force.
Zhuoying and Zheliu is that one couple that you can never get enough of. I love how sweet and innocent their love is. It's adorkable seeing Zhouying gets all shy and love-struck in front of Zheliu, and then getting teased by Haishi for it. I kind of wish this couple has more screen time because the other 2 couples can get a bit too heavy at times.
I don't think there's much to say for the OSTs. I mean you open with Zhang Bichen and end with Zhou Shen, 2 of the best historical OST singers out there, so nothing can't go wrong. And the lyrics are so poetic and fit the story really well. Overall, it's a solid show with great cinematography and many unpredictable twists and turns. If you enjoy a good historical drama and not afraid to put your heart on the line, then this gem is for you.
FAVOURITE QUOTES:
"In our line of duty, people could die any minute. Every time we parted, it could be forever. So, I’m not afraid of death. I’m afraid that [Master] push me away or let me go.” Fang Haishi
"I don’t want [Haishi] to follow in my footsteps or take my path. She can’t be another Fang Jianming because I know better than anyone how painful that is. I don’t regret living like this but I hope the one I love can lead a normal and happy life.” Fang Jiangming
"[Emperor Xu] is my best friend. He is more important than my life. I took an oath to be faithful to him." Fang Jiangming
“All these years, others all think I’ve been tolerating Xu or even indulging him, but the truth is, I just want to protect him. The tougher he looks on the outside, the softer he is on the inside… as an emperor, he couldn’t share his pain with anyone.” Fang Jiangming
“Jianming, I’ve never expected you to be a loyal official. All I want is for you to live a carefree and happy life.” Emperor Xu
"Jianming, don’t underestimate Fang Haishi's feelings for you. Even if I don’t tell her, she knows you’re in a tough spot and she will do everything to protect you.” Emperor Xu
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1This review may contain spoilers
I had no idea what to expect going into it. And the little things I did expect were completely shut down. I don’t know if I’m just not yet used to the format/style of Taiwanese dramas, but it felt weird to me.But I liked it. I'm so torn about what to rate it, I keep going back and forth between 7.5 and 8. It's like a 7.8
There’s just something about it that kept me watching.
I started watching when there were already eleven episodes out. I kept telling myself, “This is a good place to stop. I’ll do something else, I’ll go to sleep, and I’ll finish tomorrow” and then I’d finish the episode and hit the next button and the process would continue until I was caught up with the lives.
Here’s the thing: you have to watch this drama with an open mind. I’m sorry, but I could not take the plot seriously. It was pretty predictable, and, I know this is a korean term, but it was a makjang drama. I don’t know how else to describe it. It was so weird and cheesy and over-dramatic, but I found it funny and enjoyable. If you go into the drama expecting some serious movie-like mob drama, you will be disappointed.
It was so freaking cheesy. Like every possible cliche happened within the first episode. The entire drama was like this, but it didn’t bother me because I thought it was hilarious. I know some people get annoyed with cliches though, so I’m letting everyone know now.
Also, part of the reason I couldn’t take it seriously from the beginning was because everything happened so fast. Like a whole episode’s worth (or two) of plot set-up happened within the first like ten minutes? It moved really fast and it was really extreme. But don’t stop watching because of this.
Also there were some little details with the plot that bugged me. For example: not putting someone into dry clothes when they have hypothermia, a person who just had surgery walking around without crutches. The birth. But whatever, I’m a nit-picky person.
One thing that made me really happy was that Megan actually looked like a guy. The stylists did a really good job. It was the first time I’ve seen a gender-bender drama where the girl convincingly looked like a guy. Also, she blew me away with her acting. She did a really good job at acting like she grew up living like a boy. Her posture and the way she walked were so convincing.
The romance was so enjoyable, they had fantastic chemistry together. And they had so many amazing kisses! Like a ton of them! Passionate ones! The main lead was nice from the start, and was a genuinely good and caring guy. I am now a fan of Baron Chen.
There are some issues I had with the drama, I won't go too deep into them because most of them contain spoilers. Basically I docked points from the rating because of some issues I had with the plot and some of the acting. I thought the cast had great chemistry together, but the things that should have been taken seriously, I couldn't take seriously. However, overall I enjoyed it, which is saying something coming from a person who doesn’t really like gender-benders.
What really made me happy about this drama was that there was never any homophobia. “As long as two people genuinely love each other, does it matter who the partner is?” Like damn, the messages in this drama were so good, I’m kind of wishing they were actually gay to make a stronger point. The message still came across strong, and not just through our leads, but through the other couples too.
This was a fun drama, and despite the issues I had, I’m glad I watched it.
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Over the top, exaggerated
Not sure if this story even touches the reality of the fashion world, but the whole thing was so clichéd and looked like parts were borrowed from many other fashion movies.Not sure if it was meant to be a romcom or a slice of life - it didn't fit either genre.
It could have been classified as a light hearted sweet drama - but no!
I'm sorry it is not sweet. The over acting of all the characters makes you grit your teeth and bang your head for watching it.
Except for three , EVERY other character acts atrociously over the top. It could very well be the director or writer's imagination of the behavior of people who work in the fashion industry, but those poor fashion folks should validate this overbearing nonsense.
The only one who did a great job is the supermodel. Not only was she stunning, but she flowed through her role as a supermodel and kept her emotions beautifully underplayed. She was really a superb actor.
The other two actors who stood out were the ex- boyfriend and the editor of the magazine - who had really small roles.
The ML was so lost, the FL was all over the place trying to be the eternal goddess of goodness.
And everyone else - seriously- behaved like they were in some exaggerated street mime show.
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The complete lack of chemistry was fascinating to watch.
This drama should be studied. We need a whole master thesis presenting various theories about what happened, because it’s been ages since rom-com gave me this little, basically nothing in terms of romance between the main couple.What’s even more confusing is the fact I actually finished it, and I did not even have to force myself to watch it. Not many things worked in this show, but somehow I still kept watching the next episodes. Don’t know what weird spell this show put on me, but it worked.
On the bright side, production wise it was great. Not outstanding, but definitely on the high level of production. I wish we would get more in-game scenes since these were for sure entertaining.
What’s more, the second couple was amazing. What a refreshing pairing. Both Ha Jin and Sin Won are the type of characters I have seen in other projects. Their whole storyline was rather unpredictable in terms of typical cliches.
That would be the end, now we have reached the border to the bark side. And there is a lot to talk about.
I already talked about how weirdly weak the chemistry between the leads was. Not one scene awoke any butterflies in my stomach, there were zero sparks. By all means, the main characters felt like siblings, not like a couple. Sadly I think Choi Hyun Wook jumped into adult roles too fast, without graduating from university first. I do believe picking one or two titles set in the uni after all the high school dramas is the best option for the majority of the actors. He looked too much like a baby here, and how the character was written did not help.
And that’s what bothered me a lot - instead of making him an adult who has what is perceived as childish hobby, they actually made him childish. And with how mature and independent Su Jeong was, it felt like a babysitting job, not a romance.
Then we have Jung Hyo Seon - what was that? They painted her as a complete psychopath, zero understanding of human emotions, not just rude and cold, but simply abusive. Even in the last episode she was “confused” by normal human emotions, to then take 180 next two scenes and reconnect with Ju Yeon by apologizing. This just pissed me off. Not only did her development make no sense, it was insulting that it was accepted by people around her in the first place. Apology is a bit too weak when you were LITERALLY abusing your grandson for years.
The writing was just bad. 12 episodes, but it’s hard to describe what actually happened in the show since most of the topics and plot lines were poorly developed. Sure, they did bring some interesting topics like feeling embarrassed about your hobbies, need for acknowledgement and how it can negatively affect your life, guilt that comes from not addressing grief, inequality in the workplace, but none of them had any depth to it, worth reflection and discussion.
Overall, this is such a weird show. Majority of it does not work, but still makes you want to watch the next episode.
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Let's just say I was one of those people who actually wanted to root for this drama. I have never seen Ahn Jae Hyun in anything else but I liked him in the beginning. Playing a vampire does not require a huge acting range. You can act broody and intense without needing to have 10 years' worth of acting experience. The beginning too was good. Finally a take on vampirism where it is an actual medical condition instead of a myth. That was quite interesting, writer-nim. Brownie points to you for that. Ji Sang's youthful looks were because he stopped ageing at some point. And as for the villain, he wanted the whole world to benefit from a condition like vampirism instead of it being treated as some medical evil. I loved your use of rationale in certain cases. I even loved all the information on biochemistry that is relentlessly hurled at the viewer.But seriously what happened to you after the first 5 episodes? The moment Ji Sang stopped performing surgeries all I saw was him taking leisurely strolls all around the damned hospital and meeting either the Director or Yoo Ri Ta or Min Ga Yeon or Dr Joo, talking about all kinds of useless stuff and nothing else. Hello PD-nim, instead of overloading my brain with information, just show me through actual action. Too much exposition ruins any narrative.
And the romance? Uh why did they fall in love again? I'm sorry I just don't understand. Am I supposed to swoon at them mouthing lines swearing undying love for each other with not an ounce of emotion in them? It seemed like Ri Ta kept throwing herself at Ji Sang who was not even interested. And then all of a sudden, he is interested for lord knows what reason. (Oh wait it's because of their cosmic connection..he saved her from all those bad CG, Twilight-rip-off wolves....oooooh shooo romantic!)
I did not even think their scenes cute.
And somewhere around episodes 8-9 it all went downhill. The same things kept happening on infinite loop. Let me list them -
1)Ji Sang and Director having some kind of confrontational conversation in which sometimes they attack and snarl at each other and sometimes they don't. YAWN!
2)Token romantic scenes between Yoo Ri Ta and Ji Sang which were anything but romantic (who the hell calls their girlfriend/boyfriend 'Doctor Yoo' and 'Chief'?)
3)Walking around the hospital
4)Conversation between Ji Sang and VTH-16 researcher doctor
5)Ji Sang fighting off vampires and mostly getting beaten
6)Chairman and Associate Director having boring passive-aggressive conversations
7)More walking around the hospital
8)Min Ga Yeon and Ji Sang scenes which were too few
9)Patients in ward 21A going bonkers
10)More walking
The only portions I looked forward to where the parts featuring Sister Sylvia, Hyun Woo and Min Ga Yeon and Ji Sang's interactions which were actually genuine and made me feel something for them. They did not come off as forced and contrived unlike the Yoo Ri Ta and Ji Sang scenes. Even Ji Jin Hee couldn't save this trainwreck and he tried his best to make Jae Wook memorable!
And don't even get me started on the ending. What the hell happened? It was like the writer picked out every nonsensical, irrational cliche from the dramaverse and crammed all of them into an hour's worth of time.
Dear writer-nim, do us a favour and DO NOT EVER WRITE A DRAMA AGAIN. I feel like jumping off a bridge after watching that atrocious finale. I want those 20 hours of my life back! And this is coming from a busy person who no longer has sufficient time to watch all the K dramas she wants to watch.
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DON'T WATCH THIS TRASH.
I say this as a fan of the novel. The authors of this adaptation DID NOTHING. Everything in this film is terrible - from the unnecessary changes of the director, to the work of the editor and other specialists. A request to the creators of the film - do not disgrace yourself and delete this from the Internet. Nobody liked this garbage, seriously.Was this review helpful to you?
My complaints break down into three groups - OST, plot lines and character traits.
OST: This may be my first k-drama with an all English soundtrack (if there were Korean tracks I failed to notice) and my first thought was how distracting it was watching people interact in a foreign language with somebody crooning in English in your earhole. After many dramas where the OST becomes as ingrained on your memories as the most touching scenes do, I wondered if Koreans watching dramas with more typical soundtracks are just as distracted by the constantly repetitive lyrics. If I never hear any of these songs again in any version I will count myself blessed.
Plot Lines: Every single storyline in this series had an unsatisfactory ending. Whether it be the relationship of the main characters, the friendship between Jin Ah and Kyung Sun, the behavior of Gyu Min or the sexual harassment in the workplace. In each case we were presented with an issue of conflict, there was much angst and aggravation until the worst possible outcome was realised (or forgotten in the case of the ex-boyfriend) - and then after a jump to the future there is brief resolution. I'm actually quite angry that such an important issue as sexual harassment in the workplace was given the treatment it got. I doubt anybody suffering from this treatment would feel inspired or hopeful about coming forward from watching this.
Character Traits: I will concede that in order for there to be drama, there must be conflict. Tropes like bad boy turns good or family disapproves of relationship all require failings of character and as a previous reviewer wrote "If you don't know anything about Korean culture or the passive characteristics of Asian, this drama will seem silly & annoying, and will never understand the reasons behind choices & actions made", I also recognise that these stories are being told through a different set of cultural norms. However just because something is prevalent within a culture doesn't mean it's right or acceptable and although drama as an art form is often about reflecting truth in society, it is also a medium for setting examples for how we could live. Nobody in this drama became a better person. Joon Hee was possessive and controlling until the end and Jin Ah was a compulsive liar throughout.
What I perceived as being a story about an unconventional relationship where true love wins out against negative cultural norms, turned out to be about a group of self interested and morally deprived individuals failing to grow as human beings. Truth in society indeed.
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It went from excellent to bad to worse in no time.
Let me start off by saying I really dig Korean BLs because they usually have simple plots, which is pretty much the standard most of the time (don't take this as a negative; I'm complimenting). That's exactly why I was so excited to watch this series. For the first five episodes? Solid 9.0 or 9.5, no doubt. But man, did things take a turn for the worse in the last 2-3 episodes. By the time episode 7 rolled around, I was just trying to finish it off, not because I was excited, but more because I'd already invested so much time into it.Let's talk about Se Heon and Do Yoon for a sec. These guys seem to have a talent for picking the biggest red flags around (Yes, Tae Yi is a major red flag; argue with the wall). Do Yoon's whole "I'll still love you even if you bully me" with Joo Ha? What stupidity! Then there's Se Heon, who forgives Tae Yi way too quickly after he S/A him. I mean, even if you want to argue that it wasn't the case, Tae Yi's response was not how a normal, rational person would react.
I gave it an overall rating of 6.5 because I don't rate any series below 5, and for the most part, it was enjoyable. It started off strong but dropped the ball towards the end. Let's just say it left me scratching my head. Honestly, I was hoping for A LOT better.
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