Reviews

Cute and understated

Acting:

Great performances from everyone in the cast. Loved the realistic and subtle emotions; they really did a good job throughout the film.

Writing:

I could be remembering wrong because I haven’t read the manga since it was first released, but I definitely feel like they tweaked the story a but. Again, maybe it’s my memory or I’m thinking of the sequel, but I recall more mutual romantic feelings from the two. Not that it’s a bad change to make in an adaptation necessarily. Just different. Still a beautiful story. Understated, nothing grand, but not boring.

Chemistry/Romance/Kissing:

Chemistry is there but much more realistic than your typical drama. Obviously this couldn’t really be classified as a romance by any means, but it worked for what it was. Kissing was realistic.

Music/SFX:

Music was solid throughout, fit every scene and emotion well. SFX were fine.

This was cute and well executed. I’ll have to go back and reread the manga to see the differences, but either way I enjoyed it.

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When You get a rent-free house, the catch is around the corner...

Just arrived in a small town, the tax collector (or scholar, depending on the translation A/N) Ning Caichen (Chao Lei), unable to find accommodation for the night, chooses to take refuge in a temple outside the village limits, despite the warnings of many people, who are convinced that the place is haunted by evil presences.
The villagers' ominous superstitions prove correct: The temple Jinhua appears to be cursed…
And from the manor house near the temple, a delightful young girl (Betty Loh Ti) sings, accompanying herself on the koto…

An essential classic born from the fertile creative forge of the Shaw Brothers studios and the talent of director Li Han-hsiang (also author of the subsequent and magnificent ‘The Love Eterne’), which is not always fully recognised, “The Enchanting Shadow” is an imaginative work that transcends genres and styles, thanks to its fluid and modern staging and truly exquisite use of photography, with magnificent visual effects and colour schemes.

A true pivot point in fantasy productions (a definition that, much like black, wears well with everything), the movie, which draws inspiration from Pu Songling's collection ‘Strange Tales from a Chinese Studio,’ it was released in the summer of 1960 and also competed at the Cannes Film Festival that same year, and it is certainly not pure fantasy to think that the work sparked some ideas in the minds of directors, producers, etc. in the Western film industry as well.

Considered by Riccardo Esposito, in his seminal book “Fant'Asia”, a sort of Oriental “proto-horror”, as well as an undeniable source of inspiration for Tsui Hark and his “A Chinese Ghost Story” (which is in fact a remake of it), ‘The Enchanting Shadow’ (but the original title is “Qian Nü You Hun”, which we will not translate so as not to reveal too much!) after so many years, it continues to prove itself well structured and highly enjoyable to watch, thanks to its appreciable, decidedly classic narrative structure (widely replicated and exploited over the years), which manages to condense the tale into less than 90 minutes, while also allowing for interesting genre mixtures that help to keep the viewer's attention alive throughout.

A striking mix of melodramatic and supernatural elements, enhanced by a fundamental musical complement and interesting horror digressions, the film captivates with its charm and evocative power, which, despite a context that is certainly not rich and perhaps even a little naive and hand-crafted, undoubtedly achieves its objectives of interest and entertainment, thanks not only to the remarkable work of the authors, but also to the clever use of ellipses and off-screen sequences and, of course, the excellent contribution of a perfectly cast ensemble.

Chao Lei, in the role of the initially timorous Ning Caichen, is the archetypal character of this genre of movies; A curious intellectual, attracted by the mystery surrounding the temple—which is truly creepy at night—guided by honesty and moral rectitude against fear and popular superstitions, he meets Yan Chixia (Yang Chih-ching), a sort of swordsman/hermit (and also a singer) who immediately makes it clear that he knows a lot about the terrifying voices surrounding the ruined building.

Ning thus inevitably and progressively becomes the “perfect prey” of Nie Xiaoqian, a mysterious young woman played by the captivating and irresistible Betty Loh Ti, who, thanks to her excellent performance, ends up being the real focus of the movie.

From her first appearance, the beautiful actress exudes a magical aura, placing her character in a decidedly “fantastic” dimension, so much so that we immediately wonder whether Nie Xiaoqian is a real woman or perhaps “something else”.

Each of her “appearances” (it is appropriate to write it this way) deeply affects – and progressively more and more – poor Ning, who desperately tries to resist the young girl’s enchanting exploits from the seductive temptations of the flesh to those that are decidedly more materialistic (his goodness, one might say!), especially as he discovers, as the story advances, unthinkable truths about the aforementioned girl, truths that will inevitably shake his most firmly held convictions.

The work of the director of photography is truly remarkable, playing with the colours, contrasts and shadows of the night in the temple, in a happy chromatic combination with the beautiful clothes of the protagonist (each time in different colours variations), particularly the blue tones at the moment of the (not too surprising) “confession”.

This is a detail that should not be underestimated and that allows me to digress briefly:
In the years that followed, American director Roger Corman, thanks to the contribution of his extraordinary director of photography Floyd Crosby, would often replicate this visual trickery, especially in his series of movies based on the stories of Edgar Allan Poe and, also in Italy, Mario Bava - who, curiously, released his extraordinary classic ‘La Maschera del Demonio’ [“Black Sunday”] in the same year, 1960 -, will amaze with his subsequent horror productions, exploiting visually ‘colourful’ techniques not unlike those appreciated here in ‘The Enchanting Shadow’;
As if to recreate a metaphorical bridge capable of highlighting the wonderful ability of the seventh art to transcend boundaries and find happy stylistic points of encounter...

Undoubtedly a pivotal work in the development of Hong Kong genre cinema, ‘The Enchanting Shadow’, as a classic, continues to be enjoyed thanks to its old-fashioned charm, or ‘vintage’ appeal, if you will, which many may find outdated or obsolete, but which, to me personally, makes it formally exemplary, thanks to the right atmosphere and the skilful hybridisation of different genres (a feature that will later become recurrent), capable of being appreciated by the most willing and discerning viewers...

8 ½

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A Fresh Fantasy with a Mysterious and Suspenseful Plot

This drama truly provides a different viewing experience. The story opens with an immediately intriguing mystery, then slowly builds into a unique fantasy world. The main characters It has clear development and its interactions with other characters feel natural. The visual effects and cinematography are also neat, not excessive but still pleasing to the eye. It's perfect for those who like fantasy, mystery genre,This drama successfully blends fantasy, mystery, and the characters' emotions seamlessly. From the first episode, the story is immediately captivating and leaves viewers curious about the secrets of this world.that is being built. The main characters have clear motivations, and the relationships between the characters develop naturally. The visual effects are stunning, the action scenes are well executed, and there are no moments that feel boring. Every twist in the story is carefully planned, keeping us guessing what will happen next. Perfect for fans of stories full of strategy and conflict emotional, and a fantasy world rich in detail. After watching, it's hard to stop thinking about the storyline.

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Immeasurable distance between them

This was good short movie about not being able to hear or listen to other person, resulting immeasurable distance between them.

Both characters have their own beliefs and principles they stand on. “The voice I can’t hear” means they are not ready to understand each other — they don’t listen.

Vic, being a policeman, does his duties without asking questions. Xiang is firm in what he believes. Neither is willing to hear the other person’s side.

This short film shows how love can still exist even when two people are on opposite sides, but without listening, understanding will never come.

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Newsies meets Life is Beautiful

Swing Kids is the best movie I've seen in years. EVERYONE should watch it. It was truly multicultural and showed how we are all human, no matter where we were born. The acting was superb and I felt all the emotions; it made me both laugh and cry. If I was some kind of film professor this would be in the rotation for required viewing.

That's all I wanted to say, but it keeps telling me I need 500 characters to submit my review. I didn't sign up to write an essay haha. Just watch it!! Oh and the music was excellent, great jams from different genres and time periods, but they're all bangers.

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Sobbed like an absolute baby watching this

I just completed this movie and im in tears as i write this review o m g. It deserves a much higher rating honestly. The story was so good for a 1 hour 50 mins long movie. Of course there could be more but then its be a drama (which tbh the plot could have been made into one) but considering time restraint it done SO well.

Acting was absolute chefs kiss from literally everyone and the cinematography was also absolute chefs kiss. There were so many schenes that i had to screen record just to look back at and appreciate like that one scene where shes talking to her mum on the other side of the glass and it alwas reflects one of them on top of the image of the other.

Rewatch value is low just cuz i dont think i could go through the pain again of watching this but i highly reccomend !!!

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not perfect but super enjoyable and adorableee

i had super low expectations but this actually turned out to be much better than i wished it would be.

i know the actress as a comedian but she NAILED this role, her acting? so expressive, so real, she made this movie so enjoyable to watch.
this goes without saying, but i LOVED and ADORED their height difference. Them in general too like they're wayy too cute, so different yet also jst perfect for eachother, their chemistry was amazing too, wished there was more of it.
the cinematography is nothing extraordinary but was surprisingly wonderful, no whitening beauty filter, awkward shots or anything, quite the opposite of it actually.
i loved the scene where she is playing basketball with her younger and teen version, so beautiful.
the fashion show she put up for him and her speech about the dress he made and how she was also subconsciously describing their dynamic? cherry on top.
and the comedy? i was not expecting it to be so funny, but given the fl and her comedy partner, they served.

i jst wished we had more of the ml, we saw how fl struggled with her height, her tomboyishness how she learned to accept it and move on bcz of mls help, we could've seen more of the ml too bcz ik its prolly not easy being a ''not short, just not that tall'' guy whos a fashion designer, loved him regardless though hes so baby girl.
its a 10/10 in my book, but gotta give it a 9 simply bcz its too short and i wanted more, i see myself rewatching it
would recommend

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The ending just shows human nature is selfish

the movie was indeed Intriguing but haphzardous at times, the way they shift from one event to another can be really hard to catch if you don't watch too Intently, the love story is really hard to watch as it involves infidelity at some point but it still drags your empathy and tear at your heart, I couldn't understand her decision at the same time I could see her mind, nice movie still though, but it needed better arrangements with the scenes

the little details from when he bought her food till how he couldn't bring himself to turn her in when he eventually solves the case, her keeping of his recording he lest with her which she called his love for her and the fact shes attracts abusive men while holding him close to her heart because he treats her well will make you wonder if she loves him as he is or the idea of him and her as they could be ... these little details kind of makes the ending where she chose to leave in that brutal manner confusing, because if she loves him truly why hurt him so, if she didn't why crave his love.

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mid

After I watched it, I understood why fans of the original are upset. There is so much to the story that it is hard to condense it into a two hour movie and feel satisfied with the result. An anime remake or even a K-drama would have been better than this. I cannot believe the director and production team really put this out and felt proud of their work.
Can I even blame Ahn Hyo Seop for his portrayal of Dokja when the director and screenwriter made his character appear like that? If you are a fan of the original, you would feel really frustrated watching it because of the preconceived standards you already had. If you have no prior exposure to the webtoon or novel, then you might enjoy it.

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A painful yet cathartic experience

This movie hit a little too close to home for me and i believe for many viewers from Asian backgrounds who were raised by their grandparents (for those of you like me, that box of tissues is gonna be more essential than a popcorn). This movie reminded me of my own grandmother's passing and her relationship with her children and grandchildren in those years. She was bedridden for many years before her passing and unlike the main character, was speech impaired, so this movie brought a voice to her experience, a voice i never got to hear.

In a similar way, she also bequeathed most of her wealth to her sons although the persons who cared for her most and whom she trusted most were her daughters, because as a parent she worried most about her sons and wanted to ensure that they were self-sufficient, While her actions may have been interpreted as unfair, to her, this was the best decision she could make to have a peace of mind. And she made the decision knowing her daughters may feel betrayed and she may be hated. She was also "passed around" relatives who agreed to care for her often with the hidden agenda of gaining her favour or benefiting from the situation. And because of her speech impairment, I believe there was much she must've wanted to say that she couldn't. The character 'Ahma' finally gave a voice to my grandmother for me.

Seeing such a personal experience portrayed in a work of fiction pained me but at the same time it provided me some form of cathartic relief, particularly the scene in the kitchen between mother and daughter where Ahma tried to comfort her daughter and convey her love despite it all. Parents believe that they love their children to the best of their ability and it's difficult to judge what's right and what isn't. The character designs were well thought out; Mui was a perfect counterfoil to the ML, logical, shrewd and goal-driven while M was more emotionally-driven and struggled with his conscience, his intentions evolving from being driven by self-serving needs to filial piety, love and respect. And Ahma was too real, vulnerable and strong, filled with loneliness that she forced herself to get used to because she feared burdening her children, and giving even when she was left with nothing else to give. Never blaming her children or grandchildren for their actions, and quietly loving them in her own ways, even if they couldn't understand.

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Purest of love

✅️ Romance in fantasy setting
✅️ Purest, sincere FL
✅️ Honourable, charismatic ML
✅️ Hits you harder thn anime
✅️ Love after arranged marriage
✅️ Intrique & birth secrets

➖️Trigger: Violence and abuse alert

In this unexpected setting, Miyo gets bethrothed to Kiyoka. Miyo despite the abuse she faced growing up, remains unblemised in her innocence and purity of mind. Kiyoka who learns to trust her is drawn to her simple and sincere character. Their interaction was wholesome and sweet in the most beautiful form.

Imada Mio and Meguro Ren managed to potray the real essence of their characters that I felt truly resonate with me and surpass the source material.

Watching them was like sipping a hot Kabusecha: that has a nuanced, unique yet relaxing profile.

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The difference those few seconds made at the ending

Disclaimer

What I am writing here are my views and thoughts about this movie. Some of you may not like it. That does not give you the right to try to come at me with your opinions on why this movie should get a higher or lower score and why it is better/worse than I think it is. You have your own opinions, and I have mine. Kindly respect that.

I started this movie on a whim, as I need a movie with P for my challenge. I was not expecting much out of it, as I don't have any fascination with race car driving. However, I must say that I was actually impressed with how this movie came out. It had comedy as well as scenes that kept me on my feet. This movie, somehow, was able to get me emotional at certain scenes, and I'm not that invested in car racing to get as emotional as I did. But I guess it was because it's a story of an underdog, and we the viewers want to see what happens next.

Now, while all of these are good aspects of the movie, those last few seconds just made all the good things I found about this movie go down the drain. I didn't really like the ending, and it did leave me disappointed. If it just had a better, worthy ending, I would have given this movie a higher score than 7/10.

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A Teen Flick That Trips Over Its Own Drama

The Four Bad Boys and Me – streaming on iWant and ABS-CBN Entertainment YouTube channel – is an adaptation of a popular web novel, directed by Benedict Mique Jr. The cast includes Anji Salvacion as Candice Gonzales, with BGYO’s Gelo Rivera as her love interest Jeydon Lopez. The titular “Four Bad Boys” are rounded out by River Joseph as Charles Gonzales (Candice’s chaotic brother), Dustin Mayores as campus Casanova Troy Mendoza, and Harvey Bautista as Marky Lim – the one relatively sensible member of the group. Supporting roles include Brent Manalo as Shawn Lucas (Candice’s friend from South Korea), AC Bonifacio as Tiffany Chua, plus a handful of other side characters.

I held back writing this review for days because I wanted to see if my first impressions were too harsh. I saw it first at its Gateway premiere, then again via streaming – and sadly, my opinion hasn’t softened. This isn’t just a flawed adaptation; it’s a cinematic train wreck.

From the outset, the film feels like it’s aimed squarely at a younger, undemanding audience – or perhaps purely at fans of the source material and the cast. I haven’t read the original novel, so I can’t tell if the issues stem from poor adaptation or if the book itself is equally messy. But the result here is a two-hour slog: meandering, incoherent, and stuffed with so many unnecessary subplots that character development is all but abandoned.

The story introduces far too many plot points. Instead of fleshing out its core romance or friendship arcs, the narrative sprawls into half-baked love triangles, unexplained conspiracies, and bizarre cheating storylines involving the parents – which add nothing to the main plot. Characters like Shawn (Brent Manalo) feel completely unnecessary; he’s barely on screen, yet his inclusion muddles the central dynamic between Candice, Jeydon, and Marky. Even Kim – supposedly the “third party” – never meets Jeydon, leaving her motivations a mystery.

Script inconsistencies abound. One moment Candice and Jeydon share a heartfelt “Betty” scene, the next Candice acts shocked that Jeydon likes her. It’s as if no one checked for continuity. And if you’re going to introduce new conflicts, at least give them proper build-up. Instead, we get a patchwork of half-explored ideas.

The real tragedy is the wasted potential. Marky could have been a strong second lead. The friendship between Troy, Tiffany, and Candice – established during the pageant subplot – could have added heart. Charles, the brother, could have been given more depth. Instead, the film skims past the emotional beats in favour of filler: unnecessary musical numbers, awkward dance breaks, and a pageant storyline that loses steam halfway through.

What it could have been is a charming coming-of-age story about Candice finding her confidence, with the “bad boys” revealing their own struggles beneath the bravado. Instead, it tries to do everything and succeeds at almost nothing.

To be fair, the film isn’t entirely joyless. There are moments of light-hearted banter and witty dialogue, and Harvey Bautista’s performance as Marky is the one bright spot – he’s the only actor here who seems to know exactly what he’s doing. But even he can’t salvage the clumsy editing, lack of direction, and tonal whiplash.

Verdict: The Four Bad Boys and Me wants to be a breezy, feel-good teen flick, but ends up feeling like detention – long, tedious, and something you endure rather than enjoy.

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"Will you wait for me?"

Somewhere Winter told the story of a Beijing university student’s up and down relationship with a Taiwanese businessman. An Ran would have to decide how long she was willing to wait for Qi Xiao and if the timing would ever be right.

An Ran desperately wants to attend her idol’s first concert in Beijing but doesn’t have a ticket. When hope was lost a man hands her a ticket after his date didn’t show up. Such began the coincidental run ins for An and Qi Xiao before they became more purposeful. Problems with Qi’s family, on-again-off-again lover, and his business cause Qi to ask An to wait for him, a habit that covers 6 years. In the present, An returns to Beijing with her estranged daughter when An’s father is dying. After the funeral as fate would have it, the daughter makes the acquaintance of Qi’s son and the two find a mystery to be solved.

I’m an old, cranky Butterfly and did not see this romance as a great love for the ages. An Ran was a college student so in her late teens or around 20 when she met the older Qi. This for me was the story of a first young love, when you are sure it is the most powerful love of all time and will always endure. No sacrifice is too great for it. As conflicts and separations continue to arise and the timing is never right, maturity and pain kick in for self-preservation and enlightenment.

Ma Si Chun and Wallace Huo did an admirable job of selling the love that couldn’t quite touch. The film didn't do anything to make them look 28 years older when telling the story in the present which was a bit confusing. Zhang Yao played An’s best girl who stood with her through all her heartbreaks.

I enjoyed this film even if it got to the point I was hoping the couple would not get together as An’s needs were almost never met. Somewhere Winter may not have been a love for the ages, but it was also a tale of how first love can overwhelm the senses and common sense, and cause a young woman to throw caution to the wind. First loves don't always mean last loves, although it’s always possible.

9 August 2025

Spoilery comments below:





















The writer(s) chickened out and gave us an open ending. After all the times Qi let her down and went radio silent, I have a hard time seeing An giving up the life she had created to go back to him. Even the last time before the scandal erupted, his eyes were darting looking for the door when he realized he didn’t have enough money to start his hot pot restaurant without An’s help. She sacrificed 6 years of her life for a few days of happiness, not a great predicter of a happy future with this man. But then again, I’m old, cranky, and less forgiving…with a long memory. lol

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"I can't close my eyes because of your beauty"

Miss Yeon is a short film of love, loss, and heart wrenching regret. At a mere 15 minutes director Choi Ji Won told the broken love story of two high school girls in flashback at Miss Yeon’s funeral.

Woo Jeong blows off her boyfriend much to his anger and leaves to attend her friend Su Yeon’s funeral. Only a few friends are in attendance in addition to the grieving mother. Jeong is overwhelmed with memories of the sweet young love she shared with Yeon. And also the hurtful words their friends had to say about people who had same sex relationships. Filled with the anxiety of being caught and shunned, Jeong began dating a boy to “protect” her relationship with Yeon, an unfaithful act Yeon could not accept.

This short film highlighted the scorn and repudiation lesbian relationships faced and the pressure it put on the young couple. While Yeon accepted herself, Jeong struggled to fully accept herself and Yeon and desperately wanted to fit in with their gossipy friends. A confrontation at the funeral would grant Jeong a chance to vent her guilt and unbearable grief.

9 August 2025

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