Reviews

Definitely of it’s time

**POSSIBLE SPOILERS, Read at your own discretion.**
I look back on 2016 K-dramas with so much love in my heart, as 2015 and 2016 were the years I really started watching, loving, and enjoying them. Most of my favourite titles come from these years, and the clichés that have since been mostly wiped away from dramas are what initially drew me to this one. Not to mention the two leads, Jo Jung Suk and Gong Hyo Jin, who are some of my favourite talents Korea has to offer, which was a huge bonus.

I went into this expecting only a couple of things that I remembered being common for dramas of this period: an overly macho male lead who eventually turns soft as a plush, a pushover female lead who may or may not grow a backbone, and a second lead who would make me root for him, only to end up as a great friend to the female lead when she ultimately chose the first male lead.

Little to say, I was incredibly surprised by some of what I expected, and some of what I did not. I was NOT expecting the male lead in this drama to have breast cancer, and for it to be introduced so early on came as such a pleasant shock. I think the cancer portion of this drama was incredibly well done, witty, and featured some of the best scenes, especially during the hospital visits. Most of my favourite moments throughout the drama came from the cancer and hospital arc.

That said, this drama definitely suffered from too many issues in my eyes. It relied heavily on the leads’ silly moments and made light of serious topics, which truly made me feel like the drama expected to be carried by its comedy and outright ridiculousness. This was especially true with the worn-out and incredibly tiresome love triangle. God, that love triangle made me hate Jeongwon so much, and somehow I hated him even more toward the end. I know this is an incredibly unpopular take, but it is mine nonetheless.

I saw Jeongwon as a creep, almost borderline stalker. Why did he always know where Nari was, and why did he constantly push his way in? I felt he was using his “love”, which felt more like obsession, to fill some kind of attachment void left by his mother, or to use Nari as a form of rebellion against his suffocating, luxurious life. He was very much in character the entire time with the rich boy gets whatever he wants attitude, and he often robbed Nari of her agency by forcing himself into her choices. It felt like their entire relationship consisted of him shoving himself into her life, constantly forcing himself into her orbit, and never letting her think for herself for even a second. He was overbearing, rude, and overall an unenjoyable character for me. Personality of wet cardboard, much? The only thing he knew how to do was yell and act entitled, no matter how much the drama tried to paint him as a good guy.

Not to mention how inconsiderate he was toward Ms. Geum, essentially his ex-fiancée. She was a surprisingly enjoyable character to me, and I felt she was just as wronged as he was, in a way he was unwilling to perceive or understand. As a woman, she had a duty and role to fulfill in securing a suitable arranged marriage, and she was more than willing to make it work. She genuinely seemed to admire Jeongwon for who he was and was willing to go the distance to get to know him.

As much as the drama tried to portray Ms. Geum as a wacko who was obsessed and a pathetic pick-me who could not let go, the more I saw her as a woman who simply wanted to be given a chance by the man she truly liked. She was willing to do what she had to do, and even wanted to know Jeongwon more deeply. I applaud her character and would root for her any day.

Furthermore, I can hardly begin to articulate how I feel about Hwashin and Nari, let alone them as a couple. Hwashin was very rude, narcissistic, and overly masculine. He was toxic to everyone around him, including himself. He is one of those characters I dislike but can unfortunately understand, though never validate. He is an asshole, plain and simple, with no excuses. He needed to learn respect for women, his friends, and himself. For much of the first half of the drama, he let his ego rule him, only for his cancer diagnosis to humble him at times.

I genuinely think being diagnosed with a disease most commonly associated with women was a major turning point for him. It forced him to step back and truly evaluate who he was. While I do not think he showed an insane amount of growth, especially during the far too long love triangle arc where he often became toxic and unrelenting, I did enjoy seeing the changes in how he approached Nari toward the end. He softened considerably, developed those “honey eyes”, and learned to address her more kindly and gently as he fell in love. I just hate that it took so long for such a jaded man to become enjoyable, especially around episodes 18 to 20. I really liked him then, and it felt like such a shame that so much potential was wasted.

I wish the drama had developed him more, especially with all the background they gave him early on. A clearer and more relatable explanation of how and why he became the asshole we met at the beginning would have gone a long way. It was incredibly obvious that his arrogance was a cover for a man deeply wounded by how his life had gone so far.

For example, there was so much potential in the storyline about him ruining his brother Joongshin’s life with that exposé. Was he forced to do that story, or did he do it purely for personal gain? He looked pained while delivering it, but even more hurt and disgusted with himself afterward. There was too little context for me to judge his actions, so it slipped through the cracks. With more depth, it could have made for a perfect character arc for Hwashin and added more weight to his brother’s death. Because so little was done with Joongshin’s character, I ultimately felt nothing toward him, either before or after his passing. He was just kind of there, and his death felt like a failed plot device meant to bring everyone together.

I also would have loved it if they worked harder to show that Hwashin was not popular with higher-ups at work and was consistently given demeaning assignments. I will never forget the remark where someone said Hwashin was overlooked as a reporter and never taken seriously, something along the lines of, “Why else would they have sent him to Thailand?” or “Why else do you think he accepted that position and stayed away for three years?” It is a small detail, but again, it was a missed opportunity.

It is such a letdown how much complexity slipped past Hwashin and his disgruntled family. The family was indeed a mess, but they could have been so much more. A mess with layered conflicts that eventually came together for reasons beyond just Ppalgang. Using a single teenager and a pointless character death to reunite everyone after years of resentment felt like the smallest and laziest writing choice.

Finally, Nari also felt like a massive missed opportunity. I fear that her hopes, dreams, and ambitions were completely squashed in favor of making her nothing more than a pawn of love. She was treated as an object and allowed herself to be handled whichever way others chose, all while insisting she was acting out of greed or self-interest. In reality, she was constantly pushed and pulled, rarely making decisions for herself or ever standing up for herself.

They could have expanded her character by portraying her as a dutiful older sister trying her best to make life work for herself, her siblings, and her abandoned stepmother, who seemed closer to her in age than a parent. It would have been incredibly heartwarming to see the two women bond and openly resent Nari’s father for abandoning his children, his eldest daughter, and his young wife. Instead, we saw little to none of her stepmother, very little of her brother Pyobum, and only some of Chiyeol when it conveniently served the plot.

Her family was honestly the most enjoyable part of the drama for me, and I would have loved to see more of them, especially her stepmother. Seriously, what did she do? Did she own the snack shop? How did she even meet Nari’s dad and marry him? Questions and stories like these could have easily replaced the countless wasted episodes spent on that stupid love triangle. Thinking about it genuinely makes me angry.

While I definitely have my qualms with this drama and could say much more, this is where I will leave it. As of writing this, I am on episode 20 and plan to finish the drama. I do not think I will edit this review afterward, as I doubt my issues will be resolved in just four episodes.

I will say that while I disliked many aspects of this drama, there were things I genuinely enjoyed as well. I will not rewatch it often, but if I ever do, it will be with a sense of nostalgic fondness.

I hope you enjoyed the read, and feel free to share if you had similar issues.

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Somewhat Disappointing

Ive watched a ton of kdramas, including plenty of action-packed ones, so I was really hyped for Weak Hero Class 1 when I finally got around to it—especially with its sky-high rating on MDL. I expected something groundbreaking.
The first few episodes hooked me, particularly the arc with Gil-su (Kim Gil-soo) as the villain. It felt grounded, intense, and the fights were brutal in a realistic way. But after that storyline wraps up, things slow way down and start feeling over-the-top compared to the more restrained early vibe. The pacing drags in the latter half, and the drama leans into melodrama that didn’t land for me.
Character-wise, I only really connected with Su-ho (Ahn Soo-ho)—his energy and loyalty carried a lot for me. The others just didn’t click; I found myself not caring much about what happened to them, which made the emotional beats fall flat. That said, the action scenes are still solid (great choreography and intensity), and the acting is strong across the board—especially from the leads.
It’s decent overall, and I can see why some people love it for the themes of bullying, friendship, and survival. But for me, it’s nowhere near an 8-9+ rated show. Highly overrated compared to other action/youth kdramas I’ve seen. If you’re into grounded school violence thrillers early on, give it a shot, but temper expectations for the second half.

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Refreshing!!!

It is soooo refreshing to see a female protagonist playing a typical "male" character for a change - ones that takes the lead, stands her ground, but is not showing it off just because it's a woman. She is just being herself, and her being herself also means having an idol even when you're older, your own bubble of interest and grounded vunerabilty.
She acts well and intertwines with the male main character very well, even though he seems like a manchild at first.

The theme is also refreshing, it feels somewhat new and I'm halfway through and couldn't wait till end to write an review.

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Not disappointed at all: taxi driver ss3 deserves it all

Definitely IN LOVE with this season. The easy portrayal that the actors has given us throughout the whole series is just 10/10. Did have, kinda, not high expectations due to normally the series who have many seasons end up getting just bad and hard to watch, but this series (all three season) didn't disappoint me at all and will rewatch all three seasons soon with my boyfriend (have to educate him lol)! I felt so much throughout the whole series, just as if it happened to me, and enjoyed more than anything the creative ways to get revenge lol, was excited to see new episodes every single time I finished one. Definitely a watch in my opinion and totally time worthy! :)

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Beautifully Cringey love story I can't stop watching

If you want those people that like micro dramas or something about 1% you're going to love this. This is a huge step up from the vertical mini dramas. Also This drama surprised me in the best way. It reminded me a lot of 1% of Something in that it wasn’t trying to be deep, prestigious, or anything it wasn’t. It knew exactly what kind of drama it was — a slightly cringey, forced-cohabitation romance — and it leaned into it fully.
What I loved most is how focused it was. The story is about the couple, period. Side characters exist only to move their relationship forward, not to distract from it. No unnecessary subplots, no random people taking up screen time. Just the couple, their dynamic, and their progression.
It’s funny, giddy, and very rewatchable. The kind of drama you can finish in a day, put on in the background, or recommend to someone who wants something light and cute without emotional exhaustion. It honestly felt more watchable than Boys Over Flowers — better chemistry, better outfits, and way less unbearable energy.
The female lead can be over-the-top for her age, but it works here. It’s exaggerated in a way that’s funny, not grating. And the male lead? Yes, he’s dominant and obsessive — but in this drama’s world, it never crossed into creepy. It stayed firmly in “dramatic, devoted, and ridiculous in a fun way.”
If I had to nitpick, I wish the transition from “not together” to “together” had been given a bit more weight. The moment happened quickly and could’ve been more defined. But once they were together, the drama didn’t fumble it — we actually got plenty of couple time.
Overall, this was honest, complete, and exactly what it set out to be.
Rating: 9-9.5/10
For this type of drama, it honestly does almost everything right

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A Difficult Struggle for Justice Against a Sexual Predator

I was inspired by a friend’s review list here and decided to give Faithful a try. I usually trust her opinions because we share similar tastes when it comes to inspirational plotlines. That said, I honestly struggled to get through Episode 1. It felt quite slow and seemed like the story wasn’t really going anywhere. Still, because her recommendations often align with my preferences, I decided to push through.
I’m really glad I did. After the first four or five episodes, more characters are introduced, and the story starts to take shape and gain meaning.

The drama centers around seeking justice for a wronged woman seven years after her death. It deals with sexual abuse, victim-blaming, and the struggle for justice in an old historical period patriarchal society. It’s more serious and socially conscious than the typical romance scroll drama.

Faithful may seem like a revenge drama, since the characters carefully plot against the villain, but it is truly about seeking justice. Even when they have the chance to kill the villain, they refrain, showing that their aim isn’t personal satisfaction, but to reveal the truth and hold him accountable. Revenge stems from anger and retaliation, while justice is guided by principle and fairness, which lies at the heart of the story.

The narrative structure alternates between two timelines:
The past (seven years ago), showing the abuse, legal failures, and Rulan’s tragic fate.
The present (seven years later), focusing on Meng Wan’s revenge and investigation to overturn the injustice.

The drama openly depicts how a charismatic but predatory man exploits young women under the guise of teaching them a skill, and how the legal system and society protect powerful men while shaming victims.
Rather than supporting those who speak out, the society in the drama blames victims for bringing dishonor upon themselves, showing the social stigma and obstacles survivors face.
The core arc follows Meng Wan’s determination to dismantle the status quo and pursue justice, not just for her friend but for others who suffered similarly.
The drama is quite realistic about sexual abuse, power imbalance and justice. However, it is still a drama, some parts are unrealistic, heightened or stylized for narrative impact. Trauma isn't easily resolved
Instead of “instant recovery” often seen in idol dramas: victims carry long-term emotional scars, shame and fear remain for years, loved ones also suffer, healing is slow and incomplete. The drama accurately highlights how evidence is hard to prove, authorities doubt victim testimony, and perpetrators can manipulate the system.

However, there is a very important nuance: Sexual abuse cases are complex, and dramas like Faithful focus on one narrative (the victim seeking justice) but reality involves both genuine victims and occasional false accusations in real life. Evidence is critical.
Courts and police have to rely on tangible evidence, witness statements, and documentation. Without proof, it’s very hard to convict someone, even if the accusation is genuine. Even though rare, False accusations exist, and it is fair to acknowledge this when discussing this topic about real life. However, when they happen, they can ruin reputations and lives, which is why evidence and due process are essential. Both survivors and the accused deserve fair investigation.
The key takeaway is: justice systems must carefully weigh claims, evidence, and protection for all parties. Survivors need support and protection to come forward.
Societal understanding should focus on truth, fairness, and preventing abuse, not assuming guilt or innocence automatically.

Faithful is a drama with uneven production quality. It starts off slow and budget constrained but becomes much stronger in direction, suspense, and editing once the main plot unfolds. Essentially, the story and themes carry it through despite a shaky beginning.
It threads focus on story and characters rather than spectacle or production scale, suggesting the drama isn’t known for flashy production values. It is more grounded and character-driven than expensive-looking.

🌟 Core Lessons and Messages

1. Even when the legal system fails, people can still fight for truth,  justice might take time, but perseverance matters.
2. Collective strength can achieve what one person alone cannot. The story emphasizes unity, solidarity, and collective bravery in the face of power and corruption.
3. Women supporting women is powerful.
4. Silence in the face of wrongdoing enables injustice.
Several characters once remained silent out of fear or self-interest.
The drama shows that bystanders have responsibility, and doing nothing can be as harmful as the crime itself.
5. Truth comes with a price. Seeking justice is not easy, people suffer, sacrifice, and risk reputations and lives. It teaches that justice is not always clean or painless, but it is meaningful.
6. Power can corrupt, but integrity can defy it.
The drama exposes corruption, abuse of authority, and class privilege.
At the same time, it celebrates characters who stand firm in morality, conscience, and courage despite pressure.


🌼 Takeaway for Women

Speak up. Your voice has power. Your story has meaning. You deserve justice, respect, and agency.
Support each other.
Act with truth and evidence.
Use past struggles as strength.
Balance compassion and courage.
Seek justice, not revenge.
Educate yourself to avoid being naive.

Faithful celebrates women who reclaim their narrative, not by being fearless, but by choosing not to let fear win. Unity among women is powerful, but it must be guided by fairness, truth, and evidence.
In short: Faithful shows that justice is not emotion-driven; it’s evidence-driven. Even when seeking revenge, the characters rely on facts to avoid becoming perpetrators of injustice themselves.

The last episode of Faithful was incredibly meaningful and heartwarming. It explores what could happen if everyone made wise choices, especially the family members and shows how these decisions lead to positive outcomes and a truly happy ending for everyone and their children.
If I were rating the drama based solely on this episode, it would easily be a perfect 10. In fact, this final episode actually raised my overall rating above what I initially intended. I don’t see it as just a “what-if” bonus to the story; in my opinion, it embodies the central lesson of the drama itself.
The heroine’s smile (Rulan) at the end was, in my view, among the most beautiful endings I’ve ever seen in a drama. Her performance was outstanding, one of my top 10 perfectly capturing a character who is kind, brave, and a little naive. While I gave her 10, it was 8 on performance overall because I also considered the other characters and performances, but her final portrayal was truly unforgettable.

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A Snowy Romance Wrapped in Warm Friendships

Amidst a Snowstorm of Love is a calm, cozy, and emotionally gentle drama that prioritizes atmosphere, relationships, and everyday warmth over heavy conflict. It’s the kind of show that quietly wraps around you, making it perfect for winter evenings and slow, comforting watches.

The romance between Lin Yi Yang and Yin Guo is soft, natural, and free of unnecessary misunderstandings. Their relationship develops through small gestures, shared silences, and steady emotional support rather than dramatic twists. While I personally found the ML’s acting a little bland at times, this was my first fluffy modern romance, and the sincerity of the story kept me invested enough to finish it—and enjoy it overall.

What truly stood out for me, even more than the romance, was the male friendships. The bond between Lin Yi Yang, Jiang Yang, and Meng Xiaodong was warm, respectful, and deeply supportive. There was no toxic rivalry—only mutual admiration, healthy competition, and genuine brotherhood. Their dynamic added depth and balance to the story, making the world of billiards feel grounded and meaningful. The way they supported each other, both in sport and in life, was one of the most satisfying aspects of the drama.

The supporting cast also deserves praise. Yin Guo’s friends and Lin Yi Yang’s teammates acted as natural wingmen and wingwomen, bringing light humor and warmth without stealing focus from the main story. The billiards storyline blended smoothly with the romance, enhancing character growth rather than distracting from it.

Visually, the drama is beautiful—filmed across multiple countries, with soothing cinematography and a fitting OST that elevates the cozy, introspective mood. The pacing is slow, but intentionally so; the plot is the relationship and the interactions. If the chemistry works for you, the drama works. If not, it may feel uneventful.

Overall, Amidst a Snowstorm of Love is a healing, low-angst drama that celebrates companionship, first love, and brotherhood. It may not be perfect, but it’s sincere, comforting, and quietly memorable—definitely worth watching if you enjoy soft romance and strong friendships.

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Only You was my first Thai GL. So I thought this was the standard and I am totally happy about the cringe since I came from watching soap operas and teleseryes from the Philippines. So I didn't really have much hope for this one and I was right lol.Bodyguard x celeb is actually a good yearning trope but they did not really focus on this trope as much as I thought and that's disappointing. Also, what kind of bodyguard wears heels on the job? Makes no sense lol. They mostly did it to close the gap of the heights of LingOrm which is so unnecessary in my opinion. It's okay if the more femme one is taller. It's hotter that way but that's just me. There's also so much trope in this show that it didn't really make for a good plot. They put in the star-crossed lovers trope here as well which could've so much angst if it was written well. But the fathers not approving the relationship not because of homophobia but because they are business rivals is so trivial that it didn't really hit my feels at all. If Ayla's father is rivals with Tawan, then that would be a better plot. And do not get me started with the sickness thingy that came out of nowhere. Like tf? It was a great gesture from Tawan and all but it didn't really tie to the story. It felt like I was watching a different show. I wished they sticked to one trope and focus on that then maybe we could've gotten a better show. I really believed that the director didn't really utilized the actresses full potential in this series. Orm (Ayla) - she is such a good drama actress. Her scenes always tug at my heart but I just think that there are times that she didn't really need that much emotion on a scene. Like gurl you don't have to cry all the time. I get it you can cry on cue lol. Her character doesn't also have a lot of inner conflict and I wish there was more angst for her character because she got left with no explanation. I would've loved to see a moment of her struggle of her almost giving up on Tawan. The ""is she worth it"" moment. I felt like a monologue would've been perfect for Orm because she would've pulled it off easily. Lingling (Tawan) - I love protective tropes as much as the next person but I don't like the way it was portrayed here. It's giving toxic masculinity, especially when Tawan is an S class bodyguard. She should have better composure and a better grip of her emotions. I wanted the portrayal as ruthless but not violent. Calculated not explosive. Also, the poker face should be for the outside world, and she shows her softness when is alone with Ayla or in her regular life. There's not much of that I've seen. I want the microreactions, the small smiles, the yearning glances. I needed more from Tawan. Because she's a yearner through and through but I just didn't see that on her facial expressions. In actions sure. I like the music and it's been added in my playlist. I like when people make songs for the actual show and not just grabbing a song that's already out there and making it an OST. So I am very happy about the music. I find it very funny that they have to play the "you are the moon in my heart" every single time. Sometimes it's ruining the vibe of the moment because you keep hearing it. The timing was not there at all. I understand if people don't want to hear that song after this show lol. Also, I am very upset that they didn't really use the actors very well. I really think that there's so much more of them than this. Also, I think the intimate scenes could've been better especially the kissing scenes since we are in the year 2025. I thought they would kiss like they weren't cardboards lol. I really wanted to like this series so much because the actresses are quite good. It just keeps missing on where I wanted it to be.

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What this show meant to me - My POV

A 10/10 rating for this emotional rollercoaster!!!

*Until We Meet Again, The Series* is not just a love story to me—it feels like an emotional experience that stays with you long after the screen fades to black. Watching it from a human point of view, I didn’t see characters acting out a script; I saw people carrying pain, love, fear, and hope across lifetimes. The series pulled me in slowly, quietly, and then all at once, leaving me emotionally exposed in the best and hardest ways.

What struck me most was how deeply the show explores the idea that love does not disappear with death. It lingers, it reincarnates, and it demands healing. As a human viewer, I felt the weight of unresolved trauma passed from one life to another. The themes of suicide, family rejection, and guilt are not romanticized; instead, they are presented with a raw honesty that made me uncomfortable at times—but that discomfort felt necessary. It mirrored real human pain, the kind we often avoid talking about.

The performances made the emotions feel real. I could feel the fear in Pharm, the confusion in Dean, and the overwhelming sorrow in In and Korn. Their tears didn’t feel staged; they felt like releases of grief that had been held in for decades. As someone watching with empathy, I found myself crying not only for the characters, but for the very human idea of loving someone when the world refuses to let you.

Ultimately, *Until We Meet Again* reminded me that love can be gentle and devastating at the same time. From my point of view, it is a story about healing—about choosing to break cycles of pain and allowing love to exist without shame. It doesn’t promise happiness without struggle, but it does offer hope, and that feels profoundly human.

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You have to watch this drama - you won't regret it

My all-time favorite chinese drama

Very underrated drama - If this show was released today in all international platforms, it would have the same recognition as nowadays most famous Kdramas (e.g. Squid Game)

I rewatched recently and I still find myself enjoying it so much, (which is rare because I usually get bored when I watch it for the 2nd / 3rd time), and this will typically be the type of drama that I can watch over and over again without feeling a tiny sense of boredom

Everything in this drama is great : the storyline, the filming, the actors, the chemistry, the characters, like everything is so cohesive and coherent as a a whole and I find it rare in dramaland today.

There's so many things to talk about but I think I will focus on the storyline and the actors
It's a Sci-Fi drama but I still find it coherent and realistic if we follow the logic behind (aka time loop), which make the overall very enjoyable and it somehow shows how good the writing is (I can imagine how tricky is to be to fall into something in this genre that does not make any sense). And what makes it great is that this drama also shows a very "human" side to a all the characters which make them very touching - and in that sense I think the drama has also a "slice of life" aspect.

I was touched by every characters storylines - their background, their struggles, and it shows how every individual we meet in our daily life (e.g the bus), there is a story beneath it, and society and life isn't about who is bad and who is good. As a chinese myself I can relate to all the characters storyline as I understand how chinese society can be harsh to individuals.
I enjoy how in the first episodes, we were focused on getting to know what's going on, the logic behind the loop, and then later on how the attention switch to getting to know all the backstory from the characters - which later will help the leads to get out from the time loop.

It also underlines how harassment, in general, could be devastating to families and how words can hurt people. People please be careful with your words, words are powerful : it could heal or destroy someone

Okay now I will talk about our leads : they're AMAZING. like really. The characters are surely not easy to play, but I find their acting very convincing. The chemistry is also there, their relationship doesn't feel rushed or anything but rather very natural (the story is not focused on the romantic plot tough - but towards the end we clearly understand that they're a couple haha.) The characters are very well written, kudos to the writers : all have their own personality traits, their on fears but as a duo their energy match perfectly.

And what a change to see that everyone in this drama is logical, not overly-dramatic, and how all think efficiently. Not useless drama or waste of time with potential characters that could drag the overall plot.

I also want to underline how well the side characters performed (special mention to the one playing the police chief and the one plauing meng meng's mom) - whoever casted those actors you did a great job and you deserve everything in the world

10/10 - Give it a try you won't regret it

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Head 2 Head: A Healthy Relationship Vs The Unhealthy One.

From the very 1st episode, Jerome and Jinn were real-time enemies which sent BL fandoms and groups into a frenzy. So much angst! They made a buzz even on X, because we would see screenshots posted on IG and Facebook .

Things took a turn, after the screenwriter and director introduced Van and Farm's relationship. From then, the series flopped, as the storyline was all over the place, going round in circles (also affecting the mains' healthy relationship), because Van was written as a self-centered man, who has this ego that the whole world revolves around him.

Again, his narcissist behaviour left many watchers with no choice than to drop this series. He only cared about his reputation, not the person that sincerely loved him, like Farm. Sea and Keen delivered as usual and have been building their fandom since debut series, Only Boo!

It was the best but they had to ruin it by balancing a healthy relationship vs the unhealthy one! Resulting to a significant drop in the ratings and number of watchers. My poor babies SeaKeen had to suffer due to lazy script and direction.

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Entertained

I really enjoyed watching this series, even though it isn’t really a love story for me . It’s more of a lakorn, with over-the-top villains and dramatic scenes, but it’s still entertaining.

I especially liked Pheem’s character, particularly his development, which was interesting to follow. However, his obsession with revenge sometimes made him really annoying.

Than, my poor baby, should never have ended up with that crazy Pheem he clearly deserved better. Even though he had his flaws, I really liked him. The antagonists were over the top but fun to watch. Still, I would have preferred a different ending for them than the one we got.

If you like lakorns, I would still recommend it.

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What a thrilling ride, as always.

just watched episode 16, and the last 30 mins were kinda weird. like why everyone listening to the general when he's not a general anymore? let's say they do. that last gun shot scene was extremely weird. Then showing them meeting was destined aas cute but then showing Go Eyn waking up in tears and taxi area all gloomy, I thought that all was a dream and Driver kin actually died. then panning to them a few years later i guess cus Go Eun had bit longer hair and them still working together meaning Kim didn't die, this all was so confusing. But I choose to believe they all survived and are still knocking those heads that deserve to be knocked!

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