It's interesting how in K-dramas the roles of which gender gets objectified are turned on its head. The fact that…
they're on two different plans though. there's a false equivalence. however, the subjugation of women allows the objectification of men to continue. so if one is interested in eradicating the other (which we should be) then men must participate in mitigating our harm.
I believe it's more of a Netflix thing than anything else. They themselves don't produce shows that exceed 10…
strangers from hell and trap are part of OCN cinematic drama series. that's an OCN prod but is on netflix like people said. the director and co-writer is a film director as well so this was also intentional. it's not supposed to be divided nor was it cut short. i parallel those two bc they're supposed to be a more cinematic experience than a "series"
THANK YOU for understanding the symbolism for conformity and adolescence and putting it into words better than…
ahhh i'm glad you liked it! i get worried cos it's so llnng. and im super glad you feel the same way. i think there's a reason why so many of us became such big fans and identified with it. so it makes me kinda sad to see that people didn't like it. like in a strange way i feel misunderstood~ lol i'm always worried about my analyses and reviews anyways so thank you sm for your affirmation
wan-su and mi-nu this is the only thing so far i don't get re: themes. why did they need to be cut even though…
i really like them together tho! i think there's something that needs more explanation. it's clear they care about each other but i guess some of it means like insane calamity
WOW... i actually enjoyed watching this!. the first episode was total nuts tho but it really is worth a watch!…
cried too :( she's so fucking cool to have dealt with it. and if i were to guess the sterilization v. happiness is just one way of conforming or another. HSP is about eliminating pain in a cultish way, i think. idk if the book has other translated parts but i will keep a look out for it and if i find it will post it here.
a lot of it is about running away from pain and growth and status quou. that's why everyone is so "different" but they're the ones who are shunned. safe happiness is a "cure" for the things that dont need to be but people just need to be helped (disabilities, poverty (this one is trickier, but they deserve respect and for rich peers to help), sexuality, gender) i think the scene with the teachers encapsulates that the most but i don't think all the people believe in it. i hope this makes sense. i reallllyyyyyyyyyyyyyyy hope there's a s2.
i don't trust the ratings on this site but man this shit was wild in an incredible way. i hope there's a season 2. netflix is a terrible notorious company known for lying lol but gives more creative control. i loved it. hopefully i can write a review but i'm real wrapped up in forest of secrets.
you should check out the excerpts from the book and you should check out kyoung mi's other work. one of my fav films of hers is 'the truth beneath.' she's talked about her troubles as a female filmmaker, particularly in SK, and how before this she wanted to quit. it has her mark all over it and there's lots of things unexplained, confusing, things that meander but the world was so entrancing and fucking bizarre. i loved it and i loved that it was to challenge conformity, sexuality, gender, particularly within teens. i really hope there's a s2. this is going up there with my other favorite insane dramas like 'trap' and 'strangers from hell' lol (part of ocn's cinema series ironically and i think this is a cinematic achievement even if the director didn't feel it as such.)
also all the actors were good. i NEVER say this about nam joo hyuk but he impressed me and has improved—kyoung mia nd the cast and crew were able to bring out the best but also, i hope, he is truly working at it. i admire that. and of course yu mi is another star. she wants to say and explore so much in that tiny body of hers. i love how open her mind is and the roles she wants to take on and how much she loves women.
it is so bizarre, so weird, so crazy. so beautiful!!!
btw netflix gives people more freedom as opposed to working within channels. it is still a corporation so there are drawbacks but nothing about this show in itself is "western" because the culture is specific to it. if a remake were to be done, the culture would change. of course there's cinematic tropes that are beautiful in every culture but you also have to be aware of the works of the creator. when ppl say western they mean white and simultaneously dont give a thought to imperialism and its affects nor give credit to the very capable artists. this is the world a korean woman wrote, two korean women adapted into script, a korean woman directed, with a korean cast and crew that was obviously heavily female. hye min didn't want to "exist automatically stuck in her designated area" that says so much in so many diff ways
Delirium. For Western aesthetics and Western viewers. Odd and entertainig.
watch her other stuff. she's herself through and through and you can tell that she, na hong jin, park chan wook. and others have this particularly korean style of the absurd. it was what she wanted it to be but certainly not for western viewers; for everyone.
Came here to ask the exact same thing. I won't start it unless I know it actually wraps up at ep6! :D
it isn't! the director and co-writer is a female filmmaker (you should check out her stuff!) it was her first tv show and just 6 eps for it. i dont think she'd even want to do anything longer but i hope there's a s2.
i am on ep 4 and i'm so in love. i love the director's work, yumi (and omg shout out to live co star!), and i…
wan-su and mi-nu this is the only thing so far i don't get re: themes. why did they need to be cut even though their rship is still a connection? is it just cause lucky and bad luck and they were destined to do shit that attracts anxiety and pain?
i am on ep 4 and i'm so in love. i love the director's work, yumi (and omg shout out to live co star!), and i read a chapter of the book (it was translated) and yea but i'm surprised. i was super worried about nam joo hyuk but i was willing to risk it all anyways for kyoung mi and yumi but he's improved dramatically it seems—and it's rare that i feel that way about many actors. so next time he's in something i won't feel as anxious watching it.
i thought there would be a massive imbalance between he and jung yu mi but he embodies the character well. everyone in this world plays who they're supposed to be with such fond strangeness. and obviously like with the work yu mi picks anad the director's view on life and women it takes conformity, sexuality, and growing up in a literal and psychological approach. also it's hILARIOUS. i don't want it to end!
I think that Season 2's ending will be magnificent. There is a reason that this series is pre-produced. TVN trusts…
good way of putting it! i hope when you rewatch you will find what you did in s1. i didn't realize the power of s1 until way after. you're right about the reality! and i also pose something else: if s1 set up the world and gave us our first question and answer and s2 pulls the lens out even more and drags us through the mud on the bigger political scheme that let s1 be what it was (micro - macro ; one case trying to break through a system - a system that lets it exist and forces death) then don't we know s2 isn't possible without it? and if it isn't we see it as a continuation with an understanding of s1 but, like you said let go the specificity of s1's case and understand the consistent, neverchanging, fucked up world that continues from s1 within s2's?
everything has repeated from corruption points, to scenes to call back, to interrogating criminals and coercion, but do we feel like things are less at stake because of one particular thing? i, personally, believe you are right; it is a great one in politics in which the things that s1 couldnt' achieve because of a specific focus s2 is able to build off of. i ronically, i do remember a complaint of s1 being that it isn't an actual political thriller so when we get this, and thrillers are much about action but also dialogue, i wonder if those who wanted that from s1 like this more.
no matter what, im impressed and i know for a fact that many of us will get to rewatch this whole thing after being here for weeks and will be blown away like the first time we rewatched s1.
even more basic: school = breeding ground for energy, 2 companies fighting to monopolize that energy to take over the world.
i hope they know people love this and it meant a lot to us. we're all weird people ;)
i cried a lot, too!!! they did an amazing job
a lot of it is about running away from pain and growth and status quou. that's why everyone is so "different" but they're the ones who are shunned. safe happiness is a "cure" for the things that dont need to be but people just need to be helped (disabilities, poverty (this one is trickier, but they deserve respect and for rich peers to help), sexuality, gender) i think the scene with the teachers encapsulates that the most but i don't think all the people believe in it. i hope this makes sense. i reallllyyyyyyyyyyyyyyy hope there's a s2.
you should check out the excerpts from the book and you should check out kyoung mi's other work. one of my fav films of hers is 'the truth beneath.' she's talked about her troubles as a female filmmaker, particularly in SK, and how before this she wanted to quit. it has her mark all over it and there's lots of things unexplained, confusing, things that meander but the world was so entrancing and fucking bizarre. i loved it and i loved that it was to challenge conformity, sexuality, gender, particularly within teens. i really hope there's a s2. this is going up there with my other favorite insane dramas like 'trap' and 'strangers from hell' lol (part of ocn's cinema series ironically and i think this is a cinematic achievement even if the director didn't feel it as such.)
also all the actors were good. i NEVER say this about nam joo hyuk but he impressed me and has improved—kyoung mia nd the cast and crew were able to bring out the best but also, i hope, he is truly working at it. i admire that. and of course yu mi is another star. she wants to say and explore so much in that tiny body of hers. i love how open her mind is and the roles she wants to take on and how much she loves women.
it is so bizarre, so weird, so crazy. so beautiful!!!
btw netflix gives people more freedom as opposed to working within channels. it is still a corporation so there are drawbacks but nothing about this show in itself is "western" because the culture is specific to it. if a remake were to be done, the culture would change. of course there's cinematic tropes that are beautiful in every culture but you also have to be aware of the works of the creator. when ppl say western they mean white and simultaneously dont give a thought to imperialism and its affects nor give credit to the very capable artists. this is the world a korean woman wrote, two korean women adapted into script, a korean woman directed, with a korean cast and crew that was obviously heavily female. hye min didn't want to "exist automatically stuck in her designated area" that says so much in so many diff ways
WAIT NVM IM ON EP 6 wil update
i thought there would be a massive imbalance between he and jung yu mi but he embodies the character well. everyone in this world plays who they're supposed to be with such fond strangeness. and obviously like with the work yu mi picks anad the director's view on life and women it takes conformity, sexuality, and growing up in a literal and psychological approach. also it's hILARIOUS. i don't want it to end!
everything has repeated from corruption points, to scenes to call back, to interrogating criminals and coercion, but do we feel like things are less at stake because of one particular thing? i, personally, believe you are right; it is a great one in politics in which the things that s1 couldnt' achieve because of a specific focus s2 is able to build off of. i ronically, i do remember a complaint of s1 being that it isn't an actual political thriller so when we get this, and thrillers are much about action but also dialogue, i wonder if those who wanted that from s1 like this more.
no matter what, im impressed and i know for a fact that many of us will get to rewatch this whole thing after being here for weeks and will be blown away like the first time we rewatched s1.