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We All Need Someone to Listen to Us!

Life is about two things: connecting with your Self and connecting with others. In the end, you find that they are both the same thing. However, until you are able to connect with your Self, you will find that it is impossible to connect with anyone else.

Mystic Pop-Up Bar is a delightfully sweet series about Wol Ju, who is sentenced to resolve the grudges and grievances of 100,000 people to avoid eternal damnation. Yes, you just have to go with the Judeo-Christian spin on things. Responsible for committing suicide, destroying the Sacred Tree 500 years ago, and inadvertently causing the deaths of 100,000 people, she’s required to make amends. Chef Gwi, the bar's primary cook, serves with her. The bar pops up on various street corners, hoping to bring in customers who have grudges and grievances to be resolved.

Wol Ju is a somewhat temperamental woman, who finds her task to be tedious, especially among humans, whom she appears to have a great disdain for. However, we quickly learn that she cares much more than she lets on. She’s simply blinded by her own resentment and grudge from her lifetime 500 years ago, in which her mother was murdered, which caused her to commit suicide. She also harbors a grievance against the Crown Prince of that time period, a man she fell in love with, and who promised to protect her.

Chef Gwi is a lighthearted and kind man who endeavors to do all he can to help Wol Ju achieve her goal and avoid eternal torment. It’s fairly obvious that there is something between the two, but this doesn’t come out until the end of the series. We also find out that Chef Gwi is also a reaper who occasionally assists in the capture of evil spirits.

Finally, we have Han Gang Bae, a likeable but fairly naïve young man who works the customer service counter at a local supermarket. Whenever he touches someone, he compels the person to share their innermost thoughts and feelings in a completely truthful way. As soon as Wol Ju finds out about his abilities, she recruits him to help her find people who have grudges to settle. Wol Ju promises to help Gang Bae get rid of his ability in exchange for his services.

The episodes are beautiful as the trio begin to find and help people in dire need. The series reminded me of “Tomorrow” another wonderful K-Drama in which a trio helps others. There are a number of touching and heartfelt moments. People enter the bar, have a drink, along with some food, and find themselves disclosing what is troubling them most. It’s not nearly as superficial as someone walking into a bar, settling down for a drink, and then disclosing their problems to the local bartender, or perhaps someone wandering into a church to talk to a priest or minister for the same reason. In short, we realize that everyone needs someone to listen to us, and that is the focal point of this series, and why it is so thought-provoking and relatable.

We also come to realize that the real reason Wol Ju is so determined to make her goal is to stop the pain and suffering of her child, who was conceived by herself and the Crown Prince, and who was an unintended victim of Wol Ju’s suicide. It’s ironic how things always tend to come “full circle.” Wol Ju learns that Chef Gwi was the Crown Prince in their previous incarnation, and Gang Bae is actually their son. Families are never formed by accident.

This is a truly uplifting series that demonstrates that, no matter what “sins” we’ve committed, nothing is truly unforgivable. We must also remember that our thoughts, words, and deeds are like boomerangs and will come back upon us at some point. Such is the Law of Karma. Mystic Pop-Up Bar endeavors to show us that we should appreciate those who are in our lives, and not waste a single moment. Learn to love and appreciate all of them!

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What Is the Price of a Human Life?

It’s sad that this type of question even has to be asked, but in this world where corporations, politicians, and governments dictate what a human life is worth, then the question is still relevant.

This is a brilliant series that endeavors to not only ask the question but asks the viewer to really think about it. In a day and age where people lose their livelihoods due to medical costs and outrageous health insurance coverage (that is incredibly expensive and covers very little; at least in the US, which has the worst health care system on the planet), what exactly is the cost of a human life? Sadly, most people don’t care enough about what happens to others, unless they are directly affected by an emergency circumstance that threatens to take the life of one of their own loved ones.

Dr. Baek Gang Hyeok is a brilliant trauma surgeon who’s just returned from serving as a doctor with a private military company. He is brought in by the Minister of Health and Welfare with the hope of turning around the ER at a local hospital, where the trauma department (or lack thereof) is struggling. Doctors on-call are from other departments where they have very little—if any—trauma experience.

Dr. Baek is a no-nonsense doctor, who is as passionate about saving lives as he is as the premier trauma surgeon in the country. For Dr. Baek, nothing is more important than saving a life, no matter the cost or even the danger, in some cases! Watching Dr. Baek jump out of a helicopter with his young, terrified protégé in tow, was both amazing and hilarious! But it also demonstrated his amazing dedication to doing whatever it takes. I daresay that any sane person would want this type of doctor around.

Dr. Baek immediately sets up a trauma center at the hospital much to the consternation of the higher-ups, especially the Chief as well as the Director who both want Dr. Baek gone at all costs. They see him as an obstruction to the hospital’s profits. Hence, comes a question that Dr. Baek, himself asks: since when is money more valuable than saving a life?

At one point, the Chief is so hellbent on destroying Dr. Baek and his reputation, that he works with the Rescue Chief to ground the rescue helicopters unless the request is sent through proper channels. Unfortunately, this leads to a patient who ends up in a coma because Dr. Baek and his team had to use an ambulance to get to the site instead of a helicopter, thus losing valuable time. After all, in an emergency situation, time is everything.
Even at just eight episodes, the series proves that it is as entertaining as it is important. In too many countries, money is more important than saving lives. Some hospitals will turn away patients if they can’t pay. Some patients are buried under so many medical bills that they end up having to sell their homes and anything else to try and pay it off. Jon Stewart wisely stated once, “No person on this planet should have to lose their livelihood due to medical costs.” It’s not just disturbing. It’s criminal. For what sane country would bleed its own people to death over money?

Performances in this series are all first-rate. Ju Ji Hoon quickly won me over as the immovable Dr. Baek who condescends to nobody, and like Dr. House, calls out anyone over the stupidity of protocols that threatens to take a life. I love how he gets after doctors and anesthesiologists who are summoned to the trauma center to help with a case, but they simply can’t be bothered. Anyone who behaves like that in the medical field as no business, absolutely none, being in it. In fact, such people who put lives at risk should be prosecuted, especially if their procrastination leads to someone’s death.

I also enjoyed veteran actor, Yoon Gyung Ho (Dr. Han), who often plays bad guys and villains, as a doctor who is initially on the side of the Chief and the Director but suddenly sees Dr. Baek’s value when Dr. Baek saves the life of Dr. Han’s daughter. When it comes to change, it’s better late than never! And Dr. Han quickly becomes Dr. Baek’s staunchest supporter.

As with so many great K-dramas, this one is loaded with humor, excitement, entertainment, and some truly tender and heartfelt moments. Shows like this one are invaluable as they put a spotlight on a problem and ask that something be done about it. Now, that’s using entertainment wisely.

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A Grand Epic That Ranks Up There with Some of the Absolute Best!

My Country: The New Age is nothing short of an epic masterpiece that seems to have elements of “Ben-Hur,” “Game Of Thrones,” and “Braveheart” in it. I know next-to-nothing about Korean history, so I would be curious to find out how many of these characters are based upon actual persons from history. The series is grand in its scale, filled with deep, complex, courageous and magnanimous characters.

The story takes place in the late 1300s when “Korea” is in a feudalistic state of rival factions and uprisings all bent on taking control of the country. The king is overthrown and replaced by its corrupt general who has eight sons. A number of them are plotting to take the throne for themselves. The plots and factions are so muddled that an ally in one moment can suddenly become an enemy in the next or vice versa.

Seo Hwi is the orphaned son of the country’s greatest general and warrior. He inherits much of his father’s principles and ideals and sense of justice. He embodies what it means to be a true hero; a man who fights for the people who are caught in the middle of this massive civil war. Initially betrayed by his best friend, Nam Sun Ho, Seo Hwi escapes danger and death time and time again, only to rise up and become an integral part of the country’s formation. Seo Hwi embodies all that it means to be noble; a man who will always do right by his loved ones, his friends, his comrades, and his country.

Nam Sun Ho is Seo Hwi’s best friend and the bastard son of Nam Jeon, a man who will stop at nothing to gain control of the throne for himself. Nam Sun Ho lacks Seo Hwi’s character and ability to stand up to his father. Instead, and once too often, he finds himself attempting to play multiple sides which pretty much all end up in failure. He’s a man mired in darkness and gives into it for a time in order to gain more power and control. History is riddled with such men who believe that there is a nobility in acquiring power with the justification that it be used to help the greater good. The Hitlers, Stalins, and Trumps of this world have always propagated such rhetoric. However, Nam Sun Ho is also someone who begins to see the error of his ways, and he proves himself to be as much of a hero as Seo Hwi.

Finally, there is Han Hee Jae who is, herself, an orphan who is saved as a child by Seo Hwi’s father. While their initial meeting is somewhat cold and ambivalent, Hee Jae and Seo Hwi fall in love, and Hee Jae becomes a part of Ihwaru, a “brothel” run by Madame Seo who uses it for the greatest power of all: the acquisition of information. And to the most cunning and dangerous, information is power. Hee Jae uses her position to help Seo Hwi and to uncover the latest plots being hatched by the current king as well as the princes.

The most dangerous prince is Bang Won, the fifth son of the current king to aspires to take over the throne one day. However, as with so many Korean shows, not everything is at it appears to be, and Bang Won is easily the most intricate and complex character of the series as the viewer attempts to find out who the true “villain” of the story is, or if, in fact, there is only one!

The series plays like a tangled web of characters and stories being laid out with a new plot direction being thrown in as soon as one appears to have been resolved. We never quite know who to trust, which puts us right in the center of things and our hero, Seo Hwi, who endeavors to deal with each new danger as they spring up.

We see the country struggling to form, but we see Seo Hwi and Nam Sun Ho struggling with their principles as well as their friendship. Don’t be surprised if you find yourself cheering one character only to pray for his downfall in the next.

Performances in this series are all incredibly stellar! While Yan Se Jong gives us a true hero in Seo Hwi, Woo Do Hwan gives us a Nam Sun Ho who is in constant struggle with himself. Unable to fully recognize the strength he has that Seo Hwi sees, he straddles the line between “right” and “wrong,” which takes someone with serious acting chops to do and do well! Finally, Kim Seol Hyun gives us a Hee Jae who is strong and steadfast in her love and devotion to Seo Hwi. She is a strong woman who is more than a match for any man in this world. She may not fight with a sword, but her weapons of information make her, arguably, the most dangerous and powerful character in the series.

Of course, a series like this is only as good as its villain, or “villains.” From Nam Jeon to Bang Won to Lee Sung Gye, we get a whole nest of vipers and villains. Sometimes, it’s challenging to determine who is the worst as each is so incredibly effective in their own way. We’re not cheated by silly theatrics and plot twists that always seem to be the demise of such characters. Instead, we fully appreciate the men that Seo Hwi is up against. Yes, indeed! The villains make the hero!

There are plenty of humorous and touching scenes in this series with incredible landscapes, colors, and memorable characters. Perhaps nothing will quite prepare you for that powerful ending that few might see coming. One can only surmise that Seo Hwi and Nam Sun Ho finally achieved what they both set out to do. You can feel Hee Jae’s despair and angst as the palace doors shut with Seo Hwi cradling the body of his best friend and awaiting his own fate. But then again, it really couldn’t have ended any other way and be as effective as it was.

This is an exhilarating series that ranks right up there with some of the best and most profound epics ever to be put to screen, either big or small. If you haven’t seen this amazing series yet, you’re in for a real treat!

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Fear of Change

“Rookie Historian Goo Hae Ryung” is a simply delightful series tackling the time-long theme of dealing with change. History is wrought with periods where the “old guard,” the traditionalists, the people who believe that things are working when they no longer are, battle against those who seek to embark a more effective way of doing things.

Some countries, throughout history, endeavor to fight and even change the course of history by seeking to eradicate those trailblazers who bring about different ways of doing things. The irony about change is that Life IS change, and those who refuse to change will eventually be run over by it.

Goo Hae Ryung is a very progressive woman for the time period: Joseon in the mid-1800s or so. She doesn’t seek to get married, and invariably enjoys reading books to enhance her knowledge. When openings for female historians opens up at the palace, Goo Hae Ryung jumps at the opportunity. However, she knows that she will be tested by the male-dominated culture and those who firmly believe that women have absolutely no business educating themselves.

The ”historian” position is a fascinating one. It’s a branch of the Office of Decrees whose job is to objectively document everything said and done by the royal family. A historian is always present during political meetings and even everyday activities. Their goal is to make sure that the truth of what happens is persevered and not doctored or altered in any way. Their job is such that not even members of the royal family or other members of the government are allowed to even read what is written down. This is an intriguing position given that historically throughout the world, history is always told by the victors and it’s never about truth. For if it were about truth, then both sides would need to be told. Seldom does this ever happen.

Prince Yi Rim is the youngest son of the royal family. He’s basically isolated in his own housing and has virtually nothing to do with the day-to-day governing of the country. In fact, he’s purposely kept away from such things. His true delight is writing romance novels under a pseudonym, and it’s here that he initially befriends Goo Hae Ryung, even though she has no idea that he’s royalty. A funny and slightly tense friendship blossoms.

As with so many Korean dramas, there is far more than meets the eye as the story unfolds. We find out that a small town came under attack by the current king, citing Western influences in science, education, and medicine where those involved were seeking to overthrow the current regime. Of course, behind so many kings in history, the true power rested with Second Chancellor, Min Ik Pyung. Who fears the coming change so much that he implemented a coup against the previous king and put the king’s brother on the throne whose own policies mirrored his own. And so, those who’ve been put down seek to rise up and put the only true member of the royal family, on the throne: Prince Yi Rim.

Little does Goo Hae Ryung realize that her own origins stem from the same place and time as Prince Yi Rim’s. Both seek to find out the truth about their origins and how and why they find themselves at the very heart of the conflict. And as they struggle to find the truth, a sweet, loving relationship blossoms.

Goo Hae Ryung is no wallflower, which is what makes her so appealing. She isn’t afraid to initiate contact. In fact, she kisses Yi Rim first! She also has absolutely no problem speaking her mind about things. She even becomes mildly flustered when she realizes that Prince Yi Rim has no real skills to speak of outside of his ability as a writer. She even jabs him with that, stating, “you think you know everything about women!” Clearly, he doesn’t.

Cha Eun Woo gives Prince Yi Rim boyish qualities. This isn’t a slight against the character. It’s simply a perfect interpretation of a man who’s seen and experienced virtually nothing in the world. He has a sweet smile that often causes Goo Hae Ryung to laugh and chuckle. It’s a smile filled with innocence and naivety, and it fits him well. However, as Prince Yi Rim begins to learn more about what is really going on around him, we find that he’s a much stronger man than even he realizes.

Shin Sae Kyeong gives us a Goo Hae Ryung who is progressive and strong but also gives us a very feminine woman. She’s sweet, loving, and it’s obvious that she cares deeply for Prince Yi Rim as well as for uncovering the truth. She doesn’t waver in her principles or ethics about doing what is right and seeking to uncover the truth about what happened 20 years ago to the dethroned king and the historian who was executed for refusing to give up his daily record (his book of recorded discussions and events).

What made the series all the more effective was the fact that there was real chemistry between Cha Eun Woo and Shin Sae Kyeong. They both seemed to enjoy their prospective roles and interactions a lot!

The series’ theme is as ancient as history and time itself. There have always been those who refuse to embrace change. Even today, there are governments and regimes struggling to hold onto a past and a way of doing things that is no longer effective. Throughout time and history, many people have been killed for seeking to embark upon change. This is another reason why trailblazers are among the most powerful and courageous of people; those who “get the ball rolling” even if it costs them their lives. Goo Hae Ryung is such a person and an inspiration to many.

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Why Autopsies Are So Necessary!

This is a fascinating look into the jobs of coroners and forensic scientists in Japan, where the fewest amount of autopsies are recorded of all developed countries in the world. Most deaths reported as "accidental" or by "natural causes" are never autopsied, thus leaving the door wide open for murderers. You can't help but speculate how my deaths might be attributed to murder. Most bodies are cremated before they can ever reach an autopsy table, and there are many hurdles that must be jumped through, such as getting family consent.

Misumi Mikoto is the idealist coroner who firmly believes that her job brings piece of mind as well as closure and truth to the cases she works on. She works at UDI (Unnatural Death Investigations), a company subsidized by the government. They don't necessarily work on police cases but as a private company that is paid by people who want further investigations done. She is the #2 coroner with a troubled past. While her job doesn't pay much, she's very good at what she does. She also tends to wear her heart on her sleeve.

Mr. Nakado is the #1 coroner of the group, and we find out that he's been suffering in anguish for over 8 years since his girlfriend was found dead in a scrap pile. He somehow performed the autopsy himself (not sure how anyone would be able to do that). After finding a "goldfish" imprint inside of her mouth, he firmly believes his girlfriend was murdered and possibly by a serial killer. He tries to check every body he can find for the same "goldfish" evidence with the hope of catching the killer. He barks at everyone, and is notoriously renowned for calling people, "stupid." He's incredibly smart and gifted despite his sour demeanor. He reminds me a little bit of Dr. House.

Finally, we have Kube Rokuro who is the new part-timer, who has a desire to be a forensic doctor. However, we quickly find that he's working at UDI under false pretenses (selling the secrets and stories of what happens at UDI) to a local newspaper, which acts more like a tabloid. However, after finding himself engrossed in the job as well as being smitten with Dr. Mikoto, we begin to wonder how Rokuro will be able to get out of his dilemma, if at all.

The series is an important one. Japan is a generally peaceful country where people try their best to live in harmony. They don't like to "rock the boat" and will do nearly anything to maintain that harmony, even it means avoiding any kind of confrontation. However, true harmony can never be achieved by turning your back to what is going on; by avoiding confrontation. How can harmony be experienced at the expense of others? It can't be. It's an impossibility, and this is largely the reason why this show exists. With only 170 coroners in Japan, they're desperately trying to get more as well as to change the government policies surrounding autopsies and why they are so vitally important.

While the serial killer story was a fascinating one, my favorite episode was actually the bullying, or as the boy rightfully called it, "Death by Bullying." This was an especially powerful episode that brings a world-wide problem to the forefront. The UDI group race to solve the "murder" of a young high school teen in order to prevent the death of another. However, we quickly find that nothing is as it seems, and the school as well as the other students involved, realize their horrible mistake; allowing the bullying to happen. Yes, where bullying takes place, everyone is involved, and everyone is responsible. I truly hope people take this episode to heart.

There was only one season of this fantastic show, which is easily better than any "CSI" series I've seen, and should be given more seasons. I sure hope a second season is in the works! Not only is the science fascinating but you gotta love the people of UDI!

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A Good Series That Should Have Been Great!

“Healer” kicks off like a massive thunderstorm, and by the time it ends, it’s just a gentle rain, which left me to wonder, “What the heck happened?”

Seo Jung Hoo is a man in his late twenties who is basically a sort of “hero for hire.” He has fancy gadgets supplied by his hacker partner, Jo Min-Ja. He’s hired to do any job except for murder A master at hand-to-hand combat as well as being able to evade pursuit and detection, he’s sort of a cross between Ethan Hunt and Jason Bourne. Little does Seo Jung Hoo realize that he’s soon thrown into job that takes him back to his own origins from 20 years ago.

Chae Yeong Shin is a novice reporter working for an online tabloid news company. She’s tenacious when it comes to tracking down a story, but other than that, she has no real journalistic skills at all. This is coupled by the fact that she gets severe panic attacks whenever she’s in a violent situation; attacks that incapacitate her. Of course, why she never suffers an attack during her first confrontation with Seo Jung Hoo is never explained, even when he threatens to harm her if she resists. She, too, has a tie to 20 years ago.

Finally, we have Kim Moon Ho who is Korea’s most famous journalist. He’s nothing short of a celebrity, but thanks to Seo Jung Hoo and Chae Yeong Shin, he is quickly immersed in a massive cover-up that involves his brother and their friends from 20 years ago. Kim Moon Ho is the only one who knows Chae Yeong Shin’s true connection to his brother’s wife (who is Chae Yeong Shin’s mother who believes her daughter to be dead). This sets the stage for a sort of “David vs. Goliath” showdown in which our three protagonists struggle to uncover the truth, who is pulling the strings, as well as trying to stay alive in the process!

While this all sounds intriguing, and for the first twelve episodes or so, it is, but suddenly, there are just way too many plot holes to plug up by the final episode. It lacks the tautness both of story and character that were present in such thrillers as “Vincenzo” and “Stranger.” In those series, the writers and actors knew their characters backwards and forwards. If only “Healer” could have been done with the same attention to detail, this may have been a very different series.

As you may expect, Chae Yeong Shin is like a 7th rate Lois Lane. She soon finds herself falling for the mysterious Seo Jung Hoo, especially after he saves her (fairly typical of nearly every superhero movie ever made!). She’s soon behaving much like a swooning 18-year-old. Min Young Park seems to try her best to keep a handle on her character, but too often, she goes from a journalist with some degree of professionalism to a shy, don’t touch me in front of my father, little girl. Korea is a somewhat conservative country, at least when it comes to K-dramas. Their movies are something else entirely! I guess they want you to believe that Korean women are still innocent and the property of their families. When Chae Yeong Shin tells Seo Jung Hoo that he needs her father’s approval to date (after they’ve already spent the night together!), I cringed. Is this 1950 all of a sudden?! A late twenties woman hasn’t the guts to speak for herself. Wow!

There were a lot of key missing conversations that never took place in the series that had me scratching my head. At one point, Seo Jung Hoo is overwhelmed by the death of his master. Chae Yeong Shin finds his lair and attempts to help. She never asks him why he secluded himself. So much for journalistic attributes to say nothing about someone simply showing concern. Ever after she finds out about his true identity, there’s no real conversation about it.

At one point, Seo Jung Hoo runs off to help his mother who is in danger. He’s operating in the guise of Bong Su Park, who works undercover with Chae Yeong Shin. Chae Yeong Shin finds him unconscious on the rooftop. Bong Su is a bit of a coward, and yet Chae Yeong Shin never asks why he ran off in the first place after he recovers.

Chae Yeong Shin also seems to have strange mood swings. She’s upset one moment and then she’s suddenly okay. I’ve never seen characters with such speedy recoveries in my life! In one scene, she’s nearly catatonic, and by the time Seo Jung Hoo reaches the first floor of the coffee shop where she lives, she comes bounding down the stairs with a smile on her face as though nothing had happened. I wondered if she was bi-polar!

I also found it strange when Seo Jung Hoo is set up for a murder rap, and Chae Yeong Shin sees him covered in blood, she’s initially shocked until he runs off. She never once attempts to contact him. It isn’t until a couple of days later that she finally asks if he’s ever killed anyone. So much for trust and faith, eh?

Seo Jung Hoo is a man who is in tremendous shape, literally scaling buildings and running across rooftops. He and Chae Yeong Shin stupidly decide to try and have a “normal” life, despite the fact that there has been NO resolution to their situation. Suddenly, Seo Jung Hoo is sleepy and seems to have no energy in the office workplace. Give me a break! A guy in that kind of shape is suddenly struggling to stay awake?! Even after he’s already been working those hours as Bong Su? This wasn’t just laughable. It was absolutely ludicrous! It was bad enough that someone of Seo Jung Hoo’s intelligence would suddenly decide to hang up his “cape and cowl” when the bad guys are still out there and there hasn’t been a resolution. It was an insult to the intelligence of the character as well as the viewer to buy such a cheap ploy.

I was also a little surprised that we didn’t get a final “daughter/mother” reveal between Chae Yeong Shin and her mother in the last episode. Even though it’s obvious that they both pretty much knew, I was waiting for that moment which never came.

Also, I felt that the final ploy to bring down “the Boss” at the end was a fairly cheap one. I was hoping for something bigger from “the Boss,” and a guy who seemed almost unbeatable.

Performances are pretty good in this series. Kim Mi Kyung is easily my favorite character of this series. She’s just a fantastic actress! Ji Chang Wook did a good job with what he had to work with, and Min Young Park was decent who just had too many awkward moments. One, which was at the end when Seo Jung Hoo puts out his hand to her, and Chae Yeong Shin actually hesitates to take it! Right after she does, she immediately goes into a little thing about how she can never imagine being without him. Then, why the hesitation?! It made no sense!

While the music was good, I started getting tired of the same two songs always being played after nearly every scene! The vocalizing choir really got on my nerves after just the first few episodes.

Healer is a series that was good, but it really should have been great. I know this series has very high ratings. Honestly, I guess I just don’t understand why, especially with so many problems with the script and the characters. It made zero sense not to tell Chae Yeong Shin’s mother about her daughter. You really think that kind of new would actually kill her?! If anything, it would give her some well-needed healing and hope! That was just a horrible reason!

It's sad that after 20 episodes, they still couldn’t quite get everything right. It made me wish that Hacker Jo Min Jae could have hacked into the script and done some serious editing and fixing! Now that would have been worthy of the Healer!

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Don't Think. Feel!

Charlie Chaplin, in his famous speech from The Great Dictator, wisely stated, “we think too much and feel too little.” Perhaps there is nothing so powerful a tool as the mind, nor is there anything that causes so many problems. This is why Bruce Lee told his students, “Don’t think. Feel.” The mind is like a merry-go-round. All it knows how to do is think and react to everything. We all need to follow our hearts and intuition more and think less. And the biggest catalyst to getting stuck on the endless stream of thought, is playing the “what if” game.

People don’t realize that when it is a soul’s time to pass, there is nothing in the universe that can stop it. There is nothing that can be done to prevent it. It is simply that person’s time. Grief, however, is a peculiar thing. It is a necessary process toward letting go and saying goodbye, and yet it can also induce a person to come up with irrational situations and scenarios; to take responsibility and blame where none have ever existed. Hence, the danger of the “what if” game.

I remember when my father passed away in an accident. Of course, I found a reason to blame myself for it, even though I had absolutely nothing to do with it at all. It took ten years of heartache and needless suffering before I realized the truth. In many ways, I could relate to Gong Woo Jin who believes himself responsible for a horrible bus accident that he believes has killed the girl he loved 13 years ago.

Gong Woo Jin lives as a recluse, closing himself off to virtually all human contact. He often ignores others and gives very clipped responses to questions. This is what happens when a person barricades themselves within the walls of guilt. The irony is that those “walls” are mere fabrications. They only exist within our own minds, and tragically, this is where Gong Woo Jin lives.

Woo Seo Ri is a vibrant young woman who wakes up from a coma after 13 years. She was only 17 when the bus accident occurred, so in many ways, she has the mindset and maturity if a 17-year-old girl. She finds herself transported into the future where everything is different. She feels like a foreigner suddenly dropped in the middle of a city without any idea about how to function. She is very much a fish out of water.

Fortunately, Woo Seo Ri comes across Yoo Chan, who also happens to be Gong Woo Jin’s nephew, and living in the same house where Seo Ri grew up. Yoo Chan is a 17-year-old high school kid who is thoughtful, considerate, and works very hard athletically. The irony is that none of them knows how they are all connected to the past, which includes the monotonal housekeeper, Jennifer, who always has wise and profound idioms and quotes to pass along. And yet, she behaves like a robot. We also find out later why behaves this way as well as her own connection to the past.

Seo Ri spends much of her time trying to find out why her aunt and uncle abandoned her at the hospital. Gong Woo Jin is simply trying to eke out some kind of existence with a design company. Hilariously, he takes measurements of all kinds of furniture so that he can create them to scale for small models, often upsetting or causing fights with people sitting on a park bench or, in one case, seeming to take liberties with another man’s girlfriend. And Yoo Chan finds himself smitten with Seo Ri and gives him a goal: if he wins the rowing race, he’ll share his feelings with her.

This is an especially touching series that demonstrates just how dire and destructive guilt can be. Woo Jin suffers severe panic attacks when Seo Ri says or does something that reminds him of what happened on that fateful day. He is so wracked with guilt that he can’t breathe or even keep his feet without struggle. There is such sweetness in the young Woo Jin and how much he adores the 17-year-old Seo Ri, even though he hasn’t a clue of who she is, and Seo Ri wearing her best friend’s name-badge only complicates things even more.

Of course, as with so many great K-dramas, what we are shown is only half the story, and when we find out the whole truth later on, we can see how unique a person’s perspective is, but also how one perspective isn’t always the whole perspective! The reveal portion toward the end of the series is infinitely touching and we can only appreciate the enormous hurdles and obstacles these two souls had to endure in order to be together.

I’ve been a huge fan of Shin Hye Sun for a while now, but in many ways, it’s Yang Se Jong’s performance that really seals things for this series. He really makes us feel the angst and pain with his eyes and the emotions on his face. I’ll wager that it wasn’t an easy thing to do, and he does this multiple times throughout the course of the series. He is so believable that half the time, I wanted to jump through the screen to try and console him. When he finally breaks down in absolute despair as he’s confessing his supposed “crime” to Seo Ri, it feels as though his very soul is screaming in agony.

I was glad that the series focused on Seo Ri, Woo Jin, and Yoo Chan without delving or contriving some ridiculous melodrama or love-triangle. The writers kept the focus on Seo Ri trying to navigate her new world, Woo Jin struggling with his guilt, and even Yoo Chan’s experiences of a first crush. All three characters are realistic, likable, and relatable.

It was stated that when a door to happiness closes, we should be looking for another door to happiness that opens. As long as a person pursues this course, happiness will be eternally elusive. As long as you believe you must be doing something in order to be happy, you’ll never find it. And when you do find it, it will be brief and then evaporate. Socrates from “Peaceful Warrior” stated, “Most of the world shares your pain. When you don’t get what you want, you suffer. And even when you get exactly what you want, you still suffer, because you can’t hold onto it forever.” The key is to BE happy. When you are able to be happy—which exists only in the moment—then any outer situation will have no power over you; it will never be able to quell that happiness that you already are. You have to BE happy, not DO happy.

And this is why Bruce Lee said, “Don’t think. Feel.” Happiness can, and never will, exist in the mind. It can only be felt and experienced within. And when you can make choices and decisions from a place of “being” you will be surprised to find that the whole world suddenly opens up around you.

13 years of suffering is what Seo Ri and Woo Jin had to undergo because of too much thinking and not enough feeling. Remember that pain is inevitable, but suffering is optional. And we must all try our very best not to get on the “what if” merry-go-round which leads to a needless, endless cycle of suffering—until we change our minds.

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Dare To Take Risks!

This is a series that finally looks through the looking glass from the other side. Instead of having one or more characters coming from wealthy, prominent families, we have four people in their late 20s struggling to make ends meet, just like most of us. What makes this series work so well is that you can relate to the characters.

If you want to get anywhere in life, risks are necessary. Vulnerability is necessary. Those who play it safe never truly get anywhere, and this series is about fulfilling your dreams and taking that big first step outside your comfort zone that just might lead to something great. Complacency and settling are the only true enemies to success. If you have a dream, you have to go for it and let nobody stand in your way. Teddy Roosevelt once said, “far better is it to dare mighty things, to win glorious triumphs, even though checked by failure than to rank with those poor spirits who neither enjoy much nor suffer much, because they live in a grey twilight that knows not victory nor defeat.” This series emulates this truth.

Ko Dong Man is a disgraced MMA fighter, who finds himself doing odd-jobs just to make ends meet. Of course, he hates his jobs, but perhaps not as much as he hates his abusive boss. Still, he knows that he’s not doing what he loves: being an MMA fighter. And he finally decides to go back to it. His best friend is childhood friend, Choi Ae Ra whose loves for Ko Dong Man is only matched by her overbearing, temperamental demeanor. She often acts more like a mother than a friend. Choi Ae Ra is a woman who is also stuck in a rut, working a thankless job at a department store. Her dream is to become an announcer.

Kim Joo Man and Baek Seol Hee are in a six-year relationship and are basically living together as well as working at the same company. However, they aren’t married yet as Joo Man believes that he needs to be able to provide a better life for Seol Hee, even though it’s apparent that Seol Hee doesn’t care about that. Joo Man and Seol Hee share a sweet relationship that has, perhaps, gone a little stale. This leads Joo Man to make some unwise decisions when a female co-worker shows interest in him. Unable to see the situation for what it actually is, he falls into the traps laid out for him by the co-worker.

All four characters find themselves navigating the pitfalls of jobs and romance as they struggle to eke something out of the dreams that each of them has for themselves. Is it possible? Isn’t it safer to just continue to work in a meaningless occupation where neither passion nor fulfillment exist? You might be surprised how many people actually believe that it’s better to play it safe. I’ve even heard parents tell their children this.

There is only one Adrian Balboa. I’m talking about Rocky Balboa’s wife who hated the fact that Rocky was a boxer and routinely got hurt. However, after going through her own fears, she understands that she hasn’t the right to stand in the way of her husband’s passion and dreams. Nobody has that right.

Choi Ae Ra is a woman who loves Ko Dong Man, but she hates the fact that he is an MMA fighter. It’s understandable. How can someone stand by and watch someone they care about continuously get hurt? She can barely watch the fights that he’s in, and most of the time, she is paralyzed with fear that she’s left in tears. It’s not for everyone. However, Choi Ae Ra makes the mistake of giving Ko Dong Man an ultimatum: give up fighting or lose her. This is an unfair and completely selfish demand. If a person can’t handle being around someone else due to their job (military, policeman, etc.) then that person has every right to step out of that world, but don’t ask that person to give up being who they are. I was thrilled when Ko Dong Man refused to give in to her ultimatum and stuck with his dream. After all, he’d already quit on his dream once. Understandably, he can’t do it again.

The cast is first-rate, with Park Seo Joon (Ko Dong Man) and Song Ha Yoon (Seol Hee) being the standouts for me. This is the fourth time I’ve seen Park Seo Joon, and he brings his boyish charm and great sense of humor to his roles. This one is no exception as he virtually steals every scene he’s in. We laugh and cry with him. Song Ha Yoon is the same for me. As much as I like Kim Ji Won, Song Ha Yoon has a veritable sweetness and childlike vulnerability that is captivating. When she is crushed due to Joo Man’s betrayal, she makes us feel it. She is also the more mature of the two female leads.

The series is quite light without any serious drama or any ridiculous love-triangles. We do have Park Hye Ran who keeps trying to get her ex-boyfriend, Ko Dong Man back, but after already been burned once by her, he shows absolutely no interest in her at all. I was relieved. I nearly cringed and said, “Oh, no! Not another love-triangle!” As much as I like K-dramas, they do tend to milk the “love triangle” a bit too much.

I was also pleased with the more mature approach to the relationships. After six years together, it makes perfect sense the Joo Man and Seol Hee are living together. And while we have just a few awkward moments between Ko Dong Man and Choi Ae Ra, it also made sense that they would have a desire to spend the night together. “We’ve known each other for 20 years! How much slower do we have to go?” they ask. It added charm and realism to their situation, which always felt natural rather than awkward. I also tend to cringe in dramas where any act of intimacy (even just hugging or kissing) is treated like a crime is about to be committed. I will say that the scene where Ko Dong Man and Choi Ae Ra accidentally fall asleep in the hotel room together was absolutely hilarious!

I absolutely love how expressive Korean actors and actresses are, especially when you get really good ones like these four performers. You feel everything they feel, and there is no shame in the expression. We see just how crushed Joo Man is when he breaks down in tears after realizing that his naivety has disastrous consequences, or Choi Ae Ra’s reaction to Ko Dong Man getting seriously hurt in his fights. I love how these actors are able to tap into those emotional wells as it makes it all so real and poignant.

If you’re looking for something light and fun as well as something that you’ll likely relate to, you really can’t go wrong with this fun and delightful series!

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An Epic Series About Political and Business Corruption In Korean Baseball!!!

When I first got into K-dramas about four years ago, my first series was “Descendants of the Sun.” For me, it was like finding a gem after some lackluster TV series in the West. But, I thought that I was only lucky once. Then another series came along, and then another. To this day, I’m still amazed at how finding one “gem” has led to an entire treasure trove!

Hot Stove League is a brilliant series about the interworking of a Korean Professional Baseball team, the Dreams. In the first episode, we find out that this team is terrible in nearly every facet of the game, aside from having one of the top hitters in the league. We also find out that, despite the terrible years of being “cellar-dwellers” the team continues to have a genuine following with its fans. In other words, no bandwagon fans here!

It doesn’t take long for us to realize that there is corruption at the top and throughout the team, whose owners are hellbent on gutting the team from within with the hopes of either selling or disbanding the team. Teams in Korea are owned by corporations. There have been many instances of this type of corruption within American sports teams as well. Donald Sterling (previous owner of the Los Angeles Clippers) routinely traded away any good, viable players. Publicly, he stated, “I only care about making money.”

Enter Baek Seung Soo (beautifully played by Namkoong Min) as the team’s newest GM. He has no experience in baseball at all, but he’s put together championship wrestling teams, hockey teams, and handball teams which won Olympic medals. Clearly, one of the representing owners of the team, Kwon Kyung Min (played by one of the best Korean actors in Oh Jung Se) is hoping that Baek Seung Soo will be a puppet GM who has new clue about what to do. He’s quickly proven wrong, and to everyone’s wonder, Baek Seung Soo quickly begins to right the sinking ship!

Baek Seung Soo has to deal with corruption within his own people, a corrupt scouting manager, and a slugger in Im Dong Gyu, who believes himself to be untouchable and can treat everyone around him with violent disdain.

Baek Seung Soo’s first task is to gain the support of his staff, many of whom are already scratching their heads regarding his hiring. The most charming and hard-working of the group is Lee Se Young (played by the ineffable Eun Bin Park!) and her tenacious assistant, Han Jae Hee.

Baek Seung Soo is a man who cares very little about what people think about him, and yet, he shows off his brilliance like a grandmaster chess player. He also always seems to know exactly what is going on within the staff, the organization, and the players. He’s calm but incredibly efficient, despite his lack of personal tact. He doesn’t engage in pleasantries or anything at all that may seem superficial. In short, he’s confident enough in himself to simply be himself. From other people’s point of view, he comes across as rude and insufferable, which quite frankly, adds to his charm and appeal. We rarely ever see him lose control of his emotions. He reminded me a lot of Mr. Spock from Star Trek; a man displaying wisdom well beyond his years. He may be new to the sport of baseball, but when it comes to playing the political and business game, he’s more than a match of his adversaries.

As with so many K-dramas, the show presents a heartfelt message on the back of an engaging and provocative show. It’s about people who need to learn how to speak up and stand up for themselves, and not worry so much about the consequences of their actions. There is real strength in numbers, and in a culture that is highly competitive, and where “underlings” are expected to bow and obey every order without comment or complaint, the series demonstrates that this is not the way to behave or conduct business. It demonstrates that money isn’t everything and that those who have it are quite often the most miserable people around.

This series has a top-notch cast which cannot be showered with enough accolades! Oh Jung Se (whom I first saw in “It’s Okay to Not Be Okay”), plays the complex, villainous role of Kwon Kyung Min like a master of his craft. We get subtle hints, that despite his pettiness, there is something else going on, and of course, Eun Bin Park is a young woman who can easily do any role that is handed to her, even capturing the funniest line of the series! Namkoong Min, whom I’ve only seen once so far in “Awaken” is nothing short of sublime.

The series reminded me a little of “Misaeng” in which we are given a glimpse into the Korean corporate baseball world and perhaps see that, despite the culture, there isn’t that much difference between East and West when it comes to depraved depths that people will go for money. Indeed, in today’s world, money is threatening to bury all that we love and hold dear about professional sports and why fans love them.

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The Despicable and Deplorable People of Angok!

If you're looking for something along the lines of "Hometown Cha Cha Cha," you will be sadly disappointed. And if you're looking for a mystery/thriller along the lines of "Stranger" or "Flower of Evil" you will also be disappointed. "Summer Strike" is not a romantic series, despite the presumptions one might get as the series begins, and the story is far darker than one might anticipate. In many ways, the writers seem unsure of the story. In many ways, the writers seem unsure of the story they want to tell. The romantic scenes have little-to-no chemistry between the leads, and we're left with a town of despicable, moody, and angry people who aren't very appealing.

Yeo Reum Lee is a 28-year-old woman who acts like she's 18 at best. She's basically a doormat for anyone to use and abuse. She never speaks or stands up for herself and frequently makes poor choices based on the smallest influences from those around her. She's a pleaser who lacks the ability to stand on her own two feet. She's neither a mature nor a strong woman. She flees Seoul for the small seaside town of Angok, hoping to simply live an easy and frugal life. The big question is: is Yeo Reum running toward something or running away? The more we observe Yeo Reum, we can see that she doesn't change. She leaves one abusive life for another because she refuses to see that SHE is the problem. When you move from one place to another, you take your problems with you. They don't get left behind.

Kim Seol Hyun is the weakest of all the actors in this series. She just can't seem to get a handle on her character while frequently uttering her lines in a soft, breathless manner. When she's being chased by the police officer, she doesn't shout at the taxi driver to keep going, she softly says in a mousy voice, "Please don't stop. Please keep going!" Nobody in that situation would react that way! Especially a woman! Kim Seol Hyun can't even manage to put panic into her voice. She was a poor choice for the female lead of this series.

You can pretty much go down the line of characters that will leave you cringing. Arguably the worst is Ji Young Jo, who works at the library, has feelings for her co-worker and childhood friend, Da Beom An, and treats him like an overbearing mother hen. There is scarcely anything appealing about this woman who snaps and barks at everyone around her. She also does her absolute best to control and manipulate Da Beom into living the life that SHE thinks is best, without taking any consideration for his feelings. I'm not sure I've seen many characters in 45+ years of television who are as deplorable as well as lacking in any positive qualities. I'm not sure how anyone would ever find this woman as being attractive or appealing. She's as horrid as a snake with fangs at both ends!

Don't get me wrong, I liked Granny for her sweetness, even though she's a very weak-willed woman who has zero control over her son or anyone else. She's told-even by her grandkids--what to do. She is a perfect example of how Yeo Reum will likely be when she gets to be the same age. I'm not sure what kind of a grandmother would summarily dismiss an attack on her granddaughter and ask her to lie to the police in order to avoid sending the father (her son) to jail. What kind of a family member--who has ANY love or integrity--would make such a decision? It was heinous and sadistic. You would support a man who is physically abusive as well as being a raging alcoholic who nearly kills his own daughter?!

A big issue with Yeo Reum Lee and Granny is their inability to speak up--especially when they NEED to speak up! If you're not a part of the solution, then you are a part of the problem. And it's people like these two who help keep the cycle of abuse going because they are too afraid to do the right thing--and do right by others--and speak up. Make no mistake, by not saying anything, they are just as responsible for the abuse as those who are doing the abusing, which is another reason why I disliked these characters so much. And people who are too afraid to properly discipline their children, are child abusers themselves.

It seems that Chang Soo's wife can only ever vent her anger on everyone around her, including the physical abuse of a little dog. This woman is hateful, and where we are supposed to be sympathetic, all we see is a vile woman who cannot see beyond her own tragedies and problems.

This is actually true for most of the series; moments when--if we felt any kind of REAL emotional connection-we should feel sympathetic toward many of these characters. Kim Bom and Da Beom are the only two characters in the series for whom I felt some sympathy.

For the most part, this series is very dry, uneven, and disjointed, and it doesn't venture deep enough for us to really gain some perspective on characters like Da Beom and Kim Bom. Frankly, the series would have been better served had these two been the focal points of the story. Yeo Reum is hardly appealing, and by the end of the series, I couldn't have cared less about her situation. She was mostly annoying, and by the end of the series, it's clear that she hasn't learned a thing or shown any kind of growth. She's very much like a woman who's never grown up.

Despite all of these problems, the show works for the most part. I'm glad it didn't go beyond 12 episodes because the series was starting to limp toward the finish line at the end. We get the wrapping up of a mystery that already had a very weak foundation and hints of possible romance between the two leads that had no warmth or chemistry to it. Even when Da Beom is hurt or in pain, Yeo Reum just stands there, offering little-no comfort.

Angok is a dark and dismal town compared to the one from "Hometown Cha Cha Cha" filled with angry, immature people who gripe and complain about everything. There's nothing so sad as one person playing the victim as a whole town doing the same. And that isn't inspiring storytelling at all. It's sad, and not in a good way.

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Who Will Save The Children?

There is a universal disease that runs rampant throughout the world. It really doesn’t matter the country or culture. It’s there. And it’s something that has become indelibly worse over the years. The disease is indifference. And we see first-hand in this series how much indifference has seeped into the children of society. Children are no better than adults when it comes to preying upon those they deem weak and worthless. Physical and cyberbullying are only the symptoms of a much bigger problem. They are symptoms of indifference.

The series could almost be called, “The Tragedy of Judge Shim.” She is a cold but effective judge who confesses that she despises young offenders. The reason for this hatred stems from a past experience that we don’t learn about until the series' last two episodes. It is not accurate to state that she doesn’t care. She does. And she is just as eager to investigate a case and uncover the truth as she pronounces sentences that she feels are the most effective and the most just when dealing with juvenile offenders. Unfortunately, Judge Shim lives in a prison of her own making. She lives in a barren apartment that has no warmth or meaning to it. Her sole purpose is to preside over juvenile offenders. In many ways, she’s allowed those who killed her son to kill her as well. For what kind of a life is that? In the end, the perpetrators may have finally been brought to justice, but she’s allowed them to destroy her too.

Judge Shim is an effective judge even though she can be quite foolish. Chasing a young offender through the streets to try and apprehend her alone wasn’t a smart thing to do. Also, breaking into the hideout of a known, violent offender was beyond foolish. It nearly got her killed in the process. But I suppose that someone who’s essentially already dead inside, probably doesn’t care too much about what happens to them. Indifference isn’t only about how we treat others. It's also about how we treat ourselves.

If the numbers that are put on display at the very beginning of the series are accurate—3,300 judges in Korea with only 20 juvenile judges—we can see why the youth of Korea are in such dire straits and why the juvenile courts certainly need more help and resources.

Each case spans about two episodes, and neither the writer nor the director holds back when it comes to depicting youth crimes. They are raw, violent, and meant to demonstrate the sheer cruelty that is perpetrated upon those who are preyed upon. It shouldn’t matter that these are children and not adults. We quickly find that it doesn’t matter the age or the circumstances. Children are just as capable of any type of violent crime as their adult counterparts.

One of the reasons I love K-dramas so much is that most of them carry a much-needed message. A show like this isn’t just for entertainment purposes but is trying to shed some light on a much-needed issue that must be addressed. Many victims and victims’ parents ask the same question: “How can someone so young do something like this?” We live in a world we think is safe. We live in a world that should be safe, especially for the children. But, sadly, it is not so.

If you don’t address the core problem, then nothing will change. Things will not only stay the same, but they are likely to get even worse. There is a common denominator among many young perpetrators. They come from broken homes. They tend to come from poor families. They tend to be bullied children and outcasts themselves. Some have mental disorders. And ironically, these are also the commonalities found among adult criminals as well.
Punishment is pointless without rehabilitation. Judge Kang is correct in his assessment that harsher punishments don’t work. Rehabilitation is required. And as Judge Shim points out to Judge Cha, it does, indeed, take a village to raise a child. People are like points on a spider web. Remove one point, and the entire web begins to come apart. And it takes teachers, friends, family, shopkeepers…everyone! Raising a child is NOT about telling them what to do and what not to do. It’s about empowering and educating them so that they can make wise decisions. But none of that matters unless indifference is removed from the equation. Compassion is a key component, for if people truly care for each other, they will always look out for one another.

One of the saddest things I saw in this series is the ostracizing of the victims. My God! This is proof of the indifference that I’ve talked about. How can you simply cut off a person for something that happened to them? And blame them? That is truly sickening, and those who do these things are no better than the criminals themselves. Indeed, they are the same.

Performances across the board were astounding and powerful. Kim Hye Soo gives us Judge Shim who is strong on the outside but broken on the inside. I saw Lee Sung Min in Misaeng—a series in which he was nothing short of brilliant—and I was thrilled to see him in this series as a judge who’s lost his way.

This isn’t necessarily an easy series to watch, but it’s a necessary one. If people don’t start to wake up and realize that changes are needed in how we deal with each other, let alone our children, then it really will be impossible to save the children, let alone anyone else.

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Incredibly Powerful and Compelling Work of Art!

This is the type of film that could easily be talked about and discussed in universities. If it isn't, then it's a tragedy. This complex, amazing character study rivals some of the best films and shows that I've ever seen in over 40 years of viewing.

This film is truly a work of art. Each character brings something refreshing, new and compelling to the table (almost literally!).

This powerful character study is about a novelist with a tragic past who is unable to become a successful author. For some strange reason, five women are invited to live with him for a million yen per month. When he's not writing, he cooks and looks after them. Each woman is different in age, occupation, personality, and background. Part of the mystery is in trying to figure out why the invitations were sent, what the purpose of the women being there is, and who sent them.

The author learns to accept his new living situation, and finds that there are rules for his interactions with them.

The story weaves like a fine tapestry of tragic, complex pasts in the lives of all of the characters, and basically what drives people to do things and be who they are. It's riveting story-telling that keeps you hooked, and makes you wince when the number of episodes left to watch dwindles. You want more. You crave more, and you find yourself grateful for finding such a unique and exquisite gem such as this series.

This is a series that can easily be watched over and over again. It's touching and heart-breaking that compels the viewer to dig deep within themselves; about the walls we put up to keep from being hurt; about the fear of loss, and the fear to love.

I can't recommend this series strongly enough. It's a story with characters that stays with you long after you've finished, and that's the mark of something so powerfully artistic in how it captivates its viewer.

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The Coward and the Girl He Loves

Few things in life aren't so tragic as wasted opportunities. Some people might "cloak" a wasted opportunity in believing that they are doing what is best for someone else. That isn't the case here, even though the writer would like you to believe it is.

Den is 30-year-old man working in the IT department of a company. He has no friends. People at his job scarcely even know his name. He hides behiind computers because he doesn't believe he's worthy of anything else. If he did, he'd find a way to make it happen. Instead, he's a recluse.

Nui is a 28-year-old woman in the marketing department of the same company. She's a bit stuck-up, and finds herself in a relationship with one of her bosses, who just happens to be married with a son. Of course, she's naive enough to believe that he's going to leave his wife. This is the woman that Den has a crush on, much like a 14-year-old kid in high school.

The entire company goes on a trip, and this is where things pick up. Nui, upon finding out that her boss's wife is pregnant, decides upon a suicide attempt. The doctor tells Den that her short-term memory is affected for one day. In short, she will have forgotten everything recent for a single day, but when she wakes up the next morning, she will have recovered her memory, but at the expense of that one day.

Den decides to let her know that he's her boyfriend. She has a hard time believing him. However, as the day goes on, she begins to find something endearing in his sad attempts to impress her. In short, they enjoy the day until upon the verge of an intimate moment, Den confesses his scheme, getting himself thrown out of her hotel room in the process. However, upon finding out that she is a mistress of her boss, Nui doesn't want to go back to that life, and realizes that she wants to be with the only person who loves her: Den.

Den, however, lacks the courage and the conviction to follow Nui's instructions to help her remember how much she loves him. Nui even records a video clip to help her remember, asking Den to make sure to tell her about it the next day, when she will have forgotten everything.

Because of his own sense of worthlessness, Den doesn't do what Nui has asked of him, and so he deletes the clip. One can't feel sorry for Den, nor even think that he's being noble and selfless. He is, in fact, a coward. When love is presented to you, you don't turn your back on it. You don't dismiss it. You take the opportunity that love provides. In short, it's a very pathetic act on his part. But then again, someone who doesn't love themselves enough will do exactly what Den did. So, in truth, he's being who he believes himself to be.

There are some plot holes that don't entirely make the film work, not to mention an abrupt and unfulfilling ending. Why didn't Nui simply write a note to herself about the clip? She could have sent herself a message or even a note about her feelings for Den. I found this to be very short-sighted on the writer and director's part.

The characters are certainly interesting enough, even if both are very flawed and lacking in any true love for themselves. The performances are good as well. However, the movie feels like a train that ran out of track by the time the end comes, leaving one to feel, "Is that it?" Unsatisfying, to be sure.

If nothing else, it should warn people about the "Dens" and the "Nuis" of the world. If you see one, be sure to run the other way!

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Predictable, Silly, But Cute Series!

If you're looking for something fun and light, you really can't go wrong with "A Love So Beautiful." Frankly, there have been better shows involving a girl who falls in love with a boy where the girl (for some reason) isn't very bright compared to the object of her affection. "Good Morning Call" and "Mischievous Kiss: Love in Tokyo" are better series.

This is a story that has been done a number of times, although the twist toward the end finally gives it some brand of uniqueness despite knowing how it's going to end. Not all shows that are predictable are necessarily bad.

Shin Sol-Yi is a young, passionate girl, who's quite naive and also very immature for her age. Unfortunately, this doesn't really change as she gets older. She starts out as a 17-year-old girl, acting like she's 10. She ends as a twenty-something woman acting like a 12-year-old. She whines and pouts, and too often this becomes a little annoying.

I've lived and worked in China, Korea, and Taiwan. And I've told people: take the girl's age and subtract ten years to get her true maturity. It rarely fails.

Cha-Heon is the object of Sol-Yi's affection. He's the top student, but he's a bit cold and aloof when it comes to Sol-Yil and her more than obvious interest in him.

The performances are pretty good. Yo-Han Kim (Cha-Heon) is a bit wooden in his role. So Ju-Yeon (Shin Sol-Yi) has the cutest dimples in the world and a million-dollar smile to boot. I only wished that she'd been able to bring more depth and dimension to her character as well as giving her character a bit more maturityj to make her more appealing and less annoying.

The kissing scenes in this show are some of the worst I've ever seen. Wooden, tight-lipped with absolutely no feeling or authenticity at all. It was quite obvious that the actors and actresses did NOT like doing them.

Still, this is a fun series to watch. It's nothing too special, but it's a solid feel-good story that will likely put a smile on your face.

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The Science of Love and Marriage

How many plays, books, songs, TV shows, and films have been made about love over the centuries? Too many to count, I'd wager. Some have given us exceptional and even beautiful depictions. Others have been incredibly superficial. Love is like the wind. You know it's there, but you can't really grasp it. There is a reason for this. Love is never about holding on. It's always about letting go. And true love is completely unconditional.

I personally believe Shakespeare described love the best when Juliet states, "My bounty is as boundless as the sea. The more I give to thee, the more I have, for both are infinite."

It is highly likely that, as a viewer, you will be able to relate with one or more of the characters of this drama. Most everyone has been in similar positions: getting together out of convenience, loving someone whose ambitions are greater and perhaps even different than your own, or loving someone who doesn't share the same feelings that you do. We also have characters who are too afraid to love for fear of being hurt.

This K-Drama works well because it doesn't get bogged down in needless melodrama, and it presents six characters that--on some level--nearly everyone can relate to. It is also fairly light without any big emotional twists that, too often, are typical of these kinds of shows. Instead, the writing is crisp because it stays true to the natural course of events rather than forcing them.

Along the way, the narrator, often Ji-ho and sometimes Se-hee ponder what love and marriage are, what their purpose is, and how to best make it work. Is it enough to marry only for love? Is it foolish to marry without any compatibility or shared interests? Sometimes, they resort to quotes from famous authors, and other times, they speculate on their own.

Too many people, due to the pressures of parents, society, and religion (sometimes all three!) believe that marriage is the only way to be happy. Marriage is not for everyone, and too often, couples treat it as the Finish Line rather than the Starting Gate. Yes, marriage is the beginning, not the end. And, yes, it IS work!

People also marry for the wrong reasons: to prevent having to be alone, to feel a sense of completion and well-being by being with someone. Happiness in marriage can never be found in your partner. It can only be found if you already have that happiness, and you are ready to share that with someone else. You cannot give what you do not have, and too often, we unfairly and unrealistically make our partner responsible for our happiness. Any relationship that takes on this idea is already doomed to fail.

These are topics, themes, and even questions that are addressed throughout the run of this series. Perhaps that is why it is a series that can be enjoyed by young and old alike, as well as people in/out of relationships as they address questions regarding love and marriage...topics that have been talked about since the beginning of time.

There are many cute, funny, and even ponderous moments. And in my book, that makes this a true treasure of a series to watch and enjoy...perhaps even with your partner!

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