Reviews

NOUR is what I wanted a dark Thai fantasy BL to bwe

I went into NOUR expecting another supernatural BL with an interesting premise, attractive leads, mystery, romance, and hopefully some decent atmosphere. What I did not expect was to become this invested in the actual story.

For me, NOUR is one of those dramas where the premise and the execution actually work together. The supernatural elements are not simply there to make the romance look more dramatic. The mystery, characters, relationships, atmosphere, and fantasy world all feel connected to each other.

That is what made NOUR stand out to me.

I have watched GMMTV's Revamp and My Golden Blood, so I naturally found myself comparing them with NOUR. All three play with supernatural ideas and romance, but my biggest problem with those dramas was that I could often see the potential of what they were trying to be more clearly than what actually appeared on screen.

With NOUR, I don't feel that way.

THE STORY ACTUALLY FEELS LIKE A STORY

This is probably my biggest compliment.

NOUR does not feel as though the supernatural concept was created first and the plot was built around it afterward. The mystery gives the characters something meaningful to investigate, while the supernatural side gradually becomes part of the larger picture.

I genuinely wanted to know what was going on.

There were questions I wanted answered, connections I wanted to understand, and characters whose pasts made me curious. Even when the drama deliberately kept information from the audience, I felt that there was a reason for it.

That made me keep watching because I wanted to understand the world, not simply because I wanted to see the next romantic scene.

THE PLOT TWISTS

And then there are the plot twists.

This is probably the part I enjoyed most about NOUR.

The drama does not simply throw in a twist for shock value and then move on. The revelations actually change how you look at what happened earlier. Information that initially seems insignificant starts making sense later, and certain characters and events take on a completely different meaning once the truth is revealed.

That is exactly the kind of storytelling I enjoy.

I like when a drama makes me question what I think I already understand. NOUR repeatedly gave me that feeling of, "Wait, so that's what was actually happening?"

More importantly, the twists do not feel completely disconnected from the story. They are tied to the characters, the supernatural mythology, and the mystery that the drama has been building.

This is where I think NOUR separates itself from My Golden Blood and Revamp for me.

Those dramas had interesting supernatural premises, but I often felt that the potential of the premise was greater than the actual storytelling. With NOUR, the mystery itself kept me engaged. I was not simply waiting for the next romantic scene. I was trying to work out what was really happening.

Even when I thought I had figured something out, the drama could make me reconsider it.

That made watching each episode much more satisfying.

I also appreciate that the twists are not only about "Who is the villain?" or "What supernatural creature is this?" The better revelations are connected to the characters and their relationships, which gives them emotional weight.

So for me, the biggest strength of NOUR is not simply that it has twists.

It is that the story gives those twists somewhere to go.

The revelations affect the way you understand the characters and the story itself. That makes the mystery feel worthwhile rather than something added purely to keep viewers watching.

And honestly, that was one of the main reasons I found myself thinking about NOUR after an episode ended.

THE ATMOSPHERE

This is another area where NOUR impressed me.

It has a darker, more serious atmosphere that suits its story incredibly well. The foggy setting, mystery, supernatural elements, investigation, and sense of danger all contribute to the same mood.

This is where I think NOUR has an advantage over a lot of fantasy BLs.

It actually feels like a supernatural mystery drama that happens to contain romance, rather than a romance drama that happens to contain supernatural elements.

That distinction matters.

THE CHARACTERS

James and Ken were the biggest reason I stayed invested.

Their relationship does not feel completely straightforward. There is mystery surrounding Ken, there are things James does not understand, and there is a sense that their connection is tied to something much bigger than a simple attraction between two people.

I especially liked that the characters have their own problems and motivations outside the romance.

The second couple also contributes to the story rather than feeling like a completely separate BL that was inserted to fill screen time.

That made the whole drama feel more like an actual ensemble story.

THE ROMANCE

I also appreciate that the romance is not treated as something completely separate from the main plot.

James and Ken's relationship is complicated by the mystery surrounding them, which makes their interactions more interesting to me. There is curiosity, uncertainty, attraction, distrust, and emotional tension.

I prefer this kind of relationship over a romance where the characters immediately become emotionally dependent on each other simply because they are the main couple.

There is something to discover about both of them.

And that makes their relationship much more interesting.

MY GOLDEN BLOOD AND REVAMP

I want to be clear that I don't dislike My Golden Blood or Revamp simply because I prefer NOUR.

Actually, that is why the comparison is interesting.

Both My Golden Blood and Revamp had concepts that immediately caught my attention. They had supernatural worlds, established BL pairings, attractive production concepts, and plenty of potential.

But I often found myself thinking, "This could have been so much better if the story had fully used its potential."

With NOUR, I don't have that same frustration.

NOUR feels more confident about what kind of drama it wants to be.

It does not constantly remind me that I am watching a BL. It lets the mystery exist. It lets the characters exist. It lets the supernatural elements carry some weight. And when the romance develops, it feels like part of the story rather than the entire reason the story exists.

That is probably the biggest difference for me.

My Golden Blood gave me the feeling of watching a very promising supernatural BL.

Revamp gave me the feeling of watching a promising idea that did not always reach its potential.

NOUR gives me the feeling of watching the drama I originally wanted those concepts to become.

That is why I am enjoying NOUR so much.

FINAL THOUGHTS

NOUR is not perfect. There are moments where the story can feel complicated, and I can understand why some viewers may find the supernatural mythology confusing.

But personally, I would rather watch a drama that gives me something to think about than one that explains everything immediately and leaves me with nothing to wonder about.

What I appreciate most is that NOUR respects its own story.

It has a dark atmosphere, an interesting supernatural concept, a mystery that actually makes me curious, characters with their own motivations, plot twists that genuinely change how I view the story, and a romance that grows naturally out of the larger narrative.

After watching supernatural BLs like My Golden Blood and Revamp, NOUR feels especially satisfying because it shows how much better these concepts can work when the writing, atmosphere, character relationships, and world-building are all pulling in the same direction.

For me, NOUR is not simply another supernatural BL.

It is the kind of drama that makes me think, "Yes. This is what I wanted."

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*This* is what a vampire BL should be!

First things first: This is definitely *not* a 'brain-off' type of series-- there are a number of things that are (purposefully) not *explicitly* spelled out/explained in detail; viewers need to pay close attention to everything-- and I actually rather loved that. There is of course a place for shows that are less analysis-intensive, and I do enjoy those, too; however (particularly in this unfortunate era of no-attention-spans and dismal-media-literacy, where a lot of show writers have apparently just given up and are not only explicitly spelling everything out but are then practically beating people over the head with it ad infinitum as well 😅) I really, *really* like when a show actually trusts its audience enough to let its viewers either figure out or infer things on their own. And, IMO, Nour did this quite well. 👍 So, while I can understand why some viewers might have wanted more solid detail on certain points, personally I actually really enjoyed that aspect of the writing here.

As for the show itself: This series combines romance, crime procedural, and (a different, very interesting version of) vampires into one great package, topped off by *fantastic* acting. (Actor Tongtong {who plays the main protagonist}, in particular, was a revelation-- and the way he uses his eyes {and other microexpressions, too, but the *eyes* in particular} is just *incredible.*)

The main protagonist is very sympathetic, and I really liked the personality of his love interest (who is not only a reckless, impulsive gremlin {lol} but is actually also very intelligent, both in terms of pure smarts *and* in EQ-- which is not really all that common in characters with his archetype, at least in current BL). (I would talk about the other two couples as well, but I feel that it's best to go into this without much commentary on either of them, as they sort of balance out the narrative in ways that are too involved for a general review.)

In terms of the vampire lore, I really liked how the writers both removed some and then added some of their own little details to previously-existing lore to make it a little more unique, and also that they very much emphasized the actual *horror* of vampirism, and the reality of it often being a curse more than it's a blessing as well. (Adding to this, IMO it was genius how they incorporated a couple of other general {not-vampire-specific} folktale/fairytale tropes into this in a slightly-twisted way, too! 👍)

The show also explores several different very interesting themes (along with parallels and contrasts between those themes via the different characters), including (among other things) some beautiful commentary on selfish vs. selfless love, and a great full-circle bookend for the main protagonist. (I've also seen some discussions elsewhere on how the arcs for the characters seem to be very in-line with Buddhist teachings, which-- given the fact that the creators of this show specifically wanted to make vampires that are distinct to Thailand, and Buddhism plays a big part in Thai culture-- should definitely be taken into account when processing the outcomes of certain characters' fates. In this regard, IMO all of the main characters got *precisely* the endings that made the most sense given their past actions and character arcs.)

(Do note for content/trigger warnings' sake though that the topic of suicide-- both attempted and actually committed 😅-- does play a large part throughout all 4 main characters' arcs as well, so please be sure to be in a good/safe headspace first before watching! 🙏)

Now, all that said: This wasn't perfect-- yes, there were a few small moments of editing-disjointedness, and perhaps a little plot or pacing hitch here and there-- however, overall, I really commend the show's creators (and actors-- they put their *all* into this!) for not only creating an excellent vampire show, a great BL, and a show that makes you think all rolled into one, but also for doing something that is very unusual nowadays (and which was, quite frankly, very refreshing). I will absolutely be rewatching this, and I heartily recommend it! 👍

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Wow, Interesting

A woman's journey this is what this drama really was - her life of privelage and no worries only about her marriage and what's he going to look like etc., Then tragedy hits and oh, boy it hits hard. Her new life, can she overcome the hardship and she does with flying colors. The only thing she wants and could ask for is her freedom. Women aren't allowed to be free and live without a man or have any type of freedom not until another 200 yrs. So we could all kind of guess what happens. Keep watching because it is all worth it ( When you see that slap) She grew to love and respect the situation she was in. She helps many women along the way. Thank you for this journey. Sometimes we forget that many women have paved the way for modernization.

Women could not freely choose their spouse

A woman’s personal feelings were not the deciding factor. Who care's how they feel.

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Overall - It's a Bit Much

A complete review after watching the entire series:
I enjoyed this series up until the 9th episode, and then it became work to watch it. I did finish it but not without some reservations. My pros and cons of this series:

Pros:
1. Kang Hyung Suk - I've seen him in other series and always liked him as an actor. In my opinion, he stole the series. It was a layered storyline, and he equaled this by bringing layers to his character. Having always seen him as the good guy, he took on the role of the devious, demented bad guy who acted like everyone's hero/supporter but in truth was diabolical. He did this really, really well. Kudos to Hyung Suk!!
2. The Storyline - The story had layers. There was a lot of twists and turns that kept the viewer engaged. While this was a strength, it also brought a weakness. You can read that part below.
3. The Characters - the two main leads had chemistry, as did the secondary couple. They also brought a high-quality visual element to the story. It was nice just to watch them. I loved the storyline of the brother/sister twins traveling through time. So many series has the brother as a hapless, lazy character that is just annoying to the female lead. But this brother was an integral part, not only to the main storyline, but to his sister as well, and I thought this was refreshing. The trio of good friends, Ha Na, Ha Ru, Woo Jae was a big strength of the whole story, and I don't think it would have been as good without the friendship of these three.
4. The Production - when the series ends, stay for the photos of the production crew doing their job. I think most of time, we have no idea what it takes to put on these dramas, and these photos will show you how hard everyone works.

Cons:
Why I titled this "a bit much."
1. The Storyline - I got lost in the details of the time traveling back and forth, and I think this is why around episode 9, it felt like work to watch it. I had a hard time keeping straight whether they were in the present or the past. This might be a good series to binge all at once so you can keep things straight.

The "bit muches" of the main couple:
They seemed to like to do scenes in bed---with all their clothes on---it felt awkward and unnecessary. We get that they are in love and devoted to each other, but to validate this with every other scene was too much. This is honestly the first drama series where I stated out loud to the tv "enough with the kissing!!" The proposal on the beach was not a surprise and to me didn't actually feel natural to these characters, nor something I think the viewer necessarily needed to wrap up the story.
The slow motion scenes were exhausting to watch. Whether it as more kissing, or the slow motion injury/dying scenes, it got exhausting and boring.

As good as the storyline was, with all the details and layers, I still was able to figure out some key plot twists. I knew from the first time they traveled back to the past who the bad guy was. So it was no surprise to me when that was finally revealed. So the storyline with Hyeong Won was boring and unnecessary.

2. Unnecessary Stuff
The thrown in characters and plot twists that didn't make sense and didn't go anywhere:
The bloody package delivered to Ha Na. Was this a bird? Or something else? I never quite understood the point of this.
Speaking of birds, I never got the connection between the birds and Jun Mo's obsession with Ha Na.
Hyeong Won's character - the pretend bad guy that isn't
The twins father played two roles, and it was mentioned but never explained--what was that??
Ye Rang's other boyfriend--was this really necessary?
The Fairy with the Camcorder--so this was suppose to explain where the time traveling camcorder came from, but I think it left more questions than answers.
Woo Jae's father - I'm not sure this character and his blackmailing was really necessary other than to establish how demented Jun Mo was.

3. Unnatural and Non-human behavior - One of my pet peeves in dramas is putting human beings in situations where they do not act natural. Unfortunately, to keep this drama moving forward, there was a lot of it. The unusualness of the behavior just spoils the plot twist and can be annoying to the viewer. A big one came at the end of the series when Jun Mo's character was standing on the edge of a building seemingly about to jump off, but Ha Na and Woo Jae talked him out of it. He turns, still standing on the edge, and Ha Na moves toward him and reaches out her hand. A woman who had been stalked, almost killed, had loved ones killed by this person, would not in anyway shape or form walk towards this person and reach out her hand. Very unrealistic!! Not only that but I said out loud, "He's going to grab her and fling her off the building." Of course that is what happens, of course he grabs her and bends her over the edge, but she (in slow motion) remembers a judo maneuver and flips him over her shoulder, where they are now about 6 feet from the edge of the building----like wtf!!!

I've stated this before with other dramas. It starts out great, tanks in the middle, redeems itself in the ending episode. It's a good watch, you just need to take notes to keep all the details and characters straight.


A Time-Traveling Tale of Body-switching Twins - the review I wrote after watching the first 4 episodes
A little bit Lovely Runner with a tad The Kings Affection thrown in and we have a tale about a brother/sister twin duo who get to time-travel back to their high school days to save a friend. The catch is when they travel back, they switch places. So it makes for a multitude of awkward moments between those they interact with, especially their friend Yoo Jae who has a crush on the sister but is inexplicably drawn to the twin brother and doesn't know what to make of it.

Much like Lovely Runner, each attempt back in time seems to change little and even hurts one or both of the twins in their future life. There is also this mystery bad guy (added note - I knew at this point who it was) who is trying to harm Ha Na, but keeps killing Yoo Jae instead.

So far it's keeping my attention, and I've grown to enjoy the characters. The plot of undoing the future by traveling back in time thanks to a video camcorder, switching bodies, and this mysterious bad guy has peaked my interest enough, I'm looking forward to the next episode. I hope it will stay interesting. My advice, at least at this point (after 4 episodes) is to give it a go.

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Ugh. What was that?!

So, I never thought a drama with these leads would get an 8 on a drama, but that's exactly what this drama deserves, The story and premise had so much potential, but it quickly became a scowl fest from both leads. I thought their chemistry could carry the show, but it never developed past childhood friend-zone. The bad guys fell flat. The secondary characters had better acting direction than the leads. The emperor was unnecessary. The pacing and lighting were weird. It felt like a puzzles that decided to paste the non-fitting pieces together and just cut the bits that didn't fit. Will not be recommending.

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A darker, mystical and bitterweet series!

Not comepletly spoiler free (but I try to keep it minimal).

What makes Nour special to me is how it balances the thriller (like) and mystical aspects with deep, character driven moments. The show isn't afraid to give its characters breathing room. Seeing them share quiet moments or experience the heavy psychological strain of their live actually makes them feel natural, and those moments of decompression are what keep the high stress situations grounded.

The heart of the series (imo) is the dynamic between James and Ken. Ken isn't your average officer, and his personal existential mission (which naturally shifts his priorities) is greatly portrayed. Their relationship has a lot of hidden connections (only partly shown until the end) and really kept me on my toes. I think the acting across the board is fantastic, bringing real emotional weight to the mystical stakes, and the chemistry between the leads completely sells the intense romance. While it deals with dark themes and supernatural rules, things fit together within its own unique world. This isn't just true for thethe leads, but also for characters like Dr. Jirat and Chita, who share great chemistry and sad past as well.

I really like the concept of the Nour and the love connection tied to it. While it’s clearly inspired by "traditional" vampires, it has its own unique traits and rules, making it feel somewhat familiar yet surprisingly different.

I personally loved this series, the characters, and the acting, as well as the world building and the occasional funny breaks that lighten the mood. I even appreciate the bittersweet ending and the parts that are left open to interpretation! I would really recommend the show if you enjoy a slightly darker theme and mystic elements mixed with a spiritual and supernatural world.

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One story, two narratives

I liked this series a lot and I was fully engaged. Yet it left me wanting more.

The story is kind of tropey but engaging. The production value is high and acting is solid. I can’t help but feel the show has squandered some of its potential.

Let’s take a step back. The first EP is intense. We are usually given time to get familiar with the multitude of characters. Instead, we are given a SparkNotes summary by a younger version FL and her mother on their carriage ride home. Then the proverbial hits the fan and we are watching an extinction level event before the end credit rolls. To say our FL lives in a harsh and unjust world is an understatement.

Our FL went from a noble lady to a slave/maid overnight. She can only count on her wits to survive. Much of the show is based on her struggles spanning years. We watch her thrive and forms a band of sisters who become her core supporters.

On the opposite corner is a cadre of female nemeses. Most are driven by typical motivations like jealousy, greed and/or social status. They are mostly one dimensional except the ML's ex-wife and Zheng Manyi. They are strong characters and embodied a lot of the resentments against the established hierarchy. They are willing to take their destiny into their own hands, come what may.

Oh, I mustn't forget the palace intrigues and foreign invasions. For once, these storylines are not the main game. We are spared the drawn-out machinations and I am thankful. Their sudden impact is no less devastating though.

In their place, the show parades a series of parables and dress them up as challenges for our FL. To be fair, she is intelligent and quick witted. She has a strong moral compass. We watch her growth with anticipation.

Let's face it, the whole feudal, patriarchal, Confucian system was never about equality. The whole Three Obedience and Four Virtues mantra is designed to shackle a female to a male and curtail her rights.

In this case, our FL did good, but that required her to work within the system rather than against it.

My problem is that I kept thinking she is destined for bigger things, yet the glass ceiling is real. Our dear writer has a lot to say about gender inequality and other horrible things like slavery and the arbitrariness of the "justice" system, but everything is handled with a light touch.

I find that frustrating until I realised this show actually has two narratives.

One is obviously the story centred on our FL, and by extension, our OTP. That mostly runs true. It is a super slow burn through until EP.37 (of 47) when the FL finally overcomes all her misgivings. Even after that turning point, the romance is still low key with minimal PDA.

The second narrative is our dear writer's desire to expose social issues in ancient China. It is a noble sentiment. There are multiple expositions where characters spell out a particular issue. They will commiserate with each other while calling out the injustice. Yet, the drama offers no solutions, just gentle reminders not to repeat these mistakes.

This frustrates me. The show builds up the FL as a wise and forthright person so let her lead the charge. Enough with the parables. Build the barricades! Viva la revolución!

Inner peace . . . Inner peace . . .

In terms of acting, it is solid. There are so many support characters. Most earn their keep. The senior actors are all outstanding. I do find the ML a bit too low key. He is kind and gentle to the FL and stays true to her unto the bitter end. There are not many scenes where he can truly shine.

Needless to say, 7-10 is in her element. She is the queen of girl-to-woman roles. She is one of few actors who can convincingly play a teenager and then morph into a mature woman over time. Tan is the soul of this series. I enjoyed her performance; I find her too serene at times though.

This leaves me with a conundrum. Act 1 is very good. Act 2 does drag a bit when she is roleplays a wife. The show found its mojo in Act 3. However, some of the later subplot are a bit lose as they rush to tie up all the loose ends. The bittersweet ending certainly left its mark.

OBTW, there are lots of time skips in this drama. The director uses several clever tricks and motifs to signify the passage of time. I also like the cinematography. Some scenes are very artistically pleasing.

I enjoyed this series overall. I fell in love with it during Act 1. Then the slow burn/low yield romance tested my patience. The constant reminder of the woman's lot left me either hugging or hitting my therapy teddy.

In the end, it is a good Chinese Cinderella story with bonus parables. I like it a lot, I just stop short of loving it. Peace.

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Deliciously Twisted

I loved this. I went into it highly anticipating the release, and it did not disappoint. I thought it was a really nice blend of folklore and customs with a story centered around revenge and deceit. At its core, there was a mystery that slowly unfolded, and I really enjoyed watching how everything came together and how the different themes blended into one cohesive story. It kept the drama engaging and prevented the narrative from ever feeling flat.

I also liked how confusing it could be at times—not because it was difficult to follow, but because the storyline wasn't always easy to predict. Even when you thought you had things figured out, it could still leave you wondering whether you had completely misread the situation. Characters were constantly manipulating one another, and it wasn't always clear who you could actually trust. Trying to figure out who the real villain was among all the other characters added another layer of intrigue. I enjoy when a drama doesn't make everything so easy to guess because it keeps me invested in what happens next.

Even though the premise revolves around scamming people and using folklore and props to fabricate certain events, the drama still maintained a darker tone. That gave it a chilling atmosphere that I thought worked especially well as a fall watch. The timing of its release felt fitting.

Overall, I rate this very highly.

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A Visually Surreal and Emotionally Rich Watch

I absolutely loved this. I think it is an incredibly dynamic watch that uses all of your senses. For me, those layers worked really well to keep me engaged.

I loved the cinematography and how surreal some of the scenes felt. It matched the plot beautifully, with content that delved into the psychology and philosophy behind how these characters function within their relationships. So much of who they are was shaped by their childhoods and past experiences, many of which were painful, and it was engaging to watch how difficult it could be for them to step outside of those patterns.

It was easy to stay invested in their lives because we were constantly seeing them in their most vulnerable states. Sometimes they were completely transparent, openly expressing thoughts and feelings that they normally kept hidden. Other times, they were much more reticent, struggling to understand or communicate what they were feeling. I really liked that approach because the script, plot, art direction, and soundtrack all supported one another. Everything worked together to draw me into the characters and make me feel involved in what they were experiencing.

And a lot of the subject matter was heavy. As a viewer looking in from the outside, you're able to see how each person contributed to the circumstances they're living in now. No one is necessarily entirely at fault, but everyone is accountable for the things they've done and the consequences that followed. That deeper exploration of baggage, relationships, identity, and accountability is what I took away from this drama, and it's what really moved me.

I loved the framing and the different perspectives it offered on the various stages and types of relationships being depicted, as well as the way each character's arc ultimately played out. This was a very moving watch for me. Because of that, it sits firmly as a top-shelf favorite.

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Worthy of you time

The one thing I did not enjoy was how easy the plot was to figure out. However, I do appreciate the show's touch of humor. Episode two, for example, was funny to me. You can tell they put a lot of thought into portraying the history of that time and the hardships people faced.

I also loved the flow of the intimate scenes. They weren't overly lustful; they were actually very beautiful. I appreciate the care they put into those moments. Let's keep in mind that Ongsa had just turned 21, so I liked how demure they were with those scenes.

I love how Phob always stood his ground. Yes, he got beaten up by the dad, but he was still answering back! I do wish our lil prince had spoken up more, though. I guess he knew he loved Phob, but he wasn't sure how to handle his own truth. I don't think he had even considered coming out yet even look at the bigger picture.

I also feel like the beginning of their relationship was a bit rushed. Yes, they grew up together, but the transition from friends to lovers happened way too fast, in less than one complete episode.

Our Thin's letter was sad, even to me. And calling their love "kids' foolishness" was extremely low.

**Characters I Didn't Like: The Mom and Dad**

The dad was extremely irresponsible when it came to his son's behavior, yet he punished Chat without realizing that the way his son turned out was mostly his fucking fault!

And then there's the fact that he never saw Thin as someone who had his own life to live, his own identity to discover, and his own decisions to make. It was like he had already lived his life and thought he could get a second one through Thin.

Phob's mom was a fanatic. Sorry, not sorry.

Yes, you can dedicate your life to your religion or your beliefs, but to become so blinded by them that you think these people, a.k.a. royalty, deserve to love while your own son doesn't? That's absolutely absurd to me. Even grandma understood that they truly love each other.

My heart broke for Phob every time they were on screen together because of the way she would belittle him as a human being. Like, lady, YOU'RE HIS MOM!

And then their "reconciliation" was very minimal considering the damage she had caused, in my opinion.

**And Let Me Add Chat to This List Because HAIL NO!**

OMG, he pissed me off SO MUCH!

There was absolutely no character growth for him. The writers honestly wanted us to see him as a brat and a brat only, because WHY are we in the last episode and he's STILL blaming Phob for the downfall of the family?!

I love Pond. He's such a great actor, but this character is definitely not my favorite of his.

Overall, the series was good! The actors' portrayals of their characters were really freaking good. Like, they had me crying and shit!

And let's not ignore the chemistry between the leads! Phob's little grin was EVERYTHING to me.

I also loved the show's soundtrack. It was so good!

I honestly don't know why I waited so long to watch this series because it really is good. Despite my frustrations with certain characters and some of the pacing, I genuinely enjoyed it.

**Strongly recommended!**

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