Reviews

"The Festival of Unexpressed Feelings": Trauma, Co-habitation, and Pure Shoujo Nostalgia

[Italian Version Below / Versione Italiana in Basso]

ENG

Let's be clear from the start: Uehara Hisashi is not Naoki Irie from Mischievous Kiss: Love in Tokyo. He isn't a spoiled, self-centered egomaniac who torments the female lead just because he can. Uehara is an orphan working two jobs to support himself while managing school, carrying a heavy, lonely life on his shoulders. His icy demeanor isn't arrogance — it’s a survival mechanism. Beneath its absurd premise of a real-estate scam forcing two high schoolers into a shared lease, Season 1 delivers a genuine, emotionally resonant story about two deeply flawed teenagers attempting to navigate love.

~ The Shadow of the Sister-in-Law and Real Heartbreak ~

Nao’s overwhelming insecurity isn't baseless. She spends the season in the shadow of Uehara’s first love — his sister-in-law. The emotional climax hits hard when a drunken emergency with his sister-in-law causes Uehara to ruin their Valentine's Day date. In that moment, Nao’s heartbreak isn't just exaggerated manga drama; it’s raw and palpable. Around this core emotional conflict, the show layers all the classic Shoujo tropes with infectious energy: school bullies, stalkers, and the constant, hilarious threat of being exposed by teachers and classmates.

~ The Final Verdict ~

A deeply comforting, rhythmic, and surprisingly grounded high school drama. It embraces every classic trope without losing its emotional heart.

Recommended for: Viewers looking for classic 2010s J-drama nostalgia, fans of secret-cohabitation plots, and anyone who appreciates a tsundere male lead with actual depth.

---

ITA

"Il Festival dei Sentimenti Inespressi": Drammi Familiari, Convivenza e Puro Shoujo

Mettiamo subito le cose in chiaro: Uehara Hisashi non ha nulla a che vedere con lo stronzo egomaniaco, viziato e servito e riverito di Mischievous Kiss: Love in Tokyo. Uehara è un orfano che si spacca la schiena con due lavori per mantenersi ed è costretto a maturare troppo in fretta. La sua freddezza glaciale non è arroganza, ma una corazza. Dietro la premessa assurda della truffa immobiliare che li costringe a condividere un appartamento, la prima stagione di Good Morning Call nasconde un'onestà di fondo che la rende un comfort food irresistibile.

~ L'Ombra della Cognata e la Sofferenza Vera ~

L'insicurezza di Nao non è un capriccio: ha il fantasma del primo amore di Uehara — la cognata — che le aleggia costantemente sulla testa. Il picco emotivo della serie arriva quando Uehara toppa l'appuntamento di San Valentino per soccorrere la cognata ubriaca: lì la sofferenza di Nao è reale, palpabile e structuralmente struggente, ben lontana dalla solita macchietta comica. Intorno a questo perno drammatico ruotano poi tutti i trope del genere: le compagne di scuola che la bullizzano e la denunciano, lo stalker di turno e il terrore costante di essere scoperti.

~ Il Giudizio Finale ~

Una stagione fresca, ritmata e nostalgica che sfrutta al meglio la carta della convivenza segreta, regalando allo tsundere di turno una profondità umana non banale.

Consigliato a: Chi ama i classici manga scolastici anni 2010, chi cerca commedia e sentimento bilanciati e chi sa apprezzare un personaggio maschile complesso.

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Imperfectly perfect, and I might die on this hill

I fell in love with the story and the cast right off the bat but I was waiting until the finale to write a review. Here I am... Many people seem disappointed? But unexpectedly, the ending of this series might be one of my most favourite finales EVER.

We had three storylines, all telling different but interlinked narratives. One ended in tragedy but with an implied alternate happy ending, one ended in bittersweet happiness that may or may not result in tragedy in the future, and the last one was a beautiful, innocent, and incredibly human happy ending.

Were there a lot of unanswered questions about the Nour lore? Yes. But the existential questions this series threw at us left me so speechless that I will happily swallow not having all the answers.

I found it very spiritual and symbolic. I think I'd describe it as imperfectly perfect? From the get-go, I couldn't imagine what a happy ending would look like for the characters.

But those saying that Ken will now live immortal suffering sort of missed the point. Yes, he was turned against his will by his true love's selfish (desperate, and very human) sacrifice because he wanted Ken to live on. Whether that was or wasn't a past life of James remains up in the air, but I don't think that necessarily matters. From that point on, Ken stopped living. His driving force in life had been love, and as that was stripped from him unwillingly, his goal in life became death. For 200 years, he wasn't trying to live. In fact, he was purposefully stopping himself from living. But as James entered his life and brought with him all these small, fleeting joys, he unconsciously started shifting his views. Even as James lay there, about to die, Ken chose to accept that this impermanent love, or even just the colourful memories of it, made life worth living. It was the acceptance that nothing lasts forever that freed Ken from the shackles he had placed himself in.

And yes, James was being selfish. He was human. He didn't want to lose his true love despite wanting to keep his humanity, an impossible equation. Towards the end of the series, however, he slowly but surely started to learn how to let go. As he lay there dying, I think he regretted forcing his own beliefs on Ken. He allowed Ken his choice. In fact, he tried to change his mind back. And then, stubbornly, I think James changed his own mind. I think about that line "I want to live" a lot. I wonder if, in some uncertain future, James may change his mind about becoming a Nour. After surviving his near-death experience and being abandoned by Ken, it seemed he started seeing more of Ken's previous perspective. The scene where he stood on the rooftop contemplating jumping may have been the best example of that. He himself was thinking life wasn't worth living, even if only for a second - a thought that had never crossed his mind before.

I think the most beautiful part of this series was the fact we went from a montage of Ken's su!c!de attempts in Episode 1 to ending the show with Ken choosing to live for himself, no matter the impermanence.

As for Jirat and Chita, their story wrapped up so beautifully. Both became Nours against their will, both became monsters that were total opposites of just how vulnerable they had been as humans. Chita's own obsession with painting himself as the only victim turned him into a serial killer - someone Jirat could not recognise. I think Jirat didn't even necessarily struggle with his own new Nour life as much as he did with the fact that the love of his life was not someone he recognised; someone who would willingly and without any hesitance kill others. I thought their ending of escaping their dark immortality to regain their uncertain humanity was the perfect ending for them. I loved the implication of their rebirth / their alternate selves.

Rain and Panin were my pain relief medicine. Perhaps their struggles seemed smaller when slated against those of the existential dilemmas the other two couples were suffering through, but they were very, very human. While the world around the two of them was burning and crumbling, the two of them grew closer. Panin had been immensely traumatised by witnessing his brother's su!c!de attempt and was likely associating falling in love with emotional turmoil and pain. His growth from someone too scared to open up to someone willing to show his fears and admit his feelings was peak storytelling for me. These two innocent boys wrote their own love story against all the chaos around them. It was so pure and such a contrast to the other characters.

I understand those who may be disappointed by the lack of concrete answers on the lore. I do.

But at the same time, and oddly enough, I am more than satisfied with never finding out. What started as a vampire BL story turned into a rollercoaster of questioning life, immortality, sacrifice, love, and so much more. It's not perfect, and yet... it was perfect for me.

P.S. All the actors delivered incredible performances, but I HAVE to shout out Boss and Tongtong for their absolutely amazing chemistry. I joked to a friend that Tongtong was a pretty crier - not realising that by the end of the show he (and I) would have cried a river. Boss and Tongtong delivered some of the most emotionally intense, most heartbreaking scenes I had seen in a while. Watching these two amazing actors cry in their episode reaction videos just showed how empathetic they were and how deeply they felt for their characters.

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Pilgrimage of Vengeance

In this movie, a family of four women goes on a pilgrimage to Gyeongju with a secret plan to find justice for a past crime. While watching the movie, I couldn't place it in a genre. Is it a comedy, a drama, a thriller, or an action movie? It didn't deliver in any of them, so I still don't know. Although the characters had interesting personalities, I didn't like how clumsy they were at everything, or how every situation turned into an argument among themselves. Maybe some viewers will enjoy the chaos. I was also bothered by inconsistencies in the plot. For example, a car won't start for one character, but it starts without any trouble for another. There were many details like that.

What I did appreciate was the scenery of Gyeongju and the solid production. The theme also raises a lot of difficult questions and gives you plenty to discuss, whether you agree with the resolution or disagree.

So, ugh — I wanted to like this movie, especially because of Kong Hyo-jin, who plays a supporting character here, but it felt uneven in the story and morally conflicting from start to finish. It didn't help that I had read the Dead Man Walking comic the same day, just before watching it so I had issues with the messaging here.

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If only it were longer

I started this with a lot of hesitation bc the love triangle was so tangible I felt like it's going to ruin everything. We had immortality, the estranged couple and a lovefool who won't stop reincarnate. The drama was giving villain in the making vibes and cliche misunderstandings (there are some of those) and I almost dropped it. Thank God I didn't. The 2ML is NOT the villain and at the end everything gets cleared (but the magic watch) and there are no loose ends. The only real problem is time. It's ironic how the protagonists had ample time but the drama not enough to make everything make sense. The ending matches the FL centric theme but I wish it were happier and more realistic leading to a fulfilling life and the inescapable end of all mortals.All in all, it combines angst and humour in a nice balance. If only it were longer....

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The Starry Love: Emotion, Destiny, and an Unforgettable Soundtrack

I rewatched The Starry Love (2023) because it fascinated me the first time; it is a story that truly leaves a mark on the heart. Stands out for fusing comedic moments with deep drama with a beautiful production.

Entertaining plot are complemented by impeccable acting from the entire cast and a notable character development, especially observing how the female leads embrace their destinies.

The music enriches every crucial scene generate an unforgettable atmosphere that ensures moments of deep emotion during the most intense sequences of the story.

If you are passionate about fantasy, unconditional love, complex plots, and captivating music, this series is an absolute must-watch.

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Come for thai vampires and stay for heart wrenching story about loving life

It is a bit tricky to describe Nour, because it starts as an engaging supernatural detective, but in reality it is a story about grief, enduring, suffering and choosing life.
So if you are here sorely for supernatural, by the end you may feel a bit cheated. Making your own version of vampires - titular nours - lets director and screenwriter to make them as suitable to the story as needed, but also makes viewers to long for explanations that simply do not exist.
Same with a detective part of the story. Case is solved, but not because of our detectives are pros at catching supernatural. The only motive for the killer that is given - he wad so very angry and hurt.
After end credits roll you can easily make a list of questions not answered, but it will be a list of the things that is not relevant for both characters in the story or the main themes of it.
James in his quest for revenge does not care why his dad was killed. Ken, suffering from being alive, but not really living, does not care how he was turned or why. In a story about how important it is to live in a moment, to find joy even if its fleeting right now is the only thing that matters.
Every pair goes through their out journey of grief and loss, ultimately finding their own answer on how to move from that place to a better one.
And even though a part of me wished for no nonsense happy end, fragile sweetness of what show delivered, i feel, fits the story better.
In the end, i only left with one question - why wasn't it given at least 15 episodes.

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"Not Forgiving Is Justice": Honoring the Revenge Pact

[Italian Version Below / Versione Italiana in Basso]

ENG

The single, horrifying image of a curling iron burning flesh is all it takes to set The Glory in motion, but what follows isn't just a shock-value thriller—it’s a masterclass in staying honest with the audience. Whether it's the visceral brutality of Vincenzo or the cold, calculated revenge of Eve, a great drama must respect its narrative pact with the viewer. Where shows like Taxi Driver failed by softening their edge, The Glory delivers a relentless, unyielding story of pure retribution.

~ Casting Precision and Cold Intensity ~

Song Hye-kyo’s performance is nothing short of a revelation. Stripped of all glamour, her icy, hollowed-out presence carries the weight of an eighteen-year-old trauma. While brilliant actresses like Han Ji-min might carry too much natural softness for a role like this, Song Hye-kyo embodies the same deadly, feline darkness that Seo Yea-ji brought to Eve. She isn't playing a hero; she is a walking ghost executing a precision strategy.

~ The Tree in the Woods: Every Bully Meets Their Destiny ~

They say "to err is human, to forgive is divine." But in The Glory, not forgiving is justice. There is no cheap moralizing, no redemption arcs, and no absurd "turn the other cheek" preaching. Instead of direct violence, the protagonist lets the bullies’ own greed, arrogance, and moral decay destroy them from within. As an old off-piste skiing saying goes: "Everyone in life has a tree waiting for them, and sooner or later, they will crash into it." In this story, Dong-eun is simply the mountain guide leading them straight into their tree.

~ The Final Verdict ~

A deeply satisfying, razor-sharp masterpiece that never betrays its premises. Visually striking, impeccably acted, and intensely gratifying.

Recommended for: Viewers tired of forced forgiveness, fans of meticulous revenge thrillers, and anyone who respects a drama that honors its pact with the audience.

---

ITA

"Non Perdonare è Giustizia": L'Onestà della Vendetta

Basta il ricordo raccapricciante di una piastra per capelli usata come strumento di tortura per marchiare a fuoco l'incipit di The Glory. Ma ciò che segue non è un semplice thriller ad effetto: è una lezione di onesta intellettuale. Che si tratti della brutalità viscerale di Vincenzo o di quella calcolata e psicologica di Eve, un grande drama deve prima di tutto rispettare il patto con lo spettatore. E dove serie come Taxi Driver hanno fallito le premesse edulcorando la pillola, The Glory rimane spietato e coerente dall'inizio alla fine.

~ Casting Chirurgico e Intensita Glaciale ~

L'interpretazione di Song Hye-kyo e una rivelazione. Svestita di ogni glamour, la sua presenza spettrale e glaciale regge interamente il peso di un trauma lungo diciotto anni. Se attrici straordinarie come Han Ji-min avrebbero forse portato troppa "morbidezza" naturale per un ruolo simile, Song Hye-kyo riesce a toccare quella stessa oscurità felina e mortale mostrata da Seo Yea-ji in Eve. Non gioca a fare l'eroina: è un fantasma che esegue una partita a scacchi mortale.

~ L'Albero nel Bosco: Ognuno Incontra la Propria Pianta ~

Si dice che "errare è umano, perdonare è divino". Ma in The Glory, non perdonare è pura giustizia. Non c'è spazio per morali assicuranti, finti percorsi di redenzione o la solita predica del "porgi l'altra guancia". La protagonista non si sporca le mani: lascia che siano l'avidita, l'arroganza e il marciume dei suoi aguzzini a distruggerli dall'interno. Come si diceva un tempo andando a sciare fuoripista: "Tutti nella vita hanno una pianta, e prima o poi la incontrano". E in questa storia, i bulli finiscono esattamente a schiantarsi contro il proprio albero.

~ Il Giudizio Finale ~

Un capolavoro affilato, catartico e immensamente soddisfacente, che non tradisce mai le sue premesse e regala una giustizia spietata senza finti buonismi.

Consigliato a: Chi è stanco del perdonismo a tutti i costi, chi ama i revenge-thriller psicologici e chi pretende che una serie mantenga le promesse fatte allo spettatore.

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"Not Forgiving Is Justice": Honoring the Revenge Pact

[Italian Version Below / Versione Italiana in Basso]

ENG

The single, horrifying image of a curling iron burning flesh is all it takes to set The Glory in motion, but what follows isn't just a shock-value thriller — it’s a masterclass in staying honest with the audience. Whether it's the visceral brutality of Vincenzo or the cold, calculated revenge of Eve, a great drama must respect its narrative pact with the viewer. Where shows like Taxi Driver failed by softening their edge, The Glory delivers a relentless, unyielding story of pure retribution.

~ Casting Precision and Cold Intensity ~

Song Hye-kyo’s performance is nothing short of a revelation. Stripped of all glamour, her icy, hollowed-out presence carries the weight of an eighteen-year-old trauma. While brilliant actresses like Han Ji-min might carry too much natural softness for a role like this, Song Hye-kyo embodies the same deadly, feline darkness that Seo Yea-ji brought to Eve. She isn't playing a hero; she is a walking ghost executing a precision strategy.

~ The Tree in the Woods: Every Bully Meets Their Destiny ~

They say "to err is human, to forgive is divine." But in The Glory, not forgiving is justice. There is no cheap moralizing, no redemption arcs, and no absurd "turn the other cheek" preaching. Instead of direct violence, the protagonist lets the bullies’ own greed, arrogance, and moral decay destroy them from within. As an old off-piste skiing saying goes: "Everyone in life has a tree waiting for them, and sooner or later, they will crash into it." In this story, Dong-eun is simply the mountain guide leading them straight into their tree.

~ The Final Verdict ~

A deeply satisfying, razor-sharp masterpiece that never betrays its premises. Visually striking, impeccably acted, and intensely gratifying.

Recommended for: Viewers tired of forced forgiveness, fans of meticulous revenge thrillers, and anyone who respects a drama that honors its pact with the audience.

---

ITA

"Non Perdonare è Giustizia": L'Onestà della Vendetta

Basta il ricordo raccapricciante di una piastra per capelli usata come strumento di tortura per marchiare a fuoco l'incipit di The Glory. Ma ciò che segue non è un semplice thriller ad effetto: è una lezione di onestà intellettuale. Che si tratti della brutalità viscerale di Vincenzo o di quella calcolata e psicologica di Eve, un grande drama deve prima di tutto rispettare il patto con lo spettatore. E dove serie come Taxi Driver hanno fallito le premesse edulcorando la pillola, The Glory rimane spietato e coerente dall'inizio alla fine.

~ Casting Chirurgico e Intensità Glaciale ~

L'interpretazione di Song Hye-kyo è una rivelazione. Svestita di ogni glamour, la sua presenza spettrale e glaciale regge interamente il peso di un trauma lungo diciotto anni. Se attrici straordinarie come Han Ji-min avrebbero forse portato troppa "morbidezza" naturale per un ruolo simile, Song Hye-kyo riesce a toccare quella stessa oscurità felina e mortale mostrata da Seo Yea-ji in Eve. Non gioca a fare l'eroina: è un fantasma che esegue una partita a scacchi mortale.

~ L'Albero nel Bosco: Ognuno Incontra la Propria Pianta ~

Si dice che "errare è umano, perdonare è divino". Ma in The Glory, non perdonare è pura giustizia. Non c'è spazio per morali rassicuranti, finti percorsi di redenzione o la solita predica del "porgi l'altra guancia". La protagonista non si sporca le mani: lascia che siano l'avidità, l'arroganza e il marciume dei suoi aguzzini a distruggerli dall'interno. Come si diceva un tempo andando a sciare fuoripista: "Tutti nella vita hanno un albero, e prima o poi lo incontrano". E in questa storia, i bulli finiscono esattamente a schiantarsi contro il proprio albero.

~ Il Giudizio Finale ~

Un capolavoro affilato, catartico e immensamente soddisfacente, che non tradisce mai le sue premesse e regala una giustizia spietata senza finti buonismi.

Consigliato a: Chi è stanco del perdonismo a tutti i costi, chi ama i revenge-thriller psicologici e chi pretende che una serie mantenga le promesse fatte allo spettatore.

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Season 2 Is Finally Here! From Mafia Life to Married Life, It Was Worth the Wait!

Exactly one year ago, we were introduced to The Journey to Killing You, and now, one year later, we finally have Season 2! I absolutely loved Season 1, so you can imagine how excited I was when I heard we were getting a continuation. After watching Episode 1, I am already hooked! What a fantastic way to continue the story, and honestly, this is exactly what I wanted from a second season.

If you remember the ending of Season 1, Kataoka and Odajima were planning to leave their dangerous mafia lives behind and open a bar together. Well, Season 2 picks up from there, and they actually did it! They are now living peacefully in Okinawa, running their little bar and enjoying their new life together.

There is just one tiny problem. Their bar literally has no customers!

I could not stop laughing! After everything these two went through in Season 1, seeing them struggling to attract even a single customer was hilarious. But honestly, who cares about the business when they finally get to live together happily, away from the violence and danger of the mafia world?

And can we please talk about their chemistry?

That riding sex scene was so hot and intimate! Their kissing scenes were just as beautiful, and I absolutely loved how comfortable and natural they were with each other. They genuinely behave like a married couple who have been together for years. The affection, the physical intimacy and the way they interact feel so believable. And yes, they are married! Let us not forget that!

One of my favourite moments was when Kataoka saw a couple getting married on the beach and casually asked Odajima what kind of wedding he would want, since they were already married but never had an actual ceremony.

I absolutely love Kataoka's personality! His sense of humour, his cheeky comments and the way he constantly teases his wife have not changed one bit since Season 1. Even after everything they have experienced together, Kataoka still finds every opportunity to tease Odajima, and I am loving every moment of it.

Honestly, I would love to see these two have a proper wedding ceremony. Can you imagine how beautiful that would be?

Another thing I really appreciated about Episode 1 was the flashbacks to Season 1. Seeing those familiar moments again brought back so many memories of their journey together. It reminded me of how much they have been through, how their relationship developed and how far they have come as a couple.

However, despite their peaceful new life, Odajima is still haunted by his past. He continues to have nightmares about his parents dying, which shows that even though he has escaped the mafia world physically, the emotional scars are still there. I thought this was an important detail because it reminds us that their past has not simply disappeared.

And of course, we all knew their peaceful life was probably too good to last!

When Odajima receives a phone call connected to their former mafia life, he decides to hide it from Kataoka. You can clearly see that he is trying to protect the man he loves. He wants Kataoka to remain happy and safe, far away from the dangerous world they worked so hard to escape.

But little does he know, keeping secrets is not going to be that simple!

I already have a feeling their peaceful life in Okinawa is about to be turned upside down, and I am both excited and nervous to see what happens next. After everything these two have survived, I just want them to be happy together!

What I love most about this first episode is that it genuinely feels like a continuation of Season 1 rather than an entirely different drama. We still have the same characters we fell in love with, the same playful relationship, the same incredible chemistry and that familiar mixture of romance, humour and danger.

The acting remains excellent, and the intimacy between Kataoka and Odajima feels even more natural now that they are living together as husbands. I especially love how their relationship has matured while their personalities have remained exactly the same.

Overall, Episode 1 was amazing!

We got everything I was hoping for: our favourite married couple living together, hilarious moments at their empty bar, passionate kisses, a seriously hot intimate scene, beautiful memories from Season 1 and just enough suspense to remind us that their mafia past is never too far behind.

If you loved Season 1 as much as I did, then Season 2 is already off to a fantastic start! Our favourite husbands are back, their chemistry is hotter than ever, and I am so ready for the next chapter of their love story.

Exactly one year later, and I have fallen in love with Kataoka and Odajima all over again!

I cannot wait for Episode 2!

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Finally a toxic BL done right, extremely addicting

This series has gone far beyond any expectations I could've ever had. I am genuinely in shock at how amazing everything is.
The acting, the tension, and the extremely interesting premise. I am hooked.
This is an incredible series, and each episode sucks you in and sweeps you off your feet like a hurricane.
I might've come for the Copter, but I definitely stayed for everything else, him included.

You can watch it on iQIYI: https://www.iq.com/album/1vby5hezxel

Things I liked:
1. Incredible acting. My first time seeing Bank in action, and I'm already obsessed.
2. Chemistry. The tension is insane between the leads.
3. Interesting plot. I'm extremely intrigued to see how everything will play out, but so far it is really interesting.
4. Styling.
5. Cinematography.
6. Character contrast. Even every side character has such a distinct personality and style. Which is supposed to be a given, but it is sadly not always the case with some BLs.

Things I disliked:
1. Forced sex. Toxicity is one thing, and they can fight all they want, but this is one thing I can't get behind.

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Felt dragged, plottwists on end but great chemistry

This one really felt like a “let’s roll the dice and see what we’re going to do next” kind of story. And honestly, I mean that in both the best and worst way possible. It can add some fun elements where you don't know what will happen next but yeah, it can also make it feel dragged. I genuinely enjoyed the plotline in the beginning. I was hooked enough that I ended up binging the first 30 episodes, which says quite a lot because that is a lot of episodes to fly through. The characters were interesting, the chemistry between them was incredibly compelling, on fire actually, and there was enough tension and drama to keep me wanting to know what would happen next.

But then... as mentioned, somewhere along the way, it started feeling like I was watching the same cycle play out over and over again. They misunderstand each other, they fail to communicate, someone makes a questionable decision, there’s a dramatic revelation, and then wow plot twist! Just when you think things might finally settle down, another misunderstanding or twist appears out of nowhere. After what felt like the tenth round of miscommunication, misunderstandings, and increasingly dramatic plot twists, I started to feel like I needed to step away for a minute. so I took breaks in maybe like 5 episode intervals at the end. so its like watch for an hour need a long break type of thing. Sometimes there was actual days in between, normally I don't do that but man it felt dragged.

on a positive side. The story is definitely fun and engaging, especially because I really liked the characters and the chemistry between them. Their relationship is what kept me invested for as long as I was in the first 30 ish episodes. There was a genuine emotional intensity to their interactions, they had great chemistry and I am all here for it,. That combination of romance, tension, and shifting dynamics was probably my favorite part of the entire story TBH.

My biggest issue, though, was the pacing. This story dragged. And then it dragged some more. And just when I thought surely we were getting close to the end... nope, there was more another dragging. I honestly think the story could have benefited from having fewer episodes in general. Alternatively, they could have made the individual episodes longer while still cutting down the overall episode count. wbc watching 30 episodes of 40 min can feel like less of a chore than watching 50+ episodes of 20 min. There was definitely enough material here for a compelling story, but I think some of it could have been condensed without losing the important emotional beats. I did look into the fact that this was adapted from the Thai version, and apparently that one is also real long. I will be checking it out later as well. but yeah overall I liked it but it felt dragged. I will def not rewatch it but it was worth the time I sent on iy.

Also, bonus points from me that I LOOOOOVED the OST. I have added it to my playlist. It was fantastic.

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wonderful

I cannot count how many times I have cried during this drama.
It is beyond just being a drama for entertainment purpose. It teaches so many things, it goes into much more details, much more insights about life, about its ups and downs, about the fortunes and misfortunes of life, about life not just being happy or sad. Sometimes you would be happy, Sometimes you would be sad, Sometimes you would suffer, Sometimes you will feel fortunate to be alive.
We watched our female lead grow from a teenage girl that has lost her entire family in an unfortunate incident to becoming one of the most beloved, great-grandmothers, mother, friend, daughter a d wife. from not knowing who she is, what she wants to do in life to achieving much more than she ever dreamed of achieving.
She was able to become a wife, to become a mother, to become a grandma and to be the benefactor of many other people where she helped them change their life to the better.
She was able to have friends and family that loves her and care for her, she learned so many things during her life. She started from being a mere slave, a maid, and then she become a commoner, and suddenly she has become a wife to a wealthy young master.
this drama talks about what could happen in each persons life in general. How someone's life can go from being fortunate to being misfortune to again fortunate.
Not only the female lead, but all of the supporting characters' life, each and every one of them lived their own lives by their own terms, each and one of them has suffered the consequences of their actions, has been rewarded for their kindness, has been punished for the the injustice they have done to others.
This drama talks about what could happen to each person in their lives. You cannot control what happens to you, You could be the kindest person on earth. but then suddenly misfortune struck you down from nowhere.
I really love this drama. It feels like a part of me, and I cried so much during so many scenes.
another thing is the fact that we dealt with lossses so many times, we lost so many good, Wonderful people, it just makes you think about your own life, the decisions you make and how you live, and the people you're surrounded with.
I love the drama so much. And I would recommend it to anyone.
This drama teach us how to be grateful for what we have. And how to always be true to ourselves, and how to always strive to be better, how to always choose the right decisions and make the correct answers.it also teaches you to always be prepared for whatever might come to you in life, because you might be the kindest person on earth, But misfortune can suddenly struck you down at any moment.
What matters is that you never lose yourself and always thrive to make yourself become better a person and always make decisions that you will never regeret latet.
This drama talks about many aspects of love. Friendship, familial love, romantic love. And it just makes you rethink relationships with your people around you, with your spouses, your children, your friends, your family.
The acting was wonderful. You could just tell by the fact that I cried so many times during this drama. Every person acted so perfectly it felt like the characters were all alive. And we've seen the life of actual people, the main characters were wonderful. The supporting characters I just loved them so much, each and every one of them. the story was impeccable. they were so many details to actually savor and understand in a deeper meaning.
They really outdated themselves here. I lived with this drama and I feel like I've lost something now that the drama has finished. It's just one of the best dramas I have watched.

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A Dark, Emotional and Forbidden Love Story That Has Me Completely Hooked!

I am not going to lie, I have always been interested in BL dramas that explore forbidden relationships between teachers and students. I know this is completely fictional and that such relationships would be inappropriate in real life, but as a fictional storyline, I find the complicated emotions, tension and moral conflicts fascinating to watch. So when I first came across this Korean BL, Boy, With Caution, I immediately added it to my watchlist!

And OMG, after watching the first four episodes, I can confidently say that it has NOT disappointed me!

What makes this BL so interesting is that both main characters are struggling with their own personal lives, and neither seems to be receiving the love and affection they desperately need.

We have Jang Gi U, a 32 year old high school teacher who is married but appears to have very little affection or emotional connection with his wife. Despite having a wife and a seemingly normal life, he comes across as lonely and emotionally unfulfilled. You can sense that something is missing from his life, and deep down, he wants to feel loved and appreciated.

Then we have Lee Hyeon Jae, a high school student whose home life is heartbreaking. Instead of receiving love and support from his father, he experiences hatred, physical abuse and constant emotional pain. Watching how his father treats him genuinely makes me feel sorry for him. Home should be somewhere a child feels safe and loved, but for Hyeon Jae, it is the complete opposite.

What I find particularly interesting is how these two characters, despite being at completely different stages of their lives, are both dealing with loneliness and a lack of affection. As their connection develops, we begin to see how their emotional struggles bring them closer together, even though the teacher and student relationship creates serious complications.

And this is exactly what makes the storyline so intriguing to me!

Unlike many high school BL dramas that focus on cute moments, innocent crushes and fluffy romance, Boy, With Caution takes a much darker and more emotional approach. This is definitely NOT your typical sweet school romance!

The drama explores difficult subjects such as childhood trauma, abusive parenting, loneliness, emotional neglect and forbidden attraction. I really appreciate that this Korean BL is willing to explore uncomfortable and complicated themes rather than following the usual predictable romance formula.

Another thing I love is how different the storyline feels compared to other BL dramas I have watched. There is a sense of sadness surrounding both characters, and I find myself wanting to understand them more with every episode. Their circumstances are far from simple, and that emotional complexity is what keeps me interested.

I am already halfway through the series, and I am genuinely loving it so far! Four episodes in, the story has kept my attention, and I am curious to see how their relationship develops and what consequences their feelings might bring.

Overall, Boy, With Caution has been an excellent watch so far. It is dark, emotional, mature and filled with complicated characters who are searching for something missing in their lives. It certainly will not appeal to everyone because of its sensitive subject matter, but that is also what makes it stand out from the usual BL dramas.

If you enjoy darker Korean BL dramas with unique storylines, complicated relationships, emotional trauma and characters who are struggling to find love and acceptance, this is definitely one to consider adding to your watchlist! ❤️

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Hot, Steamy Office Romance With Our First Proper Threesome BL!

WOW! What a hot and steamy Korean BL! I honestly did not expect this series to be so bold, but from the very first episode, I was completely hooked! If you love mature office romances with handsome, muscular men, intense sexual tension and passionate kisses, this is definitely one to watch!

We are introduced to Seon U, a rookie employee, and his strict, intimidating Team Leader Kang. One rainy night, Kang invites Seon U back to his apartment, and OMG, things heat up quickly! Seeing Kang outside the office without his glasses was such a surprise. He looked incredibly attractive, and I cannot blame Seon U for making the first move!

Their first kiss and steamy couch scene were seriously HOT! Finally, a Korean BL where the actors actually know how to KISS! No awkward dead fish kisses here! Their chemistry feels natural, passionate and incredibly convincing.

What makes their relationship even more interesting is their office dynamic. Kang is strict and constantly criticises Seon U at work, but behind closed doors, they cannot keep their hands off each other. That office bathroom kiss after Kang embarrassed Seon U during his presentation was another unforgettable moment!

BUT OMG, THE THREESOME SCENE! I have watched over 500 BLs, and this is the first proper threesome I have seen involving the main leads!

Baek has a crush on Seon U and tells Kang that he will only sign the contract if he gets to spend a night with Seon U. And guess what? THE THREE OF THEM ACTUALLY DO IT!

That chair scene was absolutely WILD! Baek takes Kang's tie and wraps it around Seon U's hands, with one man in front and the other behind him. I honestly could not believe what I was watching! The chemistry between all three was explosive, and the scene was incredibly bold for a Korean BL. This is definitely not your typical innocent office romance!

And just when I thought things could not get any hotter, the preview for the finale in Episode 5 shows a riding scene! OMG, I am already counting down because it looks like they are saving even more steamy moments for the final episode!

Aside from the intimate scenes, I really enjoy the acting, attractive cast and complicated relationships. The episodes are short, but they are packed with tension, passion and unexpected developments. I just wish they were longer!

Overall, Twisted Tie has completely exceeded my expectations! It is bold, sexy, addictive and delivers some of the hottest chemistry I have seen in a Korean BL. We have passionate kisses, a secret office romance and now an actual threesome involving the main leads!

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A Sweet and Heartwarming Beginning to an Eight Year Love Story

You can watch this Japanese BL on YouTube, and after watching the first episode, I already have a feeling this will become my comfort show for the next nine weeks!

I absolutely loved how the story began! Instead of starting with their high school days, we get a glimpse of Ao and Midori moving in together before the story takes us back to where their relationship first began. I thought this was such a lovely way to introduce their romance because we already know they will eventually share a home, but now we get to experience the journey of how they fall in love and what brings them to that point.

Episode 1 focuses on their high school days, and honestly, everything was just so cute and wholesome! From Ao and Midori running together during sports to their little lunchtime moments, I loved watching their connection slowly develop. Ao is quite a picky eater, but seeing him gradually become more comfortable eating alongside Midori was such a sweet little detail. Sometimes it is these simple everyday interactions that make a romance feel so genuine.

What makes this story even more interesting is their contrasting personalities. Ao is naturally gifted in both academics and sports, and he expresses his affection so openly without even realising how much it might mean to someone else. Meanwhile, Midori is the caring type who naturally looks after Ao but finds it much harder to express his true feelings. Knowing that their relationship will develop over eight years, with both struggling to understand and confess their feelings, makes me even more excited to see how their romance unfolds.

I also find the title Ao to Midori really charming. There is something unique about watching how Ao gradually becomes drawn to Midori and how their friendship develops into something much deeper. Both actors delivered natural and convincing performances in the first episode, and their chemistry already feels promising.

Overall, Episode 1 was light, sweet and heartwarming, exactly the kind of Japanese BL I enjoy watching after a long day. I cannot wait to see their romance blossom, the misunderstandings they will face along the way, and most importantly, how these two boys eventually find their way into living together.

One episode down, nine weeks of sweetness to look forward to!

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