Reviews

From Sublime to the Toilet

Hope achieved something very few films manage to do with me: for a good portion of its two-hour-and-forty-minute runtime, it had me completely hooked. And perhaps that is precisely why its final stretch pissed me off so much.

The film begins as an excellent science-fiction thriller. A small Korean town is confronted with an inexplicable event, and information is revealed intelligently: first we know something is happening, then we discover the creatures, then we realise there is more than one, and eventually we find a crashed spacecraft. Each revelation expands the mystery without destroying it.

And in the middle of all this comes Jung Ho-yeon, providing a perfect lesson in how to introduce a badass character. Nobody needs to tell us how extraordinary she is, show us her résumé, or explain what she can do. We simply watch her act and discover it for ourselves. A character is not badass because the script tells you so. They have to prove it.

The early action sequences are excellent, and it is important to distinguish visual effects from practical stunt work. Some of the VFX are far from convincing, but what the stunt drivers do with the cars is something else entirely. Some of those manoeuvres and crashes are genuinely spectacular.

The problem begins when the film enters its interminable final chase. What had previously been action that moved the story forward becomes repetition: run, shoot, scream, run again, shoot again. And then an even bigger problem appears: the physical rules governing the aliens change according to what the screenplay needs.

These creatures can move at astonishing speeds, yet later they cannot catch a car, people running on foot, or even a horse galloping down a road.

Apparently, the aliens' speed and strength are inversely proportional to the importance of the character they are chasing.

And just when we expect some kind of conclusion, the film decides to open another movie instead. A gigantic mothership falls from the sky, an extraterrestrial hierarchy is introduced, there is an emperor, new characters played by Alicia Vikander and Michael Fassbender appear, and suddenly an entire mythology emerges just as the film is ending.

Which only creates more questions. What brought down a ship that enormous? How does an object of that size enter the atmosphere over South Korea without triggering a military response? Where is the Korean military? And does a civilisation capable of interstellar travel really have no auxiliary vehicles or smaller craft, forcing its creatures to chase people and horses on foot?

We know Na Hong-jin considers this only the first half of the story and intends to continue it. Fine. That explains the ending. It does not justify it.

The audience paid to watch this film, not half of a film whose continuation may arrive who knows when. And the elements introduced at the end create frustration rather than mystery.

A film can leave questions unanswered. The problem begins when those questions no longer make you eager to discover the answers, but instead make you feel that part of the film you paid to watch is missing.

Hope had an extraordinary film in its hands.

And then it flushed it down the toilet.

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When a Drama Pulls You Into Their World

I’m not an expert when it comes to acting, directing, or analyzing dramas, so I usually judge a drama by one simple thing: Did it make me feel connected to its world?

This one definitely did.

There were moments when I didn't feel like I was simply watching Li Ni, Cui Lin, and the others—I felt like I was with them in their world. I laughed with them, worried about them, got frustrated with them, and cried with them. Some scenes hit so hard that I felt like I was experiencing their pain myself.

Yes, there were episodes where the pacing dragged a little, and there were definitely characters who tested my patience. (Ahem... the Emperor) There were also a few loose ends I wish had been given proper closure. But despite those imperfections, I stayed invested until the very end.

Xu Kai as Li Ni was one of the highlights for me. I don't know the technical terms for describing acting, but I could feel what he was feeling. His eyes, expressions, pauses, tone, and subtle changes in his face often conveyed more than words could. I especially loved watching Li Ni's growth—from someone who wanted nothing to do with the throne to someone who eventually accepted the responsibility, without losing the qualities that made him who he was.

And his chemistry with Jing Tian? Simply electric! Li Ni and Cui Lin weren't just a romantic couple. They were equals who challenged, understood, teased, and supported each other. They truly felt like two puzzle pieces that fit.

There were so many memorable moments—the bamboo dragonfly, the emotional highs and lows, the characters who made me want to hug them, scream at the screen, or jump into the drama and fix things myself.

And that's probably the biggest compliment I can give this drama:

It made me care.

If a story can pull me so deeply into its world that I become emotionally invested in its characters, then I believe the people who created it have succeeded in making that world feel real.

Despite its imperfections, Wonderland of Love gave me a journey I genuinely enjoyed. And when I reached the ending, I was satisfied. Thank you, Wonderland of Love, for the journey.


XO's Take:
We may not believe in gods, but when the one we love is slipping away, we pray to every one of them, clinging to every possible hope.

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? YEARS OF UNSPOKEN LOVE

OVERALL IMPRESSION🌟
This was a deeply emotional romance about two people who had secretly loved each other for years, yet remained separated by pride, insecurity, age and social status. Although the story contains intense attraction, jealousy and possessiveness, its emotional centre is Shen Qing Li’s struggle to maintain her dignity and independence while carrying the enormous responsibility of paying for her seriously ill brother’s treatment.

WHAT I LIKED💖
• As expected, Min Jie was not shy about displaying his beautiful eight-pack, and the drama also delivered plenty of passionate kissing!
• Shen Qing Li was poor, young and somewhat naive, but she was never greedy. She showed little interest in expensive gifts or luxury because her priority was earning money for her brother’s medical expenses.
• I admired her determination to work for what she needed. Her emotional distance was not indifference; it was her way of protecting her pride, independence and vulnerable heart.
• She had quietly loved Gu Heng for years and hoped to reach his social level before pursuing him. After circumstances forced her into a humiliating arrangement with him, she feared that he would never respect her, love her sincerely or consider her his equal.
• Gu Heng was extremely difficult to read. He appeared cold and disinterested, yet he was always the first to protect her, pay her debts and create excuses to see her again.
• His devotion emerged through actions rather than words. He became increasingly jealous and possessive because he had also loved her for years but was emotionally guarded and terrified of losing her.
• I enjoyed their central contradiction: she withdrew because she believed she could never belong in his world, while he held on too tightly because he feared she would disappear from it.

WHAT I DISLIKED⚠️
• The SML was horribly manipulative. He secretly interfered with the FL’s employment and education to make her dependent on him, while allowing her to believe that Gu Heng was responsible for her suffering.
• His behaviour became completely unforgivable when, after feeling rejected, he sold the FL into human trafficking. Whatever sympathy his feelings might once have inspired disappeared at that point.
• Gu Heng’s inability to communicate made his genuine devotion appear controlling. Instead of explaining his feelings, he relied on jealousy, possessiveness and forceful actions, which intensified the FL’s fear that he did not respect her.
• The ending did not feel quite right. I would have preferred Shen Qing Li to confess while sober so that her decision felt completely deliberate and emotionally satisfying.
• Several conflicts and misunderstandings still needed proper resolution, making the final scenes feel abrupt rather than complete.

PRODUCTION AND PERFORMANCES🎭
• Min Jie effectively balanced Gu Heng’s cold, intimidating exterior with the vulnerability of a man who had secretly loved the FL for years. His protectiveness, jealousy and fear of losing her were visible even when the character refused to communicate.
• Liu Xiao Yu gave Shen Qing Li a convincing mixture of pride, resilience, innocence and emotional vulnerability. Her performance helped explain why the FL repeatedly pulled away despite loving him.
• The drama’s strongest element was not the external conflict but the emotional difference between how the leads felt and how their behaviour was interpreted. Their love was mutual, yet neither believed it could be safely expressed.

FINAL THOUGHTS💭
I think this drama is ultimately more about the FL’s independence and personal struggles than a simple “who did what to whom” story. That focus may explain why the ending felt so abrupt: Shen Qing Li’s emotional growth was treated as the destination, even though several relationship issues still needed resolving. I would have preferred a sober confession and a little more time for the leads to discuss their years of misunderstanding. Nevertheless, their shared history transformed the romance into a moving story of mutual secret devotion—she believed she was unworthy of his world, while he had been quietly waiting for her all along.

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major waste of time.

This thing had alot of potential to begin with , but after ep 2 it was all downhill. The characters are mostly flat , the story is basicly non existent in its over arcing plot which the romance sorta takes a backburner to in mid-late episodes tho its hard to say there was actually any real romance at all. the feelings of the characters are more spoken than shown for the most part with the exception of the NC scenes which are sadly some of the better acted parts of this show. thats not to say the actors didn't do the best with what they were given i think they really did at times , but when your given overly repetitive dialog every episode often times in the same episode theres only so much you can do. the side couples had more going for them alot of times than the main couple as well but even then the writing is just so poor that in the end there was no particularly good outcome too any of them .

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A Misunderstood Adaptation

"The live action version of Attack on Titan has aspects that are different from the original work, like the story and setting, but the youth that is trapped in the walls, longing for freedom, is vividly sung." - Haruma Miura (rest in peace)

1. This looks amazing for the budget and time this was made in, it's not an Hollywood blockbuster and they put in a lot of work (hybrid filming, meaning tokusatsu mixed with special effects). The titans are portrayed as they should, creepy and horrifying. That in itself works better in live action, imo, as it does overall if you like the more grounded feel. I understand why people could make fun of them in the trailer but while watching the movie I was not laughing, and if that's how you see it then it's literally the same in the anime, in fact they're even worse. Some of them are meant to look more silly than the others but in live-action it felt more serious. I think they're very well made (the aura of the Colossal Titan was insane, Eren's Titan too) and if it wasn't for TitanGoji's videos I wouldn't know about the history behind this LA, the crew and actors being fans of the source material and the fans defending it. Because beneath all the mockery and low reputation, they also existed.

2. The author himself asked for the differences, he literally worked with them. Of course, he did not dictate to them what to do, it's the opposite, as he rejected (even though he liked) their first proposal, saying that "Please do as you like, Machiyama-san. It doesn't matter if it's an original work that only shares the Titans in common."

3. This is closer to Chapter 0, the author's first trial and there were things that appeared later in the manga.

4. Brilliant details such as the movies being adapted as a novel inspired by Dante's Inferno, the implied bisexuality of Kirishima's character in the white room scene (Matrix reference) with Eren being a parallel to Satan tempting Adam and Eve (White Room Explained: https://youtu.be/5CQ3b8iR6Ag). Even if Levi is the cooler guy, Kirishima is meaningful in the story, because he's useful to Eren's character arc. (Explanation for Levi's removal at 32:20 on the first part of the video mentioned below, basically they needed someone who confronts and stands against the main protagonist (Eren), whether physically or mentally and Levi shouldn't have to carry the burden of that role, but they added a tinge of Levi's presence in him.)

The town, the more advanced technology due to the movie happening in modern Japan, the details of the clothes and locations, the aspect of classism, the tower of Babel mentioned as the very center (government) in the making of the map, the throwbacks to Japanese history and tragedy (discussed in the second video), the oppression and control by the Empire of Japan...

5. The music itself was amazing and the whole movie was artistic with beautiful landscapes and gritty sets. And of course that final shot.

6. While there can be different takes, the characters are essentially the same. While Levi isn't there, you might be shocked because he was considered as the main character until Isayama decided to make them write a different story (20:00). Since at that time the anime was already telling the manga's story, it wouldn't have been a creative choice. More shocking yet, the author suggested to make Jean the protagonist.

7. I want to thank Miura for his brilliant portrayal of Eren. It was really disheartening to find out after I looked up his name when I finished Part 1 because I liked him from the beginning. Miura's words about his love for the director and it being a powerful film literally moved the director to tears. Besides, Eren was a rebellious kid who wanted freedom and saw the terror in front of his eyes, seeking revenge. Is that not somehow similar to the original Eren? Maybe he was more ordinary, more fearful. But I think that's a plus in a live-action.

8. Attack on Titan (itself inspired by tokusatsu like Godzilla) was the first tokusatsu film production of this scale, which marked the history of Japanese cinema and also premiered in Hollywood. Obviously, the majority of the Attack on Titan fandom is constituted of Western fans. (Last part of the video about the reception at 33:30) The Hollywood screenings themselves made it worse with defective subtitles that either got fixed or not which provoked refunds, memes, and a recap on their YouTube channel for the second part.

9. About the melodramatic aspect that can seem over-the-top at times, this is the essence of Japanese cinema and theatre.

10. Part 2 gives you the final reveal about the apocalypse, ending with a meaningful conclusion.

TitanGoji's latest videos on the movie: (https://www.youtube.com/playlist?list=PLsiDKUgsnosJqpQbtq452u0WjNTt-Tlaq) I sincerely recommend to look them up if you care about Attack on Titan, since they do a wonderful job on talking about the production in-depth and comparing to the source material. "What Happened?" is the first part and "The Live-Action Attack on Titan is Better Than You Remember" is the second part, focusing more on the movie itself, the story, the characters. It honestly made me emotional watching them.

In conclusion, just give it a fair chance. I wasn't convinced myself when I started the movie, but it grew on me by the end of Part 1, and looking back I now love the whole movie even more. I started it with some prejudice and I lacked connection with the characters, but that changed later when I got more attached to Eren, and Part 1 set up Part 2 so well that I changed my mind.

// Details of my earlier points

The official novelizations published by Kodansha are based on the film screenplays by Tomohiro Machiyama and Yusuke Watanabe—they are not adaptations of the manga.

What's particularly interesting is the chapter structure.
The first novel (Attack on Titan) contains chapter titles such as:
辺獄 (Limbo)
地獄の門 (The Gate of Hell)
ディーテの市 (City of Dis)
遅悔者 (Late Repentant)
コキュートス (Cocytus)
ジュデッカ (Judecca)
These are all locations or concepts directly associated with Dante's Inferno.

The second novel (End of the World) continues the pattern with chapters including:
ミーノスの審判 (The Judgment of Minos)
エデンの真実 (The Truth of Eden)
アケローン川の畔 (On the Banks of the Acheron)
悪魔と聖女 (The Devil and the Saint)
Again, Minos and the River Acheron are unmistakable references to Inferno.

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è una serie BELLA? Forse no, ma aspettavo i martdì come se fosse Natale durante questo periodo.

Vi devo dire, stavo per darle anche 10, poi mi sono contenuta. è una BELLA serie? Forse no, ma mi è piaciuto ogni singolo minuto, quindi darò il voto che voglio. Se volete una recensione forse un po' più oggettiva della questione, probabilmente dovrete cercare altrove, ma vi devo dire che questa serie mi è piaciuta perché è esattamente quello che cercavo: un A/B/O. Partiamo con un presupposto, tange alla mia persona più o meno zero le critiche che vengono poste al genere, quindi se voglio apprezzare una serie A/B/O lo faccio. C'è un mondo da dire sul genere? Forse. Lo voglio fare? No. E quindi la questione si chiude. Vi devo dire che dopo la prima prova con PitBaba, dove siam onesti, nella seconda stagione l'A/B/O era praticamente zero e nella prima invece era estremamente blando, e con A/B/O Desire, dove c'erano gli Enigma (che verosimilmente ci sarà anche qua, ma almeno è ancora un embrione per ora) e la parte di A e O in senso stretto era estremamente ridotta, devo dire che finalmente ho avuto una seria dove si vede dell'A/B/O un po' come i vecchi tempi (o le vecchie FF che leggevo, adesso siamo anche qui nel mondo della fantasia). Con i feromoni, i beta che hanno le paranoie e un evil omega che anche lui ha le paranoie. L'unica cosa che non capisco è come sia possibile che Patsha non sapesse nulla della questione (e da qui il 9,5 invece che il 10): io avrei usato un altro device narrativo, tipo dirgli che era un Beta e poi cucù si scopre essere un Pure Omega, ma a parte questo vi devo dire che il tutto mi è proprio piaciuto. Insomma, mission successfully secceded per quanto mi riguarda.

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Good premise ruined by abysmal pacing

I just rewatched this sequel, and was reminded that it just doesn't fit as hard as season 1. Listen, I loved a lot of the ideas that this season's plot was built on; they're all absolutely bonkers, and I love it. The main issue, however, is that super sonic pacing that this story is being told at. Why are we going so fast through the major plot points???? I've never read the webtoon this is based off of, but I imagine the show skips a lot and speeds through all the rest it decided to include. But, I digress. There is still a lot of other aspects of this show that impacted my score.

I was really hyped to see this season based on the premise that Si-eun is transferred to a punk school after reeling with the derailment of his life in season 1. But, I didn't really like how Si-eun was written in this season; he almost feels like a supporting cast despite being the protagonist. His studies don't really play any part in the story unlike season 1, and he feels more like he's the vehicle for the audience to meet the "real" protagonist: Baku. I still love Si-eun though, and a big part of that is still the fact the Park Ji-hoon is fantastic at playing him, and drop-dead gorgeous. I just wish he was given more impactful scenes like in season 1. The best scenes from him felt like whenever he would be focusing/remembering Beom-seok or Su-ho. Those scenes really made him feel like he was reeling from the effects of season 1 and made it actually feel like it's understandable why he had a hard time socializing even more so in this season.

The story really just felt like a story of kids beating a junior league gang for like no apparent reason other than "villain bad because Baku said so." I think if there was more of an emphasis on attaching meaning to what was happening, I'd have been totally on board with the writing. But, it lost me at times. One time in particular is how at the end it seems to be letting that mf Choi Hyo-man get a "redemption" by running for student president, but like, literally no one should vote him at all. He bullied literally everyone and nearly sold their school to a violent gang. Of, speaking of that gang, the real gang they were working with were so underdeveloped and made them seem like not at all impactful whatsoever. They honestly should have given this season like 4 more episodes or cut it into two seasons instead.

The mega-fast pacing also made the characterization of everyone feel underdeveloped. Baku was honestly felt like a caricature of a Shounen protagonist and not in the good way. I have nothing against his actor, but because of how underdeveloped his character was, his acting felt like he was doing too much for me to believe it at times. That being said, I found his more emotional scenes believable. Gotak was alright, but really did not feel like a main character. I mean, we literally got ONE scene of his backstory and NOTHING else. His actor did alright too, I just don't know too much about what his character was supposed to be about. Jun-tae......I'm not gonna lie, he was lowkey annoying. His stupid nerd otaku characterization, and scrawny damsel vibes annoyed me so bad. I also couldn't take him too seriously because all I saw when I looked at him was Dae from XO Kitty. He got done dirty in both shows. As for the friend group itself? It was lacking in chemistry at times. I only believed them as a friend group about 50% of the time. I'm sorry, I just couldn't understand why Si-eun became so attached to these guys as if they were the next Su-ho. Si-eun silencing Baku's dad was peak, though.

The antagonists were very underdeveloped just like everyone else. They all were just punchy and fueled by money or ego. There was no depth to like ANY of them. If I'm honest, I was just enjoying the eye candy of some of them since their writing was lackluster. Baek-jin, the one buff guy that was always paired with the bug-eyed dude, and Seung-jae were so hot. Baek-jin just felt like some guy that was salty about unreturned feelings from Baku or something. His actor was good, but I literally knew next to nothing about the character's motivations or backstory despite him being the main antagonist. Then the writers have the audacity to show an after-credits scene of the main squad crying over his mysterious death as if ANYone there should be crying other than Baku; why the fuck was Si-eun on the verge of tears?! That is so out-of-character for him. On the other hand, a supporting villain far more interesting was Geum Seung-jae. Listen, I know that he has like no real depth given to him either, but at least he had a defined personality; a crazy bastard that was lowkey flirting with Si-eun (they kind of matched each other's crazy). His actor played him so well that although I've never seen him anything before Weak Hero, I'm now interested in his other projects. This man was serving scrumptious looks and personality like it was his only mission (it probably was). I love crazy and flirty villains. I loved his rough hair and I love a rough villain with glasses; I was dying when he took off his glasses and gave them to his lackey so he could beat Si-eun's ass only for Si-eun to uno reverse it and use it as a weapon. I'm ashamed to admit it, but I've watched Seung-jae x Si-eun edits and they are highkey so good because who doesn't enjoy the occasional crack ship?

The fight scenes had less aura this season that the last one. So few actually felt like they were necessary and it felt like they were trying to meet a quota. The only one I was really in love with was the rooftop duel between Si-eun and Seung-jae since I they were both my favorite characters this season and it felt like the writers actually incorporated their personalities into their fighting style. I liked that it ended in a tie, too. The final fight scene? Inferior. It felt a little over the top and if I'm honest, the characters I liked the most were barely involved in it so I cared less as a result. I liked seeing Si-eun keep getting back up to fight like the most resilient animal ever, but I feel like Baek-jin could have beaten him way earlier if he just stopped messing around and actually took Si-eun seriously, but I guess a part of the charm of Si-eun is that everyone underestimates the pretty nerd. The defeat of Baek-jin also felt kind of cheap since it really wasn't that fair since it was more of a collaboration between Baku and Si-eun.

The production was still solid, but I didn't like the color grading as much as season 1. Some of the lighting was a little too on the nose with melancholic blues and joyous yellows. Camera work was still good. Although this is a nitpick, I didn't really like most of the settings this season all that much; season 1's settings felt almost charming and complimented the story, but this season's just feel overdone. The music was about average to the point that I can't remember it that well.

In conclusion, I still want a season 3. I need to see more of my glorious king Yeon Si-eun, and the sexy Geum Seung-jae as the (potential) primary antagonist. I get if there won't be a next season since it *kind* of ended closed, but it didn't at the same time, so I still have hope. After seeing how rushed this season's plot was, I'm interested in reading the webtoon to see what the series-only watchers missed out on. I just know it'll be a crazy ride; like, Seung-jae in the webtoon has PURPLE hair. That's crazy. I want to read it. ／(=✪㉨✪=)＼ ᕕ( ͡° ͜ʖ ͡° )ᕗ

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One of the BLs I was looking forward to this year due to the Omegaverse concept in Thai BL, but disappointingly, it was a waste. The first two episodes were strong and intriguing. However, the plot and pacing felt so awkward and pale later on. Most of the scenes were really nothing but moments to prolong the episodes' duration. The restaurant had no customers except the Devathitirat family, apart from one or two frames. It was shocking to understand or even accept how Phatsa had no freaking idea about the ABO world while everyone else happened to. It made no sense how Phatsa's father suddenly showed up, and his story about leaving his own kid because of his wife's death was freaking absurd.

Apart from all this, I loved how the actors gave it their best despite this insane plot. Everyone did amazingly—Oat delivered an emotional vulnerability and flexibility that made his Omega role shine very well. Boat was groundedly pleasant too. But I wasn't interested in their pairing in this story; their horniness just wore off the chemistry for me.
More than anyone, I enjoyed Ongsa's presence. His and Nakhin's chemistry is just full of cutesy vibes. Nakhin is such a sweetheart. Now, I want to see more of ThemeThee in many series.

Sangnuea didn't interest me; his character gave me the ick from the very start. Yet, the Naphitch lore invested me. It was sad that Naphitch was betrayed; I would have loved a soft love story between them.

Maybe I was wrong, but I thought this series also had a GL pair that would end up together. Anyway, I was glad they didn't make another dominant/submissive dynamic in the yuri trope.

Although it was weird that the beautiful Khamphirada [Nakhun's mother] waited until the final episodes to express her feelings and support Naphitch as her own son. The divorce was out of nowhere, too. We could have had some scenes where we see her losing it with her husband's selfishness. Talking about Nakhun's father—it's funny how if he loved a Beta, why did he treat Naphitch so badly, yet obsess over the need for a pure Omega for the birth of an Enigma? Whatever. I guess, I just lost interest at one point due to the very awkward pacing of the series.

The main and perhaps the only thing I appreciated seeing in this series is how it highlights that regardless of whether one is an Alpha, Omega, or Beta—all are human beings and deserve love equally. I was happy to see Betas' existence in the ABO world, showcasing Beta/Omega and Alpha/Beta dynamics.

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The most underappreciated Thai BL series of 2026

Don't Be Too Emotional stands out as a hypnotic, diamond-in-the-rough drama which delivers something rare: a supremely unique, cinematic atmosphere and an almost magnetic pull that keeps you completely hooked.

What sets Don't Be Too Emotional apart from standard dramas is its moody visual style and cinematography. Visually, the series trades the bright, oversaturated lighting typical of the genre for a more intimate, almost nocturnal color palette. Particularly, the use of shadows and deep contrasts beautifully reinforces the mystery surrounding Jane Patrick (Big Jane).
Every frame feels heavy with latent tension, in a melancholic, urban stage. This distinct visual identity gives the show a highly mature, artistic edge.

At the very center of this heavy atmosphere is the electric chemistry between lead actors Tee Boonyakait and Heng Thatpong. From their very first interaction, the gravity pulling Big Jane and Little Jane together is palpable, almost physical. Both actors deliver performances of raw intensity. Their dynamic practically pierces through the screen. This natural gravity makes their painful five-year separation and eventual reunion incredibly potent. You don't just watch their story progress; you are actively pulled into the emotional vortex of their bond.

The series is admittedly not perfect. It suffers from obvious pacing issues, particularly in the middle episodes where the narrative slows down, occasionally getting sidetracked by clumsy subplots. Yet, the magnetism of the main couple and the strength of the direction completely sweep these flaws away. Even when the plot mechanics drag, you remain glued to the screen, fascinated by the tension binding the two protagonists.

By cleverly toning down the toxic elements of the original light novel, the series successfully maintains a high-stakes emotional payoff without ever losing its edgy, captivating identity.

Don't Be Too Emotional is a masterclass in mood and tension, carried by stunning visual direction and a lead duo with great chemistry. Don't miss this hidden gem and don't be influenced by the negative criticism. It's underappreciated and misunderstood by viewers too harsh with the show and blinded by their rigid structural standards.

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High School Romance Done Right

This drama was such a breath of fresh air, how I wish I could teleport myself to Japan and go back in time in tandem, so I too can have a high school romance; that’s how perfect this drama was…

This drama really gave me all the feels, and lacked nothing. ignore all the other reviews calling this drama cliché, because it was NOT. it was sweet, gentle, nuanced, and clean. The two main leads are shy in their own way, and learn to communicate their feelings as they get to know each other. They’re young, but they navigate their lives with maturity and intention, much more so then I’ve seen with characters in other dramas twice their age. These characters not only respect themselves, they respect each other and allow the other space to grow and understand the complexity of emotions they’ve never felt before.

This drama officially holds a special place in my heart. What a lovely Coming of Age story💜

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RED FLAG IT IS...

This is the typical BL drama I watch, and honestly, I had a great time with it. The cast is perfect, the story is a little better than average, but the entertainment value is definitely high.

I really enjoyed watching this drama, especially because it gives us the kind of red-flag character that I love watching slowly fall in love. 😂 The chemistry between the leads is amazing, and I genuinely enjoyed every scene they had together. Their intimacy was also *chef’s kiss*—as perfect as it could be.

What I really liked was getting to follow their love story through different stages of their lives—from college to the office and eventually to marriage. It made their relationship feel like a journey rather than just a simple romance.

Although, by the end, I did feel like the story was a little incomplete. But I’m guessing there’s going to be a Part 2, so I’m not complaining too much.

If you’re someone who loves watching a red-flag/bad character slowly fall in love and completely lose his mind over the person he loves, then this is definitely one for you. 😂

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This was not good nor bad. It was ok. It had good moments and awful ones. Especially, with the subtitles. Those were the worst. F*ckin AI. The story telling lacked and the editing lacked more.
Tbh, I stayed because of the cast. This was an improvement from Stubborn and I wanna see them get better.

The show wasn't perfect but it had good moments and good commentary about bodily autonomy, the commodification of the people that are able to have kids, how everyone is obsessed with reproducing at the expense of people's lives and good representation about real life issues. Issues that we see more and more in everyday life even when we're not omegaverse.

6 ⭐ because I kept coming back.

all that said. I think there should be a Special episode. We wanna see more of the other couples.

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