Reviews

A better version

İ remember watching the Wang Kaimu-Ye Xinxin version of this, and I liked it very much.
I remember I had a few things I didn't like the production quality and a few plot holes here and there, but I gave it a solid 8 which means I enjoyed it very much since I barely rate VDs over 7.

And this by far is a better version, I kinda disagree with everyone on this because I LOVED the chemistry and the romance here more than the other version, to be fair I only saw those two versions so I don't know about the rest, I plan to watch another two (Yao Guanyu-Hou Chengyue ver. And Wang Yige-Zhang Zilin ver. Well, If I could find the latter anywhere)

Story:
Well, the story is complex and has a lot going on, wether it's good story or not, I don't think a few hours will be enough, it needs longer episodes and larger budget, because no matter how long the version, it still has plot holes and a few things that wasn't explained well or they just dropped it altogether, I remember a few things that were explained better in the WKM-YXX version and others were explained better here, and I mean significant scenes and events.

Acting:
While I don't think the "sad and emotional" scenes were very convincing, I loved the flirty and intimate scenes, they were not explicit or anything, but I LOVED the push and pull here than in the other ver. I loved how they looked at each other, their smiles, their small gestures and little touches... Just everything, I wish I can see Zhao Zhendong and Zhang Jinyi again together in a more romantic drama because I genuinely enjoyed them together, I maybe the only one and it needn't all that excitement on my behalf but that's how much I loved them. ZZD was so good, I loved the scenes where he wanted to scare the FL and when he was holding himself back, he was just amazing.

Production was much better compared to the other version, you can clearly see that in the locations and the final product, HOWEVER one thing ruined everything for me, I literally saw the camera or part of it in 4 scenes... IN 4 SCENES!!! One, I'll call it a mistake, but 4?? That's just someone being lazy doing his job.

Aside from that, hair make up clothes, all is ok, nothing to write home about.
Final thought, the story has a lot going on so if you don't like the story you won't enjoy it as much, but personally I believe this is the better version, I don't know yet if it's the BEST but for now it's the better.

I may (may not) edit this review after watching the other two to say which is my favourite.

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Made a perfect clown out of me

I actually had high hopes for this but its just pure garbage. First of all, there are no real stakes. They make a big deal out of FL supposedly not having real statues eventhough she is a freaking chaebol with a fat bank account, fame and a rising job. Then we are told that royal blood is very important to define peoples statues but we never actually feel this desparity between the 2 leads. Its just them talking about it. Honestly FL just seemed insecure ASF. They do all this weird stuff to " protect the crown " but the sense of danger is not really there. Protect if from what? In the end they just get rid of the entire monarchy like a hot potato so it meant nothing all along.
Main leads are boring as hell individualy and their love journey is so fast paced its nonsensical.
God am I tired of this type of cold, bitchy, young , chaebols,fashionista divas in kdramas. We had a bajillion already. The magic is gone. The ML isnt anything to write home about either.
Characters do a random 180 in the middle when they cant be bothered to write a better plot.
So FL father is a fucking cheater with 0 parenting skills who cuases ireverible damage to both kids but it gets glossed over becuase apparently he loved her all along and SHE was the misunderestanding him. Oh the misary. Its almost like he couldve opened his stupid mouth and clear things up sooner cuz... I dont know.... he is the adult
And the misnister guy? He tried to kill the man for god sake and main leads are acting like its a normal hiccup.
" oh you wanted to take my life. Thats not cool bro" wtf

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Deeply spiritual, a must watch

I’m actually on episode 39 while deciding to draft this review, because i have a sense of the inevitable around halfway through the drama, and even now, my views have not changed, so here we are.

Would also like to apologise in advance of length but if you decide to read you’re an absolute goat that’s for sure

It’s hard to actually write a review of this drama because of how much of an impact it has left. Even harder to formulate an overall rating. There are a multitude of basis for this.

Overall enjoyment, the lessons taught, the depth, the visuals, the story, out of love for a particular actor so you give it 10/10 anyway. The list goes on and on.

I ended up balancing a bit of both story/structure, the core message, depth and its execution. How memorable it would be after I finish, irrespective of what I hoped the ending to be.

There was another platform that I used to watch this on, which I’ll refrain from naming, and the overall had been a 6.5 before I started. It didn’t affect my decision in watching, but the need to know why became the primary motivation, in addition to enjoy another one of his works of course.

6.5 is considered quite low, and it felt like a blow considering it’s a highly anticipated work.

To put it in a single sentence, this drama is not for everyone.

The structure of the plot itself is an innovation, and requires a lot of patience. Normally past/alternate timeline is dedicated to 10 or so episodes, which is mostly common (TTEOTM, Love Between, Untamed. Etc). But in this case, we get injected fragments when fox is reminiscing, has passed out, or dreaming.

It’s apparent very early on, that the main value (as is always the case for Luo Yunxi's dramas) of this story was not what I expected. It’s beyond just a tragic misunderstanding, winning against evil , and the desire to make things right.

There is strong philosophical and spiritual depth. No exact spoils, because you are meant to work to realise and appreciate such multi layered depths.

There is just so much truth. Raw, unflinching truths that one might not be ready to hear, or even understand. But it may be a a sign to embark on your own spiritual awareness. If you do recognise these truths about life, these moments are the ones that make you weep, and not witnessing a character going through some form of pain.

This is just my personal interpretation, but depending on your own experiences, your personal journey in the current stage of your life, not everyone may be able to recognise the spiritual themes, and view it solely as a “friends to enemies, and the desire to revive a dead master, and defying fate” kind of story.

Which is completely okay, but I think this recognition is what ultimately separates a viewer giving a 6/10 as opposed to 9/10.

The only reason why I did not give it 10/10 is only due to lack of background/ not enough focus on the Yinyang concept, since this is heavily tied to Tang Lici’s identity. At times, the intention wasn’t clear even near the end—was he reborn? Is he a descendant even? Is he born to kill the origin? So and so.

Perhaps we were made to guess, but the confusion removed me from the immersion of the story at times, a break in the flow, and I felt it should be reflected in the rating

The idea of defying fate is primarily the case for TTEOTM, which there’s notably a lot of comparison of with Whispers of Fate, but this felt watered down and not the main focus as the former was. It felt like an injustice to compare both characters, as both dramas tell a completely, COMPLETELY, different story, and holds an entirely new meaning.

Tang Lici left the realm he wasn’t supposed to leave, and the aftermath of every event that is showcased through the drama felt like a karma for escaping. You can sense the gods’ wrath at his choice to carve his own path. There’s a sense of punishment, and also immense blessing. Despite this, there is an undercurrent of belief that’s refused to be trodden. He navigates through the emotional burden alone, with friends, and you witness these experiences shaping him, somewhat resembling trials and tribulations, both in a tragic and heartwarming sense.

It goes without saying his portrayal of these complex emotions is absolutely phenomenal so I shall spare you another round of essays…

At some point near the end, I was heavily reminded of the book “A Little Life”. Different context, similar main character, similar emotional journey. And even the same tragic, inevitable end. At times where Tang Lici was suffering away from prying eyes, choosing the lone path, hiding his true background, and refusing to let others in, it was one of those moments that reminded of the book.I couldn’t pinpoint exactly when. But it just suddenly appeared, and I couldn’t unsee it since.

I found myself in such grief in moments where Tang Lici was so compassionate, his love so unconditional, to even dare say he'd never be as benevolent like Fang Zhou, but his actions had already proved him otherwise--and not where he was in physical pain. There are a lot of quiet devastating moments that are like arrows to the chest, striking where it hurt most.

The music really highlight the emotions in the scenes so well. T-T The music for this drama is so good.

In the end, if I have to choose, I would introduce Whispers of Fate as a profound journey of healing and growth. One that might help the viewer in their own journey as well.

The healing comes in many forms: forgiveness—somehow always harder to yourself than to others, letting go—of the past, of what you consider to be mistakes, of chronically thinking what could have been, of control, courage—in vulnerability, accepting/asking for support and love, and to keep the courage alive in the face of absolute failure and future ventures. The growth naturally, comes from healing.

In a way, his emotional journey mirrors that of mortals. Grief, death, love, hate, happiness, gratitude, growth, hope, sickness, sacrifice. Where there is suffering, he had also experienced beauty. Despite the foreseeable ending, there was a sense of fulfilment that couldn’t be denied. To live as Tang Lici was something he was grateful and happy to be. His life, despite power, was at the expense of his soul at the Celestial Realm, but richer and more fulfilling in the Divine Land. Notice the colour grading between the two - cold as a prison and vibrancy.

I don’t think he would have changed his decision.

Such is the meaning of life. To experience, and don't say "regret"

On the recognition of spiritual themes, I personally had synchronities in relation to the idea of controlling outcomes, just days before starting this drama. I think because of this, Shui Long Yin above his other works, is a drama I won't ever forget. The profound impact and the themes it tries to pass on to the viewer had struck a chord within me. It felt like alignment that I came across it at this specific point in my life-where the major themes mentioned are values I still try to learn to embrace.

Since 2023, I have begun experiencing symptoms of anhedonia, and it has gradually grew worse since. I do things for the sake of doing, and this drama and its profound messages, was like this quiet but heavy presence, reminding me what life is supposed to be about. To remember what is important but have become increasingly neglected in today's society. Compassion is dying, love is transactional, being righteous and speaking out gets one k/lled. Cowardice lets you survive. Freedom doesn't always equate to power, but choosing what the heart yearns.

Tang Lici was created as a second YinYang to revive the Celestial Realm, and they attempted to control every aspect to succeed in the outcome. but what they failed to consider is the unpredictability of the human heart, and the power of compassion (Fang Zhou).

The tragedy lies not in the ending, but Tang Lici having a sense this would be the case, and accepts it graciously for the sake of the relationships he loved so deeply. Such is freedom.

I could write a dissertation on the drama’s depth. This is merely just a list. The interwoven themes run so deep, requiring one’s own interpretation beyond dialogue given, particularly in quiet moments, that you might miss the details upon devouring the episodes. But as mentioned, that is up to you.

To end, I'm going to leave a few of some hard hitting quotes

"If everything in this world became an unchanging eternity, then it is not worth remembering.”
"I'm a monster who wishes to kill, but once revered as a god. You're labelled as a monster, who wishes to save the world."
“I have always held back”
"If others laugh, let them laugh"
“if a person sacrifices himself to save everyone else, should they die?”
"There are things more important than life or death"
“There is no such thing as wasted time. There is only new hope, and new people. Dont hate yourself.”
“You are afraid of being understood, and when you get misunderstood, you dont mind. You dont like to explain yourself.”
"He never liked Longjing since young"
“When you start to explain yourself, you lose”

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Chaotic plot with an enjoyable love story

The premise of this story is what lured me in, along with one of the main cast members being Liu Runming. I entered with some expectations, but not many, since I had never actually watched a standard short-length drama. And I am quite relieved about that, as otherwise I would have been disappointed.

I think this show was more about the romance than the other parts, because it focused on the relationship of our leads the most. But the rest was so left in the background that at the moments anything else took over, it was chaotic, often lacking any logic or plausibility—and not just for the plot, but also the characters. Very often it felt like a lot was resolved or changed off-screen, leaving me guessing what was what. But either way, I still kept watching right until the end, and overall, I even kind of enjoyed this drama.

However, when it comes to a recommendation, I would rather abstain, because this heavily depends on the viewer, their preferences, and their standards for what they think is enjoyable and entertaining. I watched this, I liked it, and I hope if someone chooses to watch it, they won't be disappointed and will have fun with this chaos, the same as I did! ❤️

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If you're watching the scarecrow be prepared for the stress

This is my first time writing a review cause what the hell is this drama...I mean this drama is crazy and now I'm also losing my mind...and people on TikTok making edits of Cha Siyoung then cursing him on the caption then thirsting over him again cursing him on the next video 🤣🤣 it's funny also I've to mention Siyoung's actor cause the way he managed to piss us all off...his acting was really good here ....and Taejoo oh god my heart breaks for Taejoo why he has to suffer so much ...but I hate it how keeps blaming his mother for everything...also Taejoo and Siyoung have messy relationship in the drama but the actors are bestie irl so if you also love their chemistry like me you can watch their other dramas or interaction like I'm watching Chimera right now alright good bye

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A Slow Burn With Detours

A Splendid Match is one of those dramas that made me feel more than I expected while also frustrating me more than I wanted.

The opening episodes set an interesting premise. Gu Jinzhao’s return to the family that abandoned her immediately gives the story strong emotional stakes, and scenes like her calmly burning the expensive gifts sent by the father who discarded her establish a protagonist carrying years of hurt beneath carefully controlled composure. Ren Min handles these moments particularly well. She understands restraint, which makes Gu Jinzhao’s resentment feel accumulated rather than melodramatic.

One thing I consistently appreciated is that the drama generally respects its own characters. Most people behave in ways that feel consistent with who they are, and conflicts rarely rely on exaggerated stupidity or forced malice simply to manufacture tension. In a genre where emotional chaos is often mistaken for storytelling, this felt refreshing.

The drama works best when it focuses on emotional relationships rather than plot mechanics. The romance between Gu Jinzhao and Chen Yanyun develops gradually and, thankfully, avoids becoming overly exaggerated. Ci Sha brings enough quiet warmth and restraint to make the relationship believable, particularly in smaller moments where concern replaces grand romantic gestures. Some of the stronger scenes come not from dramatic declarations, but from trust slowly accumulating through shared difficulties, quiet support, and emotional consistency. Moments where Chen Yanyun quietly supports Gu Jinzhao without overtaking her agency worked better for me than the drama’s larger romantic beats.

Ye Xian also deserves mention, particularly because the drama clearly positions him as emotionally important to Gu Jinzhao’s journey. Without saying too much, parts of the emotional triangle worked better for me emotionally than structurally. The character is well performed, adding emotional tension and, at times, quiet sadness, though some later developments feel more compressed than fully explored.

I also appreciated the supporting cast. Family disappointment, obligation, resentment, guilt — several actors manage to give emotional credibility to scenes that could have easily collapsed into repetitive melodrama. Even when the writing circles familiar emotional territory, the performances often help keep the emotional stakes grounded.

Visually, the drama deserves some credit too. The softer coloring, rainy atmosphere, and more natural texture felt refreshingly restrained compared to many recent idol costume dramas where everyone seems polished into emotional porcelain. Nothing here felt distractingly artificial, which wordlessly helped several emotional scenes feel more convincing.

The music choices pushed certain scenes a little harder than necessary, when the performances were already doing much of the emotional work.

My frustrations ultimately came from the structure.

After a promising beginning, the plot gradually begins revisiting similar emotional conflicts without deepening them. Certain romantic complications feel more delaying than necessary, the pacing slows considerably in the middle, and just when the story finally seems ready to emotionally expand, the ending rushes through developments that arguably needed more room to breathe. Ironically, this became another drama that felt too slow in the middle and too hurried at the finish line. This feels like one of those dramas that would have benefited from another 8–10 episodes, allowing several emotional payoffs more room to resonate.

It never fully became as strong as its best moments suggested it could be. But despite its frustrations, I found myself caring more than the drama’s uneven writing perhaps deserved.

And that is also what makes it a difficult one to rate. Structurally, I would probably place it closer to a 7. Subjectively, however, the experience landed somewhere closer to a 7.5–8, so 7.5 ultimately felt like the fairest middle ground.

Because despite the uneven pacing, narrative repetition, and rushed ending, A Splendid Match repeatedly found emotional sincerity in smaller moments — enough that I remained invested even when the uneven writing occasionally frustrated me.

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Heartfelt ???

One of the best modern romance drama, not romance but also healing, understanding and life itself.💚💚💚💚😭❤️

1. Realistic relationship problems
Everything felt so natural and relatable — never overly dramatic or forced. The misunderstandings, emotions, and conversations felt like things that could happen in real life.

2. Top-tier green flag ML 💚
If the perfect boyfriend doesn’t exist, then He Suye definitely does. Someone who truly listens to you, says “Take your time, I’ll wait for you,” and reassures you with “It’s not your fault.” 😭💚
That level of patience, understanding, and emotional maturity is just unmatched.

3. A healing and heartwarming drama
This drama feels like comfort in human form. It makes you happy, emotional, and deeply attached to every character. By the end, it genuinely feels like saying goodbye to people you care about.

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Putting Yourself In Someone Else's Place

There are so many dramas where the character's souls switch bodies. This one drama added a different twist to it, sort of. The emperor male lead (Dai Gao Zheng played Xiao Jin Yu) and the empress female lead (He Xuan Lin played Xu Yu) switched bodies to to evil sorcery. The emperor was switched into the empresses body. He found out how bad he had treated her, how bad his mother (the Empress Dowager) treated her, how badly the concubines / consorts treated her and how badly some of the maid servants treated her. The empress in the emperor's body found out how hard it was to deal with the evil court, how difficult it was to run a country, how hard it was for the emperor to deal with his mother and the concubines / consorts. The two of them had to navigate through the inter palace treachery and deceit. The good thing was that they both had the emporer's younger brother, a good sorcerer and a imperial physician that where loyal to them. When the empress went out to the battlefield, in the emperor's body), she did well and even was befriended by the queen , (Ma Han Yi played queen Hu Na), of the enemy country; she fought along side the empress who was in the emperor's body. They became great friends. The emperor and empress found out that there where many misunderstandings and worked to find their way back to where they were when they first met and later married. They were finally switched back to their right bodies, right before the banquet. The good enemy queen was invited to the banquet. She realized that the empress seemed more familiar than the emperor. The empress and queen had a n entertaining sparring match with swords. They became such great friends, more like sisters with kindred souls. This was one of my favorite parts of the drama. The queen gave the empress her falcon and the empress practiced with the queen (enemy country ) with the bow and spear. They were inseparable and the her husband the emperor hated it; he wanted the empress' attention. The good enemy queen was getting ready to go back to her country, but the empress was not there to see her off; she looked around and was so sad. Finally the empress came and the two of them hugged. The emperor, empress, the emperors youngest brother and the others stopped a coup, taking down the evil marquise and his evil son. The concubines mellowed out and were made princesses. By the way, the emperor never messed around with any of his concubines / consorts; he only messed around and had affection for his empress. The drama had a very happy ending.

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THE SILLIEST script maybe, but the actors make it worth it

AN INCREDIBLY stupid script in nearly every of its plot moves.

But the actors save it, as well as overall production values besides the scriptwriting. Also, it is not boring, which is a major plus. it is much better to have silly stuff happening than nothing happening at all as in many other series.

So all in all it is worth to watch because the BL genre is not about scripts that make sense, it is about the lads, and those are great here. And Pond has played well after being wooden in his first due with Phu (Fish Upon The Sky, 2021).

But I do wish the series would not contain any tragic events at all. Because it all is so silly that the series would look much better as a self aware farce.

Lots of details are covered in a comment with spoilers tags below.

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3 different stories

Story 1: My hero
This story was good, though the execution had some flaws.
It had a very weird moment when immortal messenger Bai Chang Chang realized he had the wrong person.
The music and visuals were ok.

The acting was ok, but not great, the only actor who did great was Aaron Lai.
There was little chemistry, but both kisses were great.

Story 2: Stay away from me
Good story, what to do when you have feelings for your stephbrother.
I had a few good laughs about the BL loving girlfriend.
The visuals were great and the music good.
The leads haad amazing chemistry.

Story 3: Obsessed
Good story, with a great twist.
Visuals and music were good.
The acting was ok, and the mains had great chemistry and good kisses.

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Strong Start, Disappointing Finish: What Happened in the Last 4 Episodes?

This is another series I was really looking forward to. The casting looked promising, the plot seemed interesting, and I had high expectations for the script and storyline. Unfortunately, the ending was very predictable and felt extremely rushed.

The series started off really well and was highly engaging. Hui Ju and Yi An were clever and full of schemes in the beginning, but in the later episodes, they became noticeably less intelligent and made poor decisions. Prime minister Min and I Rang were characters with a lot of potential, but they were severely underused. I felt that Prime minister Min was unnecessarily forced into the villain role. I Rang’s redemption arc was almost nonexistent — she barely had any screen time in the latter half. The female lead’s family was set up as having a bad relationship, but suddenly her brother and father started loving and praising her out of nowhere. The last 4 episodes were hugely disappointing. The show introduced so many new plot threads but then completely abandoned them, leaving tons of loose ends. It felt very rushed toward the finale.

I really like iu’s acting in melodramas, but in this romcom, her performance felt a bit off — although she looked stunning throughout the series. Byeon Woo-seok’s acting felt quite stiff. The chemistry between him and IU was just average, but I actually thought his chemistry with Gong Seung-yeon was better. The costumes were beautiful, and the locations were well-chosen and visually pleasing. Overall Perfect Crown is a series that started strong but gradually became boring and lost its momentum. It’s not bad, but it’s not good either.

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at first it was bad, then less bad (but still bad), then really bad.

Pretty early on it because clear that the writers were writing themselves into a corner. Instead of getting out of the corner while they still had a clean way out, they decided to go as far into the corner as they could and then start digging at the wall because they apparently weren't cornered enough.
I understand that they did it on purpose, but it made the story so rigid and stiff. They could barely do anything with the story so far into the corner they had written themselves, which make the story boring and stale and like it was just going in circles.

The story felt so dragged out. It could've easily been half the length (maybe even a third of the length) and still not lose any plot.
Finishing this show felt like running a marathon, just without the adrenaline and endorphins that makes is actually enjoyable.

There were a lot of scenes that felt like thay came out of the blue. Like how did we even get here, and why do we even need to be here in the first place.
Some of the scenes started out feeling like they were flashbacks, but then they weren't. And when there where flashbacks, it wasn't always easy to find out where on the timeline it is.

There were a lot of characters and dynamics/history to keep track of with each character. I personally had a difficult time to keep track of who is who, and why they did what.
I admit that it might just be a me problem, but I'm usually not that bad of keeping track of characters. So if you know that you aren't good at keeping track of characters, then good luck lol.

When I went to write this review, I was genuinely so surprised to see how high others have rated it.
I usually really enjoy this type of show, and I normally like manipulative/scheming characters even when they aren't that well written, but I just couldn't get myself to enjoy this show.

I did actually like how complex the characters were written, and how they actually felt like three-dimensional characters. I just don't like the story they decided to make with those three-dimensional characters.

I genuinely enjoyed the acting and thought that the acters were good at their job.
I feel like in a lot of bl, they have a tendency to cast acters because they are hot, and not because they can actually act. Luckily it didn't feel like they did that here.
It felt like there were genuine emotions in each scene, and both the tears and the smiles of the characters felt real. There where also actually some chemistry between the main couple.

Final verdict:
I personally really didn't enjoy this show, but I can see some positive aspects to it.
If you think you'll like it, then go ahead and give it a try. But I'm warning you: it doesn't get better.

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The Battle of Antagonists

This is one of the specials that accompany the 2012 movie. (Watch this before Alice in Liar Game).

It's a battle between the opportunistic ally, Fukunaga, and the manga's antagonist, Yokoya.

Fukunaga carries this episode, and his flamboyance keeps it entertaining, but Akiyama's charisma is sorely missed. Due to how the actor, as well as the earlier writing of jdorama's Yokoya, he doesn't reach the exciting antagonistic vibe of Katsuragi Ryou. His behaviour here is better, but it feels inconsistent with the earlier series.

As far as the Taboo Game is concerned, it's good enough as far as the battle of intelligence is concerned. If I have to describe it, it's like having you transfixed on the given options and their respective probabilities and not noticing the hidden option.

With the absence of Nao and other players, it lacks the dramatick tension made by 1) winning then losing or vice versa, and 2) the frustrations expressed by other people.

If you're unable to tolerate Nao, you might like this one better.

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It's seems like nobody wants to write a coesive ending these days

The main couple is everything!
I have a soft spot for strong and soft-spoken older MLs and Yanyun is the definition of it. Jin Zhao is terrific; shows with a solid family foundation based on a matriarchy always make the best FL development, and it's also very refreshing to see a woman at this point in history being able to have a say in her own life and future.

Gu Lan is the best example of what an inferiority complex can do to someone's life; she behaves as an exiled and unloved child when raised and spoiled as a legitimate daughter, having the attention of her father, two mothers, and a brother.
None, not even Jin Zhao's mother, who had her infant daughter taken from her, treats Gu Lan any differently, and yet she is always scheming and putting herself in a bad spot out of pure jealousy.
She even decided to spread the gossip about Jin Zhao meeting with a man when her own engagement was hanging by a thread? The desire to ruin Jin Zhao's life was bigger than guaranteeing a better future for herself; it's so tragic it becomes poetic.

I will never watch anything with Winwin ever again; the surrounding discourse is unbearable, and nothing is ever enough for his fans. Ye Xian would never be chosen by Jin Zhao; she saw firsthand what a weak husband can do to a woman's life, and she would NEVER marry to have something similar done to her (and her grandma would also not allow it).
He also physically abused her, by the way.
Jin Zhao treated him like an unruly child; she needed a grown man who could pull his own weight, and that's why she started to like and eventually married Chen Yanyun.

After reaching the halfway mark, everything started to crumble: the political arc became too confusing, events made no sense in the timeline, conflicts that should have already taken place were all pushed one after another, and a couple that would always trust each other in the beginning now can't talk at all... It's a shame.

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