Reviews

Need another season!

I never got around to writing reviews for Seasons 1 and 2, but I loved both and honestly a solid 10/10. So going into Taxi Driver Season 3, I had very high expectations, especially since the earlier seasons went above and beyond for me.

One of the show’s strongest qualities is how it weaves humor and lighter scenes into stories that deal with very real and serious injustices. I appreciate that the narrative consistently prioritizes the victims’ experiences, emphasizing empathy and making it clear that responsibility lies with those who commit the crimes and not those who suffer from them. However, this season had a few moments where the impact of certain scenes felt weakened by poorly timed humor or a noticeable absence of stakes, which occasionally pulled me out of the immersion.

The cast was fantastic as always. Their chemistry is one of the show’s biggest strengths, and I genuinely love the way the Rainbow family feels like a real found family.

Now… let’s talk about Do-gi and Go-eun. Once again, my hopes for them becoming an actual couple were completely crushed. While I enjoy their fake relationship moments, I really feel like the show should’ve just let them end up together by now. Their bond feels deep, emotional, and very clearly mutual. Do-gi running to Go-eun the moment she’s in danger, and Go-eun always being the first to rush to Do-gi when his life is on the line. This literally says everything. Go-eun’s “what if” at the end was incredibly cute, and honestly, it just made me wish even more that the writers would give not just them, but the entire Rainbow family, a little happiness.

My favorite case this season was easily the Samheung Island Case. It had me completely on edge. I genuinely thought the Rainbow team might fail. What made it so compelling was how the villains mirrored the team itself: a smart, calculating mastermind, someone skilled with computers (though obviously not on Go-eun’s level), a watchful insider in the police, and someone doing the dirty, physical work. It was intense and well-structured. While that was my favorite case, my favorite villain was Cha Byeong-jin from the Noblesse Motors case. Yoon Shi-yoon absolutely nailed the role like the unsettling expressions, the villainous mannerisms, and yes, the fact that he’s handsome didn’t hurt either.

That said, the ending felt a bit underwhelming to me. I was expecting a bigger emotional payoff. Even though we got fireworks, it still felt unresolved and confusing. I’m still not entirely sure how Do-gi survived, and if there is a Season 4, I really hope they take the time to explore that properly.

Overall, Taxi Driver Season 3 was still an enjoyable watch, with strong performances and standout moments but I can’t help feeling like it could’ve ended on a stronger, more satisfying note.

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Watch only if you like political dramas

This is a highly political drama. If you’re watching it mainly for the chemistry between the actors, this is not the drama for you—even though the leads do have some chemistry. More than having subplots, the drama is a collection of many small plots. There was no lag in between. All 36 episodes were very intriguing, but if you don’t like politics or power struggles, it will feel boring and suffocating.

The cinematography is amazing. Both the ML and FL are extremely scheming, but the FL is dangerously scheming—so much so that she’s a red flag. By the end, I was like, he deserves better. I would have broken up if someone manipulated me this much. I’m all for women in male-dominated fields, but still… she could have left the ML alone.

Must-watch if the above points tick your boxes.

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A show that sticks with you.

Utterly obsessed with this weird, beautiful, arty, queer, subversive show.

Here are things that stick with me:

-Koh's cold, clinical bedroom vs. Jira's warm, floral bedroom (and the fact that we still haven't seen Pheem's bedroom- we have no idea what his inner world is like)
-Establishing that Jira refuses to compromise his ideals and ethics for money over and over and then watching him absolutely fold for Koh to the extent Koh believes Jira will do anything for money
-Koh really seems to think he's in charge, but whenever Jira makes a demand Koh follows.
-The way that Pheem and Jira seemed to be more into each other when they figure out they both know Koh - they are both getting off on the fact that they are denying Koh their time and on feeling closer to Koh by being with each other.
-Jira's very accurate self-assessment that red flags turn him on
-Koh alone in his apartment posing himself like Jira's painting
-Jira isn't just gay - his art, his slang, his mannerism, his fashion all illustrate him as culturally queer.
-Pheem presents himself as soft and caring but has a calculating, manipulative underbelly. Koh presents himself as cold and calculating but has a caring, vulnerable underbelly. Jira acts innocent and vulnerable but has these boys wrapped around his little finger - I think he knows exactly what he's doing.
-Koh gave Jira an iris bouquet while Pheem was still arranging roses for Jira. Koh is always 3 steps ahead.
-The iris + narcissus bouquets = Jira the artist and Koh the lonely narcissist.
-Koh wears his crazy on his sleeve. He stalks Jira's social media, lets him know upfront and uses it to play transparent mind games. Pheem stalks Jira's social media in secret and uses it to create a persona he thinks Jira will like. Pheem cleans his apartment for Jira but Koh lets Jira see the mess.

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Typhoon Family Hurts in All the Right Places

Typhoon Family blindsided me.

I went in thinking this would be a lighter, slightly nostalgic “IMF-era but make it comedic” kind of watch. You know the type, scrappy underdogs, a few financial mishaps, lots of shouting over contracts, maybe some inspirational background music swelling at the right moments. I even half-jokingly thought it might be a toned-down Wolf of Wall Street, except with fewer drugs and more fabric.

What I got instead was a drama that looks cheerful on the surface but quietly dismantles you piece by piece, like a house that seems intact until you realize the foundation has been cracking the entire time.

At the heart of it all is Kang Tae-poong, portrayed with emotional precision by Lee Jun-ho, a character who smiles like someone trying very hard not to sink. His father’s sudden death throws him into the deep end of the trading world during the IMF crisis, and from that point on, the drama becomes less about business mechanics and more about endurance. Not the flashy kind. The quiet, grinding kind. The kind where you don’t collapse because there are too many people depending on you to allow that luxury.

What struck me early wasn’t just the financial stakes, but the emotional ones. Tae-pong doesn’t mourn loudly. He doesn’t get a dramatic breakdown or a cinematic cry in the rain. Instead, grief lodges itself somewhere behind his eyes while he takes on the role of head of the family, provider, decision-maker, emotional firewall. When a friend asks him why he hasn’t cried yet, his answer: “I don’t know if I’m sad or angry”, feels painfully real. Anyone who’s ever had to stay functional while breaking internally will recognize that emotional limbo immediately.

The drama excels when it focuses on this kind of emotional subtext, the things characters don’t say, but live with.

The workplace dynamics are another area where Typhoon Family quietly shines. Watching Tae-pong’s employees show up in the middle of a rainstorm to protect rolls of Italian fabric felt foreign and oddly moving at the same time. In a world where work-life boundaries are (rightfully) guarded, this level of devotion can feel uncomfortable to witness. But the drama doesn’t romanticize it blindly. The line “This is our livelihood too” grounds the moment in shared survival rather than blind loyalty. It’s not corporate propaganda; it’s collective desperation during a national crisis.

And that’s the key word here: grounded.

When the drama sticks to realism, failed deals, unpaid deposits, warehouses that leak, partners who collapse under IMF pressure, it’s devastating in the best way. Tae-pong keeps doing the right things, and life keeps knocking him sideways anyway. There’s a particular cruelty in watching someone be earnest, hardworking, and careful… and still lose. That’s where Typhoon Family hurts the most, because it refuses to reward virtue immediately.

But this isn’t a drama about wall-to-wall tragedy. What makes Typhoon Family genuinely compelling is how every emotional beat is anchored in lived-in human rhythms. Tae-poong’s mother, Jung Jeong-mi, played with weathered warmth by Kim Ji-young, becomes his emotional anchor in a world that constantly demands him be strong. Her unconditional support, even when she struggles to accept how their lives have changed, offers the first real emotional release for Tae-poong, and eventually for us.

The moment where Tae-pong finally admits to his mother, “I’m having a hard time,” after losing money on a deal that fell apart? That’s five episodes of silent pressure finally releasing. It’s not melodramatic. It’s not loud. It’s just devastating. And yes, I wept.

Then there’s Oh Mi-seon, brought to life by Kim Min-ha, whose presence in Typhoon Family is quietly magnetic. As the diligent bookkeeper who keeps the company afloat more often than Tae-poong does, she’s hardworking, earnest, and deeply human. The show uses her rooted realism to ground its more sweeping emotional arcs.

Now… we need to talk about the romance. Because this is where Typhoon Family stumbles, not catastrophically, but noticeably.

The main romance never worked for me. Not because it was offensive or toxic, but because it felt unnecessary and oddly misplaced. Tae-pong and Min-ho function beautifully as platonic partners, emotionally, narratively, and tonally. Their shared resilience, mutual respect, and alignment in goals were already compelling. Adding romance didn’t deepen that bond; it diluted it.

Worse, the attempts to make their relationship “cute” often veered into cringeworthy territory. Episode 14’s beach scenes, in particular, had me fast-forwarding, not out of impatience, but because they actively pulled me out of a drama I otherwise cared deeply about. That’s rare for me. I don’t fast-forward lightly.

What makes this flaw more frustrating is that the drama knows how to write romance. The secondary romance between Wang Nam-mo and Oh Mi-ho is proof of that. It’s layered, earned, and deeply human. Nam-mo’s growth from a carefree rich kid into a responsible adult, especially after his mother’s financial collapse, is one of the most satisfying arcs in the show. Their relationship unfolds naturally, without hijacking the narrative or undermining character integrity. Which is why the main romance feels like a miscalculation rather than a lack of skill.

Ironically, this flaw also highlights one of Typhoon Family’s greatest strengths: it almost achieved something rare, a story where the male and female leads could have remained best friends, united by shared purpose rather than romantic obligation. That choice would have been refreshing, even radical, in a genre that often defaults to romance as narrative glue. The fact that the drama comes so close to that kind of perfection makes the stumble more noticeable… and more painful.

Still, despite this misstep, I stayed. I stayed because the world felt lived-in. Because the characters felt resilient without being invincible. Because the pain was earned and never weaponized for shock value. Because even when I knew things would eventually be okay, this isn’t torture porn, the journey still hurt in ways that mattered.

Typhoon Family is not a perfect drama. But it’s an honest one. It’s about people who keep going when the math doesn’t work, when the contracts fall through, when grief doesn’t give them time to process itself. It’s about families, biological and chosen, holding together with threadbare hope and stubborn warmth. And sometimes, that’s enough.

This drama didn’t just entertain me. It sat with me. Quietly. Relentlessly. Like a storm you don’t notice until you’re soaked through.

And honestly? I wouldn’t have it any other way.

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This is the show you will remember to even after longterm binge-watching

No one has evaluated this drama yet but after watching of this short drama I need to share some thoughts.
Plot description is not included on the profile of the show, see here:
On web-known Series Title: No Way Out
Overview: Nora Ashford trades her dignity for survival when ruthless tycoon Gideon Blake offers a deal: her body in exchange for his protection. Three years of midnight passion and daylight cruelty forge something dangerous—his obsession, her awakening, and the way real love grows in the cracks of broken promises. Now Gideon watches in fury as his broken canary flies toward freedom. The real game begins when the prey learns to bite back.

Light SPOILER from here:
The drama is exeptional in its own category. The ML and FL acting is excellent: emotions, love, jealousy, pain are almost tanguable. The story is simple and well-followable but the emotional rollarcoster keeps the viewer glued to the screen.
The story is defenetally is about an epic love with great characters shaping form in the screen.
About FL actress: I think she is on of my favorite character I've ever seen. So long journey she needs to take before earning back her freedom and getting back her destiny in her own hands through many emotional pains with becoming from a weak, young, humiliated person to the strong, independent, confident and free Lady Ashford again who doesn't need anybody to rely on in her life. It's a painfull transformation and she must decide between the man her deeply in love and her own right to live freely with geeting back her dignity.
Her Performance: excellent, vibrant emotions, realistic feelings and a great performance how a weak canary becomes a powerful phonex.
About ML actor: ML is a very strong and charismatic character in the drama but this dishonorable relationship burdained with consuming the FL's dignity is really painful to be watched. The lack of equality, his hesitation of confessing his deep love, the compromism to keep the vulnearable beloved woman in an unfair and dishonest relationship because it makes his position more dominant...it's tough.
His Performance: it's the first show I've ever seen from Wang Yi Ran but it's something belive me. Amazing performance in shaping of the character, mesmerizing passion and desperate blindness.

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Enjoyable but weird

A mostly well-conceived, but weird, drama - 8 stars

The first sentence of FAMILIAR WIFE blew my mind. And not in a good way.

We hear a newscaster proclaim the following: “The planet Wolf, 68 light years from Earth, ahead of its extinction, is rapidly becoming a black hole.”

As a science writer, all I can say is, “NO! NO! NO!” Black holes are never, EVER caused by the “extinction of a planet,” imminent or otherwise. To be clear, large stars occasionally collapse into black holes, but never planets.

Nor are exo-planets given names like “Wolf”. (Look up HD 20794d or K2-18b)

The rest of the newscaster‘s report explains that there may be a “change between the Earth’s and Moon’s calendars,”which--excuse me for pointing this out--is absurd gobbledygook.

Hey writers! This kind of thing should have been tweaked.

BUT...to change the focus a bit here--the rest of this series is mostly quite good. I’d even call it a hidden gem--not counting the last four episodes which seem to exist only for the sake of product placement.

The drama focuses on the daily crush of ordinary life and the toll it takes on well-intentioned human beings. How marriages get destroyed. How people forget to be kind and considerate.

As for the acting, the two leads do a fine job, and a number of skillful actors are showcased in minor roles.

In every office there’s someone who marches to a different drummer, and in this office that’s Kim Hwan. Kudos to the writers for imagining him and to Cha Hak Yeon (N) for bringing him to life.

One of my favorites, Lee Jeong-eun, plays the FL’s slightly demented mother. If you want to see what a masterful actor this woman is, watch OUR BLUES, another outstanding K-drama.

I’ll just mention two weird things about the plot--although there are others:

1) How come (except for one scene near the beginning) neither of the main characters seem at all interested in the fate of their two children. These poor kids have been zapped into nothingness due to the ML’s need to change wives. The fact that they’re never mentioned again is downright weird.

2) From episode 9 or 10 onward, everyone suddenly starts wearing stripes–striped shirts, striped blouses, a striped jacket. Why?

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Good series

To be clear, the creepy looking sea animal that appears in several shots in this drama–-the one that called certain characters “murderers”---is NOT a squid. It’s a cuttlefish. Why do all these fictional scientists get it wrong?

Any real biologist (and a lot of the public) would know the difference. Just consult a science advisor next time, folks.

I’m guessing there are two reasons.

1. The villain calls himself “Squid.” Would he really have the same menacing gravitas if he called himself “Cuttle”? No? It sure wouldn’t work with the English speaking crowd. (Sounds too much like “Cuddle” and no one wants a cuddly villain.)

2. And, also, live squid are difficult little suckers–-sometimes even cannibalistic. So you’d need a separate tank for each–and they have to be fed six times a day. Better to hope no one notices that a shy little cuttlefish is masquerading as a squid.

Moving right along to the plot...I liked it. I admit I was worried about getting bored with all the do-overs–-every loop day repeating five times–-but it turned out that was no problem. Each of the five loop days had interesting plot twists. Portions of the overall story kept being revealed. The writers would double back and fill in a few details each time–-and each day the story went off the rails in a different direction.

If you’re muddled in the middle of this series–-stick with it. It gets better.

I thought Jingting Bai did a great job in THE FIRST FROST, and I was afraid, at first, that he wasn’t going to measure up in this production–-but he brought it home. The sound effects really enhanced the tension and some of the visuals were breath-taking.

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tough

well its tough to watch, theres no connection between the plot and the actress to the viewers
the writing was bad first the role is just so far from an actual body guard idk its just super off
well its tough to watch, theres no connection between the plot and the actress to the viewers
the writing was bad first the role is just so far from an actual body guard idk its just super off
well its tough to watch, theres no connection between the plot and the actress to the viewers
the writing was bad first the role is just so far from an actual body guard idk its just super off

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They're the sun and the whole green forest

The main couple has a realistic dinamic, where they meet and start falling in love with each other and at the same time starts to know everything about their families, the dynamics between everyone in the story.
This story is the realest "when the slow burn is slow burning". Would I watch it again? DEFINITIVAMENTE YES.
Even though they're rich, rich, they keep it low, they're smart, conscious, kind, adorable etc.
I just love em.
I think this story is a realistic one between wealthy people or at least i think so.
Btw, the other storyline were good as well.

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Female centric drama with male first billing

You may argue as much as you want, but Rong family was the center of this story. The story may say this is about Lu Jianglai but he felt more like an supporting character. Im sorry to the HMH fans but it really was portrayed that way. Don't get me wrong his character is great but the spotlight was stolen by the family drama or rather the women, either works. I kept on coming back not for the romance but for the family drama, if you're here for the romance, you're in for a hell of a ride.

Other than that, I really liked the story, the plot line, the character basically everything about it. I do have to say the last 6 episodes felt a bit off to me, I feel as though they should've introduced his family a lot earlier. The ending though really showed the difference between a male head and a female head of the household. They have their mistakes in the way they run their household and it really showed the consequences. The ending in the dukes place really showed that women stay on top, reminded me of like an empress finally making it to empress dowager, the top of the top.

My favourite grey character would be the 5th sister, hate her as much as you want, but that girl persevered through it all. The plot twists involving her was as much as a human can be, her emotions were understandable. She is a worthy opponent to RSB, and I'm glad that she was taught to be better by RSB. I really was surprised by her ruthlessness though, I didn't think she had it in her to deal with her lover that way. I'm glad she reformed.

I won't lie the romance in the beginning was funny, the reversed tropes are so rarely seen that it was enjoyable. All the characters in the start had me guessing about their motives and their characters, what kind of personality they had, what was the relationships between them. This drama is not simple at all, the way I was left guessing at every whim is so rare. You usually can guess what the process is but this was anything but that. Some characters had personalities I thought was going to play more into the script but it just gave them more depth.

In terms of power, I have to say it is nice to see when a woman is in power. RSB is that woman. She had respect and she earned it, she fought off everything including her family for her family. The way she solved things on her own without really involving LJL shows how capable she is and when he did help, it felt like she allowed him to help her. Usually when they show smart people, they're always dumb when it's time to shine but get saved by their partner. To be fair he did save her, but even without him, I feel as though she would get through it, he just made the road smoother. In the end I was lowkey skipping through the romance, my interest in this drama lied elsewhere. I was heavily satisfied with how it ended, I really thought for a moment they would grow old without each other, and maybe have a child in the middle of their lives. Her resolve to walk away from him showed how much she is worthy to be rong family head and him walking away from the duke family showed his resolve to be with her. She was raised in her position, he was not.

Anyways 10/10 drama for me.

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Plot is okay but this is for fans

I watch this because of Tiktok ads and I quite have 50:50 feeling about this. The plot is actually Ok since i like revenge drama but i was on mood to torturing myself so i give myself try.

The pacing was fast, the storylines were well-developed until 15 minutes of ending and some of the plot twists and climaxes The ML and FL were intelligent and articulate, and most importantly, they were a great match.

Personally, i don't fond of Zuo Yi acting because she always look one dimensional character and her mimic is always same when she frown and her acting is not improving compare to her same peer on pioneer era of short drama. Zhang Tingrui has improved a lot compared to his previous drama with Han Yutong. He might be a bit too immature for a domineering CEO role, but he's very suitable for this kind of younger, competitive, and scheming character. The chemistry between the leads still sufficient to keep me watching this.

The show was average, but I didn't like the ending; it had to be a complete mess and fall into generic formula. Only recommended to hardcore fans.

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bad story

I think I was gaslighting myself the whole time, trying to believe that their relationship was not toxic. I kept telling myself that everything happening between them made sense. But after finishing all the episodes, I realized that I wasted my tears and my time. Their relationship was emotionally draining, and most of their breakups were not acceptable to me. They kept breaking up for similar reasons, and it felt repetitive and unnecessary. Instead of fixing their problems, they just kept hurting each other.

I decided to watch this drama because I liked the idea of a rich woman and an ordinary man falling in love. That kind of story usually feels fresh and interesting, and I had high expectations. Sadly, the drama did not fully deliver what it promised. The plot started well, but later it became messy. There were too many unnecessary storylines that didn’t add much to the main story. These extra plots only made the drama longer and more confusing, instead of making it better.

The drama was actually good until episode 9. At that point, I was still enjoying it and felt emotionally connected to the characters. However, after episode 9, everything slowly went downhill. The conflicts felt forced, and the misunderstandings could have been easily solved if the characters just talked to each other. It became frustrating to watch because the same problems kept repeating. I wanted to root for them, but it became harder with every episode.

Even so, I can’t deny how strong their chemistry was. The main leads had great connection, and their scenes together felt natural and emotional. Their acting made the love story believable, even when the writing failed them. Because of their chemistry, I stayed until the end, hoping the story would improve. Unfortunately, it didn’t turn out the way I hoped.

In the end, I don’t think this drama was completely bad. It had a good start, an interesting concept, and strong chemistry between the leads. However, it lost its charm because of poor writing, too many unnecessary plots, and unhealthy relationship choices. I really hope to see this pair together again in another drama, but with a better script and a healthier love story. They deserve a story that truly matches their potential.

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