What do you want?
"Confetti" is a good example why you don't always need an external conflict to tell an engaging story with depth.Interesting characters, a relatable premise, a screenwriter and a director who know what they want, and, of course, outstanding actors -- if you have that, then even the most mundane plot can feel new and fresh. "Confetti" has all of these in spades.
Although the life circumstance of our main protagonist Yuki -- a kid who is growing up in a 大衆演劇 "taishu engeki" or "poular theatre" troupe -- are quite unusual, the central question for him is one most teenagers ask at a time in their lives: "What do you want?" With the end of middle school (and thus the end of compulsory schooling) growing nearer, he has to make his first life-important decision.
What I loved about the film is that it combines Yuki's unusual background with everyday topics in Japan: absenteeism in schools, parental expectations, exploitation of idols, the modern vs. the traditional arts and more. And quite a few of these themes are not addressed directly, but often just in a glance, a smile or a frown, a few words that are just said as an aside. What's not being said is just as important as what is being said in this film: and this is where the quality becomes very obvious. Because for something like this to work, all creative forces need to be in alignment about what story they want to tell -- and since they decided to tell their story mostly in the glances and side remarks, I'll leave the reading of this story to the attentive viewer.
Another thing that I loved: We get to see glimpses into the world of Japanese "popular theatre". I surely had never heard of it before, and liked that the film took us to see the genre and the inner workings of a theatre troupe. I would not be surprised if the actors for the troupe were a real 大衆演劇 group and the venue and the props were actually used in real life.
Let me take note of some technical aspects:
The screenplay is written concisely and every scene and every line has its own value. When Yuki speaks a few lines while sitting alone in his new classroom in the beginning -- and it's picked up again by a theatrical actor in the last minutes. When themes are gently introduced, and their importance is only revealed bit by bit.
The directing and the acting support the screenplay: A gentle nod, a crips bow, someone leaving and another standing by the door. None of this seems obviously out of the norm. Fit together, it makes for a cohesive whole where nothing is forced but everything can potentially be important.
And where these decisions would make another film feel slow-paced, this is strangely not the case for "Confetti".
I have to mention Yuki's actor, Matsufuji Shion, who has one of these round faces that don't naturally lend themselves to expressive acting -- but he does it anyway. His emotions are always very easy to read, his confusion, his melancholy, his joy. Very, very impressive for a 15-year-old!
Was it good?
I my view, this film is a little gem among Japanese films -- it's not pretentious at all, or flashy, but neither is it boring. But it tells a beautiful story about growing up and trying to find the answer to "What do you want?"
Did I like it?
A lot! Really, this is one of the films I'll definitely watch again.
Who would I recommend it to?
To those who like coming-of-age stories, definitely. To those who like to watch a film with their eyes and hearts as much as with their ears.
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Ti Yuen is thrown into the depths of the jail on trumped up charges. His cellmate appears to be a deranged wild man. Every month, Ting Dien is dragged out to the magistrate and viciously tortured. All he needs to do in order to be freed is to tell Ling Tui Si what the Deadly Secret is. Ti Yuen’s sifu is hoping that Ting will break down and tell Ti the big secret if he stays there long enough. Ti can’t figure out why Ting doesn’t break out with his superior kung fu skills and why he cares about the flowers on the window sill they can just see through the bars on their window.
This film had potential but a few puzzling issues dragged it down. The Deadly Secret was both a kung fu secret and the location of the lost treasure of Emperor Liang Wu. Now in order for either of those things to be helpful the person who passed the information to Ting Dien must have done the Vulcan MindMeld on him because the transfer of information was nigh on instantaneous. Everyone assumed that the dying man must have told Ting the info despite Ting being a stranger. Jumping to conclusions was a major pastime for the people of Jingzhou. Soon poor Ting was being hunted by every greedy highborn and lowlife around. The only person not after The Secret was the magistrate’s beautiful daughter, Ling Seung Wa. The two lovers were eventually betrayed by her father whose only desire was for the treasure and he was willing to sacrifice his daughter if that would bring him closer to The Secret. Also, numerous people failed to grasp that actually killing Ting would make it impossible for him to relay The Secret.
Another problem I had with the film was that much of it was filmed in the dark or low lighting. It was hard to follow the action while straining to see. The one fight filmed in daylight ended up being hilarious as a corpse was used in a giant game of “keep away.” The final fight seemed pointless. Chan Dik Hak and Hsu Hsia’s choreography was far from inspired.
Jason Pai and Shih Szu made for a sweet couple when they were shown together. Ng Yuen Jun wasn’t terribly compelling as the naïve Ti and this movie needed all the acting ammo they could wring out with the weak script. There was a story worth exploring buried under a pile of soiled hay and wild hairdos. Greed was shown as the great equalizer between the poor and the rich, for the greedy there was never enough, no life was worth more, and the price was never too high. I bumped my score up just for the karmic payback of the finale. A Deadly Secret wasn’t terrible but it could be deadly dull in places. As always, rated on a curve.
10 March 2026
Trigger warning: A rather gruesome torture scene early in the film. Attempted suicide.
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I found this accidentally, i was looking for something different but it was in the site and I was like okay this is a sign to me to watch.keep in mind it's a pink film which means it's so explicit.
What happened tho is that i ended up liking the 2 guys who didn't end up together. Don't panic its a happy ending but as there's 2 couples,i liked one dude from each couple which they had potential to be something.
Tbh I don't think I'd rewatch.
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When life is two steps ahead
Watching Pavane made me realize just how unexpected life is. Every character gives us a sudden surprise, which most of the time is too bitter to swallow. The ending sealed the deal for me, as it truly shows just how life is always way ahead of us, and we just have to deal with its bittersweet surprises. The pacing also adds to the overall message while giving us time to appreciate the characters. A well-written and truly beautiful story that leaves you with a heavy heart and makes you think about life.Was this review helpful to you?
Emotional real life story but something was missing
I am glad I was able to watch this at the cinema , this definitely elevated the watching experience. The first thing I have to comment is the brilliant acting of all the actors and actresses. The story since it is based on real historical events held so much more impact but I still felt that there was something missing. Even though the relationship of the king and his warden was beautiful it left me question if it should have been explored/explained deeper, maybe such a story would be better portrayed in a mini series, it needed more time to show the kings backstory, the backstory of the warden and their time during exile.That being said, the movie was a touching tear-jerker with many comedic moments that I enjoyed thoroughly. If I had to nitpick, the film would have benefited from a more artistic cinematography and better editing.
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There Really Is Just One Key Moment
I think that this entire movie was built from that moment backward. The fight scenes, the corporate drama. even the use of AI-driven combat soldiers. In a sense these scenes make up the exoskeleton of the movie. It fleshes it out while setting up the key scene. It didn't matter to me that there were big logical holes or tons of unanswered questions. The core of the the movie was merely a daughter forgiving herself and her mother. The cleansing of a lifetime's worth of anger resulting in a rebirth by robotic proxy of her mother, unburdened by concerns about her daughter, now set free to live however she desires. I believe that's what the writer wanted to display. That is the mind/heart/soul of the movie. The rest is just a shell, a conveyance of an idea. It doesn't have to make sense. Just like a robot missing a limb or two, it just has to get the job done.Was this review helpful to you?
The Good Guys led by Qi Shan Yun are searching for a band of masked killers for hire who have been plaguing the area. While staying at an inn, Zeng Jun thinks the cook is paying too close of attention to the goings on. After the cook saves their lives, Zeng goes out of his ways to befriend the prickly, secretive man. The Good Guys’ numbers continue to dwindle at the hands of the trident wielding murderers leading them to believe that someone within is a traitor.
It’s been a while since I’ve watched a Chang Cheh film so I pulled out my handy-dandy CC checklist:
No discernable female presence. Check. Usually, older actresses like Got Ping or Mama Hung were in a background somewhere. In this film a sister had a couple of minutes of air time. Might be a new record for this period
Bare oiled up chests and fishnet “shirts”. Check and check. Shirts were optional in his homoerotic atmosphere.
Sado-masochistic murders. Check. He went out of his way to kill people in torturous new methods.
Buckets O’ Blood. Check. Though he was rather restrained with his artery spewing extravaganzas. The body count was typical for one of his films. Don’t get emotionally attached to anyone.
Drama Queen Bad Guys. Check. Check. And Check. All the baddies made entrances like on a corny game show in the spotlight. “When he’s not murdering people for hire, he enjoys oiling his weapon and walks along the beach.”
Not necessary, but often included when the Venoms were involved: Mutton chops. Some very serious sideburn action going on.
The story was thin with the requisite hidden identities. Though one look at the cast list tells you all you need to know. I was disappointed Lo Meng couldn’t join Philip Kwok, Chiang Sheng, and Lu Feng for the reunion. But I was pleased with the addition of Chin Siu Ho. Also, the English title is misleading. The bad guys wore the masks. The Venoms and Chu Ko acted as martial arts directors. They sped things up this time around, no kung fu posing. The fights were fast and furious and the final fight gave an appropriate just deserts to the villain.
Because it was a Shaw Brothers production, it has been maintained through the years and still looks sharp. I’m not a huge Chang Cheh fan with his exclusion of female characters but his films from this era were always a spectacle to behold. Rated on a curve.
9 March 2026
Trigger warnings: A chicken was skewered. Numerous impalements and lots of blood. Drinking of “blood”. Sexual assault off-screen.
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"If you had any character, you'd already be married"
Crane Fighter starring Chia Ling struggled to get out of its own way to make a coherent story, and I’m using that term loosely given the genre. Slapstick comedy juxtaposed with a high body count always takes away from the emotional stakes. Throw in some glaringly sexist language and this film was doomed to failure for me.Ping’er has been forbidden by her father from ever studying kung fu. So, she does what any dutiful daughter would do and studies behind his back. Her father was one of the few people to survive the Qing attack on the Shaolin Temple which means there are men hunting him. The imposing General Ko Chin Chung is determined to eradicate the remaining Shaolin members. Into this volatile situation struts in Blue Fan aka Busybody who is either helping Ping’er out or sparring with her after her secret is exposed. General Ko leaves no stone unturned in his effort to find Ping’er and her family and friends, something they make all too easy for him.
Admittedly, this Taiwanese film was already going to be a challenge as it was faded, the sound tinny, and the dialogue dubbed in English. Ray Lui directed, produced, starred in, and was also a martial arts director for this film. I feel comfortable laying most of the blame for the cringey sexist language at his feet as well as writer Chang Hsin Yi. Blue Fan was always dropping words of wisdom that often began with, “Women are just like children…” Minor spoiler alert, Ping’er believed her new husband would have to force her onto the marriage bed. Speaking of cringey, the comedy was the cringiest. I’m not a big fan of kung fu comedy, but the sentiment here was we need a laugh so throw the stooge into a vat of water, tofu or have the ML’s face be peed on. What was actually comic were the awful Bruce Lee wigs for the men with a pigtail tacked on.
I like Chia Ling and more often than not have enjoyed her films. She was quick and limber, capable of doing some of her own tumbling. She held up well against the larger than normal fu fighter, Chin Kang. Ray’s choreography was actually pretty good, but his filming techniques didn’t impress me on the bigger fights. The Big Bad’s weakness was ridiculous though I haven’t seen that particular weak spot before. And doubt I will again.
As much as I adore a hard-hitting woman taking down the bad guys, this film was a chore to get through. Chia Ling and her character deserved better than to be constantly belittled for being a woman, especially by the male lead. Rated on a curve.
9 March 2026
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Great Bond and Fun "Conversations"
Her story follows Wang Tiemei, a hardworking single mother who has just moved to a new flat with her daughter. There, they meets the free-spirited woman Xiao Ye. The three of them form a great bond and learn from one another to better understand themselves.Honestly, I wasn't really fond of the synopsis, I only started watching this because of the great reviews and the accolades it achieved. But I enjoyed it much more than I expected. The story is simple, most of the plot happens through their conversations while sitting together, with no overdramatic developments. The feminism topics are delivered quite well too. The Shanghai cinematography is captured beautifully.
The acting and chemistry are really the best parts of this show. I especially love their banter and conversations, everything feels so fun to watch. However, as a 2-hour film, it sometimes feels a bit slow, and other times a little rushed. But overall, it's really really an enjoyable watch.
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Complete Rubbish
If we had contenders for Korean drams and movies that couldn't be accepted or remade today this would be at the top of the list. The fact it holds a 7.5 currently on mydramalist is very concerning. When i first watched this i was 15 years old i rated it a 10 out of 10, 4 years later when i actually developed and formed intellectual sense i change it to a 1 out of 10. The movies entire premise is a girl who gets into anrranged marriage with a 23 year old man at 16. Lol currently I'm 19 and i wouldn't even date a 16 year old not to talk of marriage no matter the scenario. This movies rating is the reason why we have laws banning child marriage because people see this and confuse it for a romance they think it's sweet but it's actually very concerning.Was this review helpful to you?
A decent movie
i was skeptical to goninto it because of it's erotic nature but it was actually a really decent movie. It was just about sex. The intimate scenes were used to potray power control and abuse. The premises itself is very intriguing and the story is very cautionary. Its definitely a person to person opinion on this movie because i found it watchable an decent but another person might now. Just remove ur bias watch and form ur own opinion.Was this review helpful to you?
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Beautifully Acted, Lovely to Watch
The story is a combination of serious matters and light ones. A young king is deposed and sent into exile. The town he is exiled to welcomes him because they think they are going to make big money hosting him.The king is depressed at first but gets to know the warden who takes care of him and gets to understand the live the warden has for his son and his town.
The acting performances are excellent and the scenery is beautiful.
There is a subplot near the end about the king and his allies trying to come back to power and this ends badly so I found the ending a bit heartbreaking. Overall an excellent film.
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There are stories that push their message, whichever it might be, on their viewers/readers.
And then there are stories that try to do both -- be entertaining for those who just want to relax after work and still convey messages that go beyond the moment.
"Let's Go Karaoke!" is one of the few films (and series) that really manage to balance the two without one overpowering the other.
The plot itself is engagingly narrated with a clear arc of development for the story -- a viewer can just sit back and be entertained. And yet, the film clearly also talks about the first steps into adolescence: Both the physical changes and the way these changes force children to adapt their own lives and the way children, now teenagers, step into the adult world, and start to understand that adults are not less quirky, not less insecure, not less searching for the right path -- not less human! -- than the children. They start to think about love and friendship. They leave their childhood behind.
I am quite sure that there are also some thoughts about masculinity and machismo to be found.
In "Let's Go Karaoke!", the viewer doesn't have to consciously search for these themes, and neither are they forced unto the viewer.
The unlikely friendship between the Yakuza, who wants to learn how to sing to avoid punishment from his boss, and the middle schooler, who has always sung as a sporano but whose voice is about to break, is the scaffold with which these themes are built. Their power dynamics -- the adult is physically stronger and even dangerous but he still submits to the perceived superior knowledge of a fourteen year-old -- provide an interesting, and often humorous, frame for the story. When Oka Satomi steps into the adult world, he also leaves his childhood pursuits behind, ingeniously symbolized by choir member "Wada" who feels betrayed by Oka's leaving.
Of course, if JFF Theater includes a film in its line-ups, I'll expect high quality regarding the actors' performances and the technical execution; and I was not disappointed here. I was not only impressed by the actors' overall performance -- especially Narita Kyoji who is convincing both as a dangerous Yakuza and as a vulnerable man -- but also by the quality of singing in this film: you have to be very good to sing *that* badly.
The film mostly focuses on the two main protagonists, so the supporting charaters remain mostly quick sketches, but their actors also give them some personality -- for me, it's very clear that Wada, Nakagawa, Izawa and Hyena all have enough backstory that they could easily have their own film.
There were a very small amount of characters' action that only made sense in a "because the plot needs it" way, but these were very easily ignored.
Was it good?
Yes. Not only was I entertained but there was also a not-small amount of depth.
Did I like it?
A lot!
Who would I recommend it to?
To those who love coming-of-age-stories.
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a very realistic movie about two people who meet by chance and part ways by choice
was expecting to be sobbing and alldat but surprisingly didn't lol just shedded a few tearsa very realistic movie about two people who were together in the past and meet again after many years. there's a lot of small details and symbolism that keeps you thinking and the effects of the movie linger because of how much it reflects irl.
i understood the fl, and felt pretty devastated for her. for the fl, the relationship required way more sacrifices compared to the ml. before their relationship, him and his dad were her safe space, somewhere she could fall back to when things got rough. and if (when ig) they broke up, she lost that comfort. that's why she was so hesitant to start the relationship. and towards the end (of the relationship), it was sad to see the little details that he did. i.e. he moved the fan to face only him, and her enjoying the sunlight only for him to close the curtains on her. that small detail destroyed me. the symbolism was just insane. and the contrast to what he said before the relationship and that difference to now, with him shutting the curtains, was just heart wrenching (AND PEAK CINEMA).
in a way, the breakup was inevitable. they both had dreams and for them to stay together and maintain their lifestyle, they had to sacrifice their dreams for the future. without the breakup, he wouldn't have had the motivation to start coding his game again and she wouldn't have switched into architecture. when she left, she knew she deserved better, and similarly, he didn't chase her onto the train because he knew that her leaving was for the best and going after her wouldn't change anything.
the ending was good too. two different outcomes from the same breakup. and that stark realization that if he got on that train, she would've stayed with him.
acting from both koo kyo hwan and moon ga young was phenomenal. loved seeing him still silly and goofy but now, in a romance genre instead. he was so good. (watched for him too). and moon ga young, she was great as usual.
p.s. i still think it was a little weird of them to sit in a hotel room together and reminisce of the past lol even if they used to be together, its weird. especially for the ml cuz ofc the fl would get ideas since they were recalling the time they used to be together and especially talking about this in a confined space??? AND ONE MORE THING THE ML IS LITERALLY A MARRIED MAN NOW LIKE COME ON WHY ARE YOU SOBBING OVER AN EX RN YOU HAVE A WIFE AND CHILD AT HOME BFFR
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underrated!
if you ever think of binge watching a movie at night because you can't sleep? watch this. you will be not able sleep because the plot twists and confusion of this movie. seriously half of the time you will be baffled and half of the confused while seeing this movie. to be honest, the timeline might be really confusing that you low-key start worrying about the director mental health.The unpredictable nature would make you wonder "is your mental health okay?". Besides, if you like dark psychology genre then we'll suggested.
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