Reviews

Could not feel connected with the characters emotions at all. Felt so dead and soulless.

This was one of my most anticipated dramas, but turned out to be such a let down...?.
The overall vibe: mildest c-drama plot I’ve ever seen, especially for this genre. It was really hard to continue watching, so I dropped it. I was pushing through with my willpower to watch 5 more episodes b/c I kept gas lighting myself that it would get better based on some other review, but it didn’t. And I just decided not to waste my time, since it got so boring and slow.

Story: the only somewhat decent plot at the beginning was the story with Bing Zhu and his sister, Tan’er. Hong Ye’s backstory is so overdone. I didn’t complete the drama so I never got to confirm if Ning an really was Xiao Yao. But I’ve never truly appreciated reincarnation plot lines.

I never felt the spark between the ML and FL. I’m not sure if it was the acting, but there was no chemistry. Honestly the acting was off for both leads. Since I know that Tan Song Sun and Hou Ming Hao are good actors based off the others dramas I watched, I was surprised. Firstly, Hong Ye seems to always have the same expression and his demeanor is always neutral. Which made it s hard to connect with the characters. I Never felt excited during the fight scenes or blushing in the “romantic” ones. Tan Song Yun’s character is meant to be childish but witty. She is both, and does both. But some people found her acting was not good enough or that she isn’t a good fit for historical/wuxia/xianxia c-dramas; I honestly blame this on the production team and the director. Whoever was the director probably made the final cut and was clearly okay with how Hou and Song Yun acted, even if it wasn’t the best.

There was nothing to root for. Everything felt cliche. The cliff fall scene ?. 10 episodes in, they haven’t done a good job at creating the central problem/villian. I can see that the emperor is an antagonist and that the hatred between the demons and humans is a problem. But idk, the way the plot was carried out wasn’t it. There were no stakes. No one was actively trying to bring the two sides together. If they’re setting up this plot that Xiao Yao will bring calamity bc of her identity, they didn’t do it well enough. How would she even do that?

and then there’s that self claimed immortal fairy too. will they involve the immortal world into the plot too? I think they should have chosen one strong plot line and developed it in depth.

Xiao Yao is supposed to be both demon and human. She has minimal talent for demonic arts, her fire technique can be a distraction at most. How would the world turn upside down for her?
They made her sound so special but didn’t create her character intricate enough.

Hong Ye’s character is honestly boring.
I could not connect with any of the characters on an emotional level, couldn’t feel their sadness or happiness.
Idk what they were trying with this drama, but it felt like a bunch of loose plots thrown into a pot, bad character building. Trying so hard to be complex but failing to focus in.

My review may have sounded vague, but I think they didn’t give us enough to review. Sry if what I wrote is just as half-a**ed as the drama. I’m dropping this drama b/c I feel no excitement in continuing, and honestly I wouldn’t even persevere for the actors ( I do love them though✌️).

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When Tears Meet Laughter - Love, Hope, and Resilience Together

From the very first seconds, I felt completely drawn into the story, as if I were living the characters' lives myself. That immediate sense of immersion, where the emotions of the characters feel real and personal, is what makes a movie truly exceptional. When a film can make you forget the distance between screen and life, it has already succeeded in connecting with the viewer on the deepest level.

The story is heartbreaking and uplifting, raw and tender. In the first minutes, I found myself tearing up, then laughing from the belly, then tense, then relaxed, then crying again, only to laugh again and, at moments, cry and laugh at the same time. Every emotion is palpable: fear, joy, pain, suffering, and unexpected delight coexist naturally, just as they do in life. The male lead shines with humor, positivity, and humanity, showing that laughter can be a form of resistance, a way to survive hardship without losing hope. Knowing that the story is inspired by real-life events makes every moment even more poignant, emphasizing the fragility and beauty of human life.

“Let’s rock the sun together.” This line captures the warmth, humor, and companionship at the heart of the film. Yet Viva La Vida is more than optimism: it is a meditation on life’s fragility, its unpredictability, and the unexpected moments that can completely change our path. It teaches that hope is a choice, and faith in life, in its surprises and tiny miracles, can sustain us even in the darkest times. Life’s value is not measured by its ease or duration, but by how fully we live and how deeply we connect. It celebrates resilience, humor, compassion, and the courage to continue when the future is uncertain.

The filming, editing, writing, and acting are superb. Not a single frame or word is wasted. Despite its heavy themes, the movie remains sweet, funny, and deeply human. Pain and laughter, despair and hope, are interwoven seamlessly. It is a celebration of life in all its complexity, a reminder to cherish every fragile, fleeting moment.
Viva La Vida is not just a story about illness or survival, it is a story about living, loving, and embracing the unpredictable, beautiful miracle of life. A truly moving, inspiring, and unforgettable film.

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Great show, definitely worth watching!

Haven’t done many reviews on MDL, so be warned, there are spoilers!!!


This was such a wonderful show! it currently ranks top 2 for me so far this year. I loved the acting from both leads, they were phenomenal. The angst is the story felt real and justified. The dilemma between Cai Zhao picking her family over Mu Chingyan was so well done, and the fact she may still pick MCY in a life or death situation was very apparent. Even if it seemed like Cai Zhao was never chasing Mu Chingyan, I like the fact they made her say it herself. She admits that she could not do as much for MCY as he has done for her. But at the end of the day, both their love runs deep.

Maybe I’m just stupid, but I didn’t quite catch why Mu Chingyan persisted to practice the Ziwei method? I mean, I just think that he gave up because of Cai Zhao, but I guess he was so persistent because he wanted the Li Sect to unify with the others without facing prejudice?


oh my days, the last episode was a rollercoaster. I fully believed TWICE that Mu Chingyan was dead for. I was throwing my laptop and everything, but I’m glad it ended the way it did. Even though something felt missing by the end. Maybe it’s just the way c-dramas are, but all the blood spitting and being throw around, all of that just for them to recover fully felt a teeny bit unrealistic. For a good minute I thought the happy ending was just a dream, or the afterlife after MCY died and maybe Cai Zhao ended her life too...
but I prefer happy endings so let’s not go there!

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A little boring but not inherently bad

I knew what I was getting myself into when starting this. It seemed like one of those indie type filmed movies, where there’s plenty aesthetic shots, minimal dialogue, lots of symbolism and silent messages passed through every little move and interaction.

But, it was very boring in the beginning. 1 hour into the movie and it feels like nothing has happened. Strangely enough, it wasn’t the type of boring where you didn’t want to continue the movie but just like, anticipation type of boring if that makes sense. They’ve already set up what the story is about and you’re excitedly waiting for the big reunion to happen between the two main characters just like the daughter. But the beginning and first 1 hour of the movie was so extremely slow, I didn’t know what to wait for anymore lol.

Overall though, it was a cute little movie. The relationship between the mother and everyone else in the movie was very well put together. Although everything starts from the daughters point of view, when you think back on the movie, it really was the mothers POV instead.

Bittersweet, not dramatic at all, very quiet and emotional movie. Felt like I was watching real people on my screen, maybe that’s why it was a bit boring as well lol. That doesn’t inherently mean its bad but if you’re looking for an exciting wlw movie, this would probably bore you. Regardless, I liked it. The two separated yearners barely had screentime although the movie was supposed to be about them but now when I think about it, maybe it wasn’t about them at all. Rather, it was about the mother finally finding some peace within herself to start living the life she had been denying herself for so long. Its a pretty deep movie. If you’re into that type of genre, then you’ll probably like it!

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Production team must have been very happy to have that much content worth several reunion episodes

This sequel to Single's Inferno Season 5 feature a reunion of the cast members. Three episodes are typical reactions episodes with the cast being splitted into 3 groups according to what was their most relevant storylines. It also provides some answers to the aftermath of the main show. Are the "couples" formed on the island now together ? The remaining episodes features dinner and trip with part of the cast as a last get together, to wrap up the overall experience.

Overall, it is very entertaining to watch. As somebody that truly enjoyed the Season 5, I'm very satisfied with the reunion episodes. If I totally expected / hoped the outcome for most of the couples highlighted, I had also so much fun watching the cast react to the episodes. It was cathartic, hilarious but also cringe and awkward, all in the best way.

I would recommend this to people that have enjoyed Season 5 of Single's Inferno. It does not revolution the genre of reunion episodes and the budget is pretty minimalist, but it is also very fun and enjoyable to get back in touch with the participants and to see where the various relationships stand. Some might be disappointed by the outcome, but it was not the case for me. With a bit more of innovation and budget, as well as better organization to make sure everyone of the cast can participate to the full process, it could have been even better.

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Do not recommend for people with trauma

Caution: triggering words ahead!

I don't want to write a negative review but feel I should warn anyone who still might consider watching this. I have some traumas from some people close to me having suffered bad things happen to them (for privacy reasons won't go into details). It has led me to be sensitive to certain subjects and react sometimes pretty strongly when getting in contact with content that has these subjects in them. So, because I reacted very extremely to some scenes in this drama, if you have any similar traumas for example people you care about that have suffered or you yourself have suffered, I don't recommend watching this drama.

The drama is pretty much a depiction of all kinds of possible bad things that could happen to one woman back in the day. I don't know if their intention was to leave viewers with some kind of a message to not give up no matter how hard it gets... it doesn't really turn out like that. The story gets more and more depressing and ends in depression. The last seconds two of the three main leads are still there and give each other a depressed smile after life had crushed them but they kept going. Did not find it inspiring at all, just a slap on the face. At the beginning of the story you're still hopeful for something good to come at the end, like often in dramas the main characters go through ordeals and trials only to ultimately conquer at the end. Nope. If still breathing counts as conquering, then yes, but I don't think they looked very triumphant: both of their spouses dead, one of them lost their child on top of losing a whole lot more during her whole life.

The story focuses mainly on the FL. She is oppressed first by her father and the societal norms for women, then by her colleagues and their distrust in women as professionals, then her fiance who says one thing but does the other giving empty promises, then by a foreing enemy who kidnapped her, then by her husband and his first wife and his mother who all do evil things to her, until finally she almost dies, survives, has had enough and gets a chance to leave everything behind. However, the drama doesn't show her getting a happy ending after all the suffering; she does get to continue in the profession she loves and help people which I guess is the closest to happiness she can get. Also, the other ML appears in front of her at the last seconds of the drama but we are never shown if they ever manage to be together or if she is so traumatized and broken that she is unable to ever be happy with anyone.

And when it comes him, his wife was the most loyal, faithful, kind, goodhearted, wonderful wife he could've ever asked for, yet he never loved her back. So he is a douchebag, pining after another woman instead of being grateful for his wife who went blind from one eye from crying when he was kindapped and imprisoned by the enemy and had one of her legs crippled after bowing down so much in front of the statue to pray for his safe return. Still he doesn't love her at all but clearly states that he only ever loved the FL of the drama. Am I supposed to be happy he appears in front of FL at the end? No, I am not, she'd be better off alone without any of these guys in the drama! Also, this man dumped his responsibilities and the whole empire on his pre-teenage son after the death of this loyal wife leaving to look for the FL. Seriously? The boy is probably not even 13 yet, maybe like 10 or 11 years old, and he just lost his mother, and now the father leaves his son all alone to sit on the throne while he goes to have fun with the love of his life? Not a good guy. Bad husband, bad father.

These are not the reason, though, why I don't recommend to watch the drama, but the reason is the following: There are disturbing scenes in this drama where FL is subjected to attacks and violence when a guy tries to forcibly "take her" and then stops and pretends like he wasn't really going to hurt her, and then later an old lady tries to cut her private body parts and then tries to kill her, and then later she is ultimately subjected to even r*pe by the other ML. Thankfully they don't show everything too clearly since it's a Chinese drama (censorship) but still the r*pe scene was enough to have me experience an extreme trauma reaction. I screamed loudly at the screen several times like I went mad with rage. I have never had such a bad reaction to a drama I watched. The r*pe scene comes after this ML had already behaved more and more horrendously toward the FL. I could have still stomached all the rest of that and not have it affect me so deeply but that scene was too much for me and has left possibly a permanent mark on me.

I am grateful they make it clear in the drama that even marital r*pe is r*pe all the same since during that scene she is already his Noble Consort. However, I resent that they depict the FL as being quite all right after she had just had a bit of a cry. Basically a day or a few days later she is already quite calm and sitting around and talking as if nothing happened and as if she has no trauma whatsoever. She would have physical injuries from him forcing himself on her while holding her down, and she would have deep psychological trauma to the point that she could not stand being touched by him again but would flinch, draw back and probably shake from terror any time he even came into the room. She would feel disgusted by him. So in this drama the depiction is not done well enough, but it belittles the huge physical and emotional suffering a woman experiences when she is r*ped.

Moreover, what is absolutely unforgivable is that they later have the FL pretend to forgive the ML who r*ped her and have intercourse with him several times, even if she does it to survive. This is just so wrong I have no words for it. Basically she gets repeatedly r*ped because it's not consensual: she does not want to do it but has to in order to stay alive since she is now a prisoner for life, so in a way she concents to it, but just to save herself. To make matters worse she of course gets pregnant, at which point they have the nerve to turn the story into a lovestory again! FL and r*pist ML are now happily and lovingly waiting for the arrival of a baby because now the FL actually forgives him for everything, as if the baby magically solves her psychological trauma from being r*ped by him and solves all the marital problems and the bad attitude, the temper and the behavior of the husband ML. All of a sudden, she is not in danger anymore from him and doesn't have to force herself anymore just to survive. Suddenly, she is not traumatized at all, but radiating with pregnancy joy and he magically turns to Mr. Good Husband all of a sudden and starts to treasure her again. Nasty! Hideous! How dare they?!! As far as I know, usually r*ped women do not feel happy about a pregnancy at all, instead, it makes what they've been through even more tormentous. This aspect being muddled in the drama yet again belittles the suffering of a r*ped woman. Yes, yes, I know, women back then had to do what they could to survive, but at the very least they shouldn't depict the FL and ML like a happy couple that has gotten over their "little disputes and small issues". Very disturbing.

I wish the ML actor had never taken such a horrible role, he is quite a good actor and usually I've liked his other roles but what on earth was he thinking to take on this role? Wanted to expand his reportoire and play a bad guy? Not a good choice. There are other ways of exploring a challenging role than to take on the role of a r*pist to prove what a great actor you are for being able to pull that off. Many MLs will take on a role as a bad guy but there is a delicate balance that has to be maintained so as to not go too far in a role to make the viewers feel so sick that they will feel repelled by them later. Bad guy role where a character is killing folks and being ruthless can still be pulled off. Bad guy role where a character is physically abusive towards women, walking on thin ice, but still, can be pulled off without losing the audience permanently if played carefully. But there is a line that - when crossed - can be too much for the viewers for the actor to be able to come back from it. I personally would have adviced ML not to take such a role since I've been his fan. Now I feel conflicted. Hopefully, with time, I'll be able to get pass this, forget and not attach his face to the face of an evil guy, even if fictional.

Without the horrible scene I would've given the story and the drama better ratings, but there's a line that got crossed for me here. I've seen other dramas where women had traumatic experiences and had been harassed or even r*ped but I didn't have such a strong reaction to those. I think it's because in those other stories a bad guy is a bad guy all the way, so you are prepared to see him being evil, but the character in this story is first depicted to be a loving and kind person who then slowly decends first into a nasty person and then from that to a full on beast whose erratic mood swings from one moment to another are volatile and who completely loses himself in a narcissistic illusion where everything revolves around him. In his mind, he never does anything wrong, it's everyone else who is bad, and even if he admits to doing something wrong, he brushes if off thinking he should be forgiven fast just after he says "don't take it to heart, don't be mad at me anymore" as if it never happened. Dude's a psychopath or something.

Then he is magically cured of his insanity and narcissim by the arrival of the news that the FL is pregnant. If I have to pick one good part of the story, then it's that he comes to his senses realizing he is not a good enough emperor and finally apologizes to his brother for what he put him through. However, this also kind of makes it more glaringly obvious that the drama belittles the r*pe, yet again. ML gets a deadly condition, courtesy of his psycho Empress wife, then says that it is retribution for what he has done. At that point I thought, okay, he has now realized how evil he has been towards the FL. But no, he says the retribution is from him allowing his Empress wife to poison Empress Dowager and doesn't even mention what he did to FL! He did say a few apologetic words right after r*ping FL, but that was nowhere near adequate repentance nor aknowledgment of how horrific it was what he had done to her. Now, since he is at deaths door, he feels the need to repent and makes up with his brother, which is kind of a moving moment, except that he never mentions his deadly condition being retribution for hurting his own wife who he claimed to love but then r*ped because he thought she had been with another man. Sick pervert; who does that?!! Good riddance!

Watched to support Liu Shi Shi, Huang Xuan and Wu Lei (who only appears at the very end of the very last episode for only one minute) but unfortunately I now wish I hadn't watched it. Yes, yes, pretty accurate depiction of what it was like for women back then (and in some aspects even nowadays), but I just felt sick to my stomach every time I saw that ML after the r*pe and kept wishing someone would murder him brutally. I don't think it's good for my mental health to have such violent thoughts!

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Mad Monkey Kung Fu’s script and tone were as erratic as a monkey mind. Yet Lau Kar Leung’s fight choreography and Hsiao Hou’s amazing acrobatics saved it in the end.

Uncle Chan and his sister own and perform in their stage show. The local gangster and patron, Duan Shiang Yuan offers them a dinner celebration on their last night. Tsuei Hung begs her brother to not drink too much which he of course ignores when his kung fu is called into question. A series of bad decisions later and Chan is accused of assaulting Duan’s wife. Tsuei Hung agrees to be Duan’s mistress in exchange for her brother’s life which Duan magnanimously agrees to…after he’s crippled Chan’s hands. Chan becomes a street performer and makes the acquaintance of a small-time thief. Both run afoul of the extortion gang with Chan eventually agreeing to teach “Little Monkey” Monkey style kung fu.

First my biggest complaint. Why does the woman have to pay for the man’s idiotic behavior? And why does everyone get over that sacrifice so easily? Okay, my other complaint, the movie was too darn long for a kung fu flick. There wasn’t enough story for 110 minutes, it dragged in places.

Now, for what did work. Lau Kar Leung is my favorite old school martial arts director and I loved that he was allowed to star in this film. He started out honing his craft in Kwan Tak Hing’s Wong Fei Hung films going back to 1953. At 41, he stayed up with the 19-year-old Hsiao Hou. His choreography for this film was exciting. Hsiao was extraordinarily acrobatic, limber, and fast making him the perfect Monkey style artist. Lo Lieh, as the villain, snarled and sneered his way through providing more than enough menace for two. A grand Shaw Brothers’ set for the extravagant brothel where most of the big fights took place gave plenty of stairs to fight up and down and balconies to fall off of. A teenage Kara Hui had the small, but important role, of Chan’s sister. Scriptwriter Ni Kuang did her wrong but at least she had a good fight against Lo to give her character a smidge of meaning and heroics, even if the student squandered her sacrifice much like his mentor.

If you enjoy Monkey style kung fu and not one, but two training montages, this is a film to check out. There was a great deal of acrobatic “no wires on me!” kung fu displaying a wide range of agility, strength, and quickness. I would have preferred several scenes to have been either cut or shortened, as the movie ran long for me. The final fights were entertaining, though sometimes with monkeys, they take the long way to get there. Rated on a curve.

13 March 2026

Housekeeping note: 400th entry in my Everybody's Kung Fu Fighting List!
https://kisskh.at/list/LOPBNbe3

Trigger warnings: While there was a lot of fighting there were only two deaths and they weren’t too gruesome. If smoking bothers you there was quite a bit of that and drinking.

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absolute crap - makes me want to be done with this show altogether

what was the damn point of putting us through emotional turmoil, crying for 3 weeks in a row for them, only to ELIMINATE one of them. we get absolutely NO closure. I’m so livid. since when was an elimination EVER needed? this is a dating show to find love, not a GAME SHOW. we shouldn’t be eliminating people who are ACTUALLY there to find love. so many of the people only do it for the attention to get into acting or whatever, when someone so clearly wants to be with someone else, elimating them is doing the exact opposite of what this show is supposed to be about. I am so freaking done with this show. I thought S3 was bad, this was ABSOLUTELY AWFUL. I don’t think I can go through another season of this.

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A One-Sided Devotion. An Unequal age gap Power Dynamic

The central connection between the FL and the ML is defined by a significant imbalance of effort. Throughout the series, the ML is the primary driver of the relationship. He demonstrates a constant, high level of emotional vulnerability and dedication, often at the expense of his own self-respect and social standing.
In contrast, the FL maintains a largely passive and guarded stance. Even after the eight-year time jump into the modern-day 2024 timeline, she frequently treats the ML with coldness or as a stranger. While the narrative frames her behaviour as "cautious" due to her past divorce, it results in a dynamic where she accepts the ML's intense pursuit without offering much vulnerability or accountability in return.
While the ML evolves from a timid student to a successful professional, his emotional position remains subservient. He openly admits to being at the FL's "beck and call," confirming that the power remains entirely in her hands. The FL rarely faces significant personal consequences or emotional pressure to change, as her surrounding environment, including her supportive father eventually accommodates her choices with little resistance.
Unfortunately this drama portrays a fantasy of absolute devotion rather than a balanced partnership. Because the FL is rarely challenged to meet the ML halfway, the relationship feels less like a mutual romance and more like a one-way pursuit that lacks a satisfying emotional payoff.

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A richly crafted, politically grounded drama that shines brightest in its relationships

Love Story in the 1970s is one of those rare dramas that truly commits to its historical moment. Set before, through, and after the fall of the Gang of Four, it offers a textured look at how ordinary lives were shaped—sometimes uplifted, often constrained—by the political tides of the era. The show doesn’t shy away from taboos: blacklist families, the culture of informing on one another, the black market, the biases of the university system, seniority trumping talent, and the sheer poverty of the time. All of it is handled with a grounded, unflinching eye.

The production is exceptional. The sets, costuming, and atmosphere feel lived‑in and authentic, and the acting is superb across the board. Arthur Chen is a standout—his character’s quiet heroism is especially striking given that he spends his days drawing comics critiquing exactly that kind of idealized figure. Sun Qian’s Fei Ni is equally compelling, layered and resilient without ever feeling performative.

The three main couples are the emotional core of the show. Each relationship is distinct, tender, and believable, and you genuinely care about what happens to them. Their arcs carry a strong message about supporting one another, facing adversity head‑on, and finding solutions together. The minor couples, by contrast, feel more like narrative cautionary tales—and honestly, their endings fit.

I’ll admit my enthusiasm dipped in the last six episodes. The emotional turbulence becomes repetitive, and I found myself exhausted by the constant ups and downs. When Mu Yang’s parents finally returned, it felt too late in the story to land with the weight it should have—though that may simply be my preference. The final episodes, set against the sweeping post–Gang of Four reforms and the shift toward meritocracy, although good, I found myself fast‑forwarding through parts.

Even so, Love Story in the 1970s remains a beautifully made, deeply human drama. Its political backdrop is not just scenery—it’s the engine of the characters’ lives. And at its heart, it’s a story about love, resilience, and the quiet courage it takes to build a future in uncertain times.

It’s worth a look and then some 😊

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holy potential

First of all the story had potential. it could have actually been interesting and at the beginning i was quite invested. but the execution... i kept expecting the fights against the bad guys to actually lead somewhere but then everyone just went home and called it a day? their romance started off well and i actually liked it at first but there wasnt much progression after the third or so episode. and then he just dies at the end but kind of comes back. i also felt bad for the water bender bc why is his fate to kind of suffer all the time.
all over id say its entertaining bc it kind of has a hint of plot progression sprinkled with bad editing and an illusion of a love triangle.

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I love it

Just finished “Boyfriend on Demand” and I honestly loved every minute of it. 💙

Watching in this drama reminded me again why he’s one of my favorite actors. He has this effortless charm that makes every romantic scene feel real and emotional. The way he expresses love—sometimes playful, sometimes deeply sincere—just pulls you into the story.

The romance in this drama is truly the highlight. Every moment between the leads felt natural, warm, and exciting. Their chemistry is undeniable, and the story allows their relationship to grow in a way that feels both sweet and meaningful. I found myself smiling at the small moments and rooting for them in every scene.

What I loved most is how the drama balances romance with emotional depth. It’s not just about falling in love; it’s about connection, vulnerability, and learning to trust someone with your heart. And honestly, watching Seo In-guk deliver those emotional moments made it even more special.

If you enjoy heartfelt romance, great chemistry, and a male lead who completely owns the role of the perfect boyfriend, “Boyfriend on Demand” is definitely worth watching. It’s sweet, engaging, and full of moments that will make you fall in love with the characters. 💫

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this must have been ragebait

I was truly unable to get through the first 3 episodes. The character of Tuo gave me so much of the ick from the beginning and I could not get over that. Every scene he was in felt like I was being ragebaited truly. what happened to hello, how are you, do you consent??? Bare consent being absent in the year of yaoi 2025?
Also it’s described as childhood friends to fake dating to lovers. But they only fake date for genuinely a third of an episode and by episode 3 they’re together, no yearning no emotional turmoil, essentially everything is already done by episode 3 and I must still sit through boredom for 7 more episodes?
it didn’t make sense nor did it entice me to continue further.
the acting was decent I suppose but there’s only so much acting when the script is so atrocious and there’s these random scenes thrown in there with no coherent connection or flow within the plot.

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Most Underrated Series That Hooks You from the Start!

Such a surprisingly good series that will completely win you over if you give it a chance. From the very first episode, Heart Code pulled me in with its gripping plot, tension, and mystery. And wow—the final episode delivered such a satisfying payoff.I must say, it’s series of the year, and it’s only March!

What really made the series stand out, apart from the plot, are the two leads. Their chemistry is electric, and their performances feel completely natural and powerful. Every scene they share is full of emotion, making the story even more engaging and unforgettable.

Honestly, this is one of the best GL series I’ve watched, with one of the most satisfying endings. It had closure, romance, and just the right amount of emotion.

This series is seriously so underrated and deserves way more attention. I highly recommend it and will definitely rewatch it—it’s just that good.

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