A Visual Treat with a Weak Payoff
This drama stands out for its high production value, beautiful visuals, and well-chosen music. Go Youn Jung, the female lead, was perfectly cast and delivered a strong performance. Her outfits and styling added a lot of visual appeal, making many scenes a pleasure to watch.The earlier episodes, with their excellent camera work and warm depiction of the characters’ budding romance, were especially promising and heartwarming. The pacing and music worked together nicely, bringing out the best in these moments.
However, the story itself felt slow and lacked substance. As the series progressed, the lack of a solid plot became more obvious. The last few episodes were particularly anticlimactic, offering little emotional or narrative payoff. Despite its strong start and impressive aesthetics, the show ultimately felt empty and unsatisfying. In the end, it’s not a drama I’d recommend for its story or for a rewatch.
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EVERYONE SPEAKS THEIR OWN LANGUAGE .☘︎ ݁˖
“I keep seeing auroras.” (Joo Ho Jin, Episode 10)This was everything and nothing like what I expected, and that is the charm of this drama. I found it to be one of the most beautiful and touching storylines and characters I have ever watched. This is not the light rom-com I expected, but something more layered and nuanced. Crazy how they fit it so well within the bubbly and realistic love story. The chemistry was crazy, the acting touching, and the cinematography was a breath of fresh air. No one does abroad shooting as a kdrama can do, in my opinion, and I loved how, from Canada to Italy, from Korea to Japan, we navigated such growth and change between these characters. I know this could not be everyone's cup of tea because some people prefer a straightforward rom-com, but I genuinely have no complaints. I locked in from the very first episode and could not think or stop, I was just so engrossed in these characters and their choices, their words and actions. The additional elements we discovered as the story progressed were so vital to the storyline, and I was so surprised when I realised that's where we were going with the story. This was more than your typical mental health and mental disorders being explored as part of a trope. Do Ra Mi added to the comedy aspect of this drama. Yes, Cha Mu Hee was funny, but Do Ra Mi was the star. Without her, this story would not have had the depth that I so crave in rom-coms, so that they don't fall flat.
I love all the characters, so many of my favourite supporting actors were there, and I am a firm believer that all the extended cast really makes or breaks a story and drama. The exes and their plot were not dragged, everyone was mature enough to deal with their situations in different ways, but that is human, no? Everyone has different coping mechanisms and different ways to go about things. I loved Yeong U and Ji Seon's storyline. Just when I was doubting writers to ruin things using Ji Seon's breakup, they pleasantly surprised me with a completely new loveline, and I loved it just as much as Ho Jin and Mu Hee's. Kim Seon Ho gives such nuanced performances, and his eyes could do all the work, he does not need words to convery feeling and emotions. As for Go Youn Jung, I have loved her for a long time, and I feel like this was one of her most complex and layered characters, and she nailed it. Hiro really came through in the show, as superficial as he looked at the beginning, I loved the gimpses to the real him and how getting to know Mu Hee helped him grow and get comfortable with rejection and facing new things.
Love really is difficult to translate. Everyone is so different, words and feelings have such different meanings for everyone that love seems almost impossible in comparison. This exchange between Ho Jin and Professor Kim is so beautiful and striking that I want to mention it:
“Do you know how many languages there are in the world, Mr. Interpreter?”
“I believe over 7,100.”
“Nope. Wrong answer. There are as many languages as there are people. Everyone speaks their own language. That’s why we fail to understand each other, hear things the wrong way, and end up hurting one another.”
(Episode 3)
Can This Love Be Translated made me laugh, feel excited and relate to the emotions and experiences of the characters. One of my most anticipated dramas, I am so happy and relieved that it exceededmy already stellar expectations. A 10/10. I hope everyone can enjoy it and love it as much as I did. It's a thought-provoking, quiet and mature drama.
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1behold my #1 drama of 2025
this historical gem is based on Ma Boyong’s 2021 novel Lychees of Chang'an and, in an unusual twist, had both a film and drama adaptation released in the same year.the basic premise is familiar: a ticking clock, with the protagonist having to deliver fresh litchis from Lingnan to Chang’an, a journey of over 1,000 miles, for the birthday of the emperor’s favourite concubine. the details of this story are largely unfamiliar but as each new character and landscape is introduced, they settle comfortably into the narrative framework so that by the end, it feels that we have known them for a long time.
the cast is led by Lei Jiayin as Li Shande, a socially awkward official who is conned by his colleagues into taking on a task that every department knows is impossible and an effective death sentence for whoever ends up with it. Lei Jiayin brings us a neurodivergent-coded, gently obsessive person with occasional flashes of frustration that were deeply human and believable.
I’d also call out veteran Feng Jiayi for his portrayal of a conniving, transactional rural official who does not balk at discarding even his closest associates when they are no longer of use; and Nashi, with vivid and colourful visuals which contrast with the restrained exterior and emotional core of Amita, the leader of the Lingnan trader branch. I cannot praise these actors and the rest of the cast enough for bringing their characters so solidly to life and allowing us to truly appreciate how this journey unfolds without distraction.
the costumes, cinematography and art direction were bold and colourful and although some critics have some negative commentary on this, personally I have nothing but compliments. the overall look of the series is beautiful, and the choices appear intentional and designed with care even if at first glance they may appear wild. I was enthralled and more than once found myself hitting rewind either to admire or screenshot a particular frame.
a particular moment of outré comedy in episode 7 was the catalyst to take this unfolding story from likeable to something I was unashamed to admit that I loved. there were a few other bizarre moments sprinkled throughout, with enough restraint so as not to become tiresome. the closing credits contained various songs in an eclectic rotation, including Liu Yuning’s thoroughly entertaining 逍遥仙 (Carefree Immortal).
the last few episodes suffered from some slipshod editing, which appears to be the result of last-minute changes after the drama had started airing. while this was noticeable, the drama had built up so much credit with me that I was hesitant to downgrade its rating. taking a leaf from Li Shande’s logical brain, I simply reallocate the bonus point accrued from the first three-quarters to that last section, and give it full marks.
in short, this is a drama about ordinary people and how they survive within systems designed for rulers and wealth. it's a deeply human story and a strong recommend for anyone interested in non-idol historical C-dramas or the many stories of Ma Boyong.
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Announcing their Love and Marriage Talks!
A slice to the main story, highlighting marriage importance of signifying your love with your partner. It's still not possible for men to marry each other in the modern time for many nations, and this series portrays that we have a long way to go as humans. Again, opening up about your love to the public especially with the person of the same sex can be hard, the judgments and harsh comments from people can be unbearable. Even if Hirukawa and Minase didn't marry each other here, they are still hopeful that their love will last until the end of time and the laws might change.What a great story, 10/10 for me. This doesn't need a perfect ending with a matrimony among two people of the same sex, it leaves room for questioning reality. Gay love also matters. We do want to share thoughts and ideas like heterosexual couples too. Love is love.
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I don't cry, but this show had me bawling.
I've never seen such a compelling anti-suicide message in a show. As someone who was suicidal most of my life, this show's message will stick with me.That said, they wrapped up the villain saga too fast with plot holes and threw in an arbitrary time loop when a lot of the story was built around the main villain. However, the shift in the show is reasonable given how powerful the end message was, at least for me.
Music is good, acting is good, effects are decent, the cinematography is good (stuff constantly happens with no need to skip around as is common with kdramas). My time didn't feel wasted.
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ANOTHER FINE MUST WATCH VERTICAL DRAMA ABOUT PURE YOUNG LOVE
I can't help but still gush about this series. It's not that often that I find a drama in these shorts that I could say it's a fine or lovely series. Don't get me wrong. I'm into vertical dramas these days. I enjoy them. Yet this series somehow touched me. A fine compelling story of deep young but mature love. Great casting. ML new to me but he was so right for the role. Well played out character. Actress, well no doubt about Ms Peng Yao. I've seen a lot of her dramas and we know she's good in every character she plays. Yet ML somehow added much depth to the story in his natural style of acting.Plot line common, plot holes typical of vertical dramas are present, yet these two made this story just for them. They made me forget for a while that I'm just watching a vertical. They made me remember what young love is all about. This story isn't just about pure, deep, young love, but about how a young couple is willing to go great lengths for each other, through thick and thin. I love how FL made ML come out of his deep insecurities and made him become a better version of himself. I love how ML truly loves his girl, that he's willing to bet every inner doubts and insecurities for his girl.. to be that guy worthy of her.
A lovely heartwarming story of second chances, of a young love overcoming obstacles not just from outside influences, but from their inner selves. A well executed mini series.
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I had to drop it
If you’ve moved on with your life and found someone else, it’s important not to leave another person hanging. That’s what I would call cheating, when you don’t break things off but you are dating someone else.One person keeps waiting for you while you’re already with someone new. The truth might hurt, but it’s still much better than cheating and hiding it, which only makes things worse.
I also want to mention that this has nothing to do with sexualities. Cheating is about a person’s choices, not their sexuality.
Then it gets even worse, she starts to threaten him then slept with his lover... This show is pissing me off, so I’m dropping it.
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The Cringe RomCom I Didn't Expect To Love
They say Me & Thee is a bit cringe—and honestly? I don’t care. I loved it. For me, it’s a romcom done right, with a beautiful BL couple whose chemistry is so palpable. I’m actually not the biggest PondPhuwin fan, but the storyline really pulled me in—and let’s be real, PondPhuwin is one of GMMTV’s most popular BL couples anyway.Pond looks absolutely lavish in this series; they styled him perfectly. As for Phuwin, his look really suits his character—simple, plain, nothing flashy. But to me? He’s one of the most beautiful, pretty, gorgeous, handsome people out there—name it, he has it.
Let’s talk about the characters:
Pond as Tee
Tee is hilarious. Imagine being the son of a mafia boss who loves watching soap operas (lakorns) and is a full-on hopeless romantic. Yes, the series gets a bit cringey because of him—but honestly, his cheesy lines are what I live for. They make me giggle, kick my feet, smile, and laugh. Most importantly, Tee is such a green flag. He always takes care of Peach and absolutely adores him, and that’s what makes his character so lovable.
Phuwin as Peach
Peach is simple and understated—nothing fancy about his style—but he’s so beautiful. He called himself boring, but I actually find him really interesting. He’s a photographer, plays musical instruments, and is even connected to an orphanage. The way he speaks is gentle, kind, and sometimes unintentionally funny. I loved how he kept trying to explain to Tee what courtship really means—that liking someone isn’t about money or material things. He’s such a good influence on Tee, and I think that’s exactly why Tee fell for him. Peach opened Tee’s eyes to the beauty of simplicity.
I also liked the second couple, Tawan & Aran, though their relationship is a bit toxic. Am I the only one who’s not used to seeing Santa with another partner? I think it’s because I saw him in My Only 12%, lol. I’m very open-minded about actors changing partners, but for some reason, with Santa, it feels different—maybe because he gives off such a manly vibe. I guess I just need more PerthSanta shows to fully get used to this pairing (so don't hate me, PerthSanta fans, lol).
Now, the third couple—Mok & Rome. Aside from loving the main story, I was so happy to see one of my favorite BL couples, WilliamEst, in this show. They’re not the main characters, but every time they had screen time together, it made me smile and giggle. Their chemistry is undeniable. That said, I was a bit let down by how limited their screen time was. Their story felt dull, and the ending wasn’t satisfying at all. I really wanted to see them fulfill their dreams together—and maybe give us just 10–15 minutes of them being lovey-dovey. And oh, the ending—where Thee ends up buying GMMTV and becoming the new CEO—was both hilarious and clever. The writer definitely deserves a raise for coming up with that idea.
Overall, Me & Thee completely satisfied me. If you think this is 100% Mafia show that's full of action, then you're wrong. Me & Thee is an easy and light watch. And yes, some of Tee’s lines are cringey—but this is the only kind of cringe that I genuinely love 🤣
I HIGHLY RECOMMEND this if you’re looking for a funny, romantic, love-filled BL show.
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Hong Sisters Missed the Mark
I waited for this drama with deep anticipation as a fan of the Hong Sisters. What I LOVE about them is their capacity to create rich fantastical world for their characters to occupy, full of metaphor and meaning. In this instance, the psychological inner world of Mu Hui took that place in the narrative, inside of an otherwise very mundane world. This psychological landscape, however, was neither innovative, fantastical, rich, and neither did it lean on realism. While it added depth to our FL, there was nothing that could not have been accomplished through character development in the otherwise real world. Further, it felt incomplete in what it aimed to accomplish, relying on an external plot at the end of the 12th episode that we never find out how it ended. It feels to me like this time the Hobg Sisters tried to play it safe for the international Netflix audience and neither achieved their usual artistic brilliance, nor psychological intrigue. I am certainly disappointed.Positive points for Go Youn Jung wonderful, bright portrayal of our Mu Hui. Fukushima Sota as Hiro also brought in a wonderful arc to his character portrayal. Kim Seon Ho as Ho Jin did excellent work with the language, but it was average or even below average performance. I did like the chemistry of our leads, however, it was sweet.
Worth watching if you’re a Hong Sisters fan so you may form your own opinion, but it’s not brilliant, merely safe.
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Speaking Seven Languages, Missing One: The Language of emmotions
The series shows that the difficulty of “translating” love is not only about words, but above all about emotions, fears, and inner wounds. The heroine, lacking self-confidence, is convinced that no one can truly love her or stay with her. She lives in fear of the future and, whenever she tries to move forward, she feels guilty — either because she believes she might unjustly hurt someone, or because she fears disappointing the other person. She does not recognize her own worth, even though she remains positive, warm, sincere, and deeply human.Can This Love Be Translated? primarily deals with emotional misunderstanding rather than language barriers. The male lead is an extremely rational and highly intellectual man who speaks several languages, yet is incapable of understanding emotions — both his own and those of the woman he loves. He feels something for her but does not know how to identify or interpret it.
Through the character of Dorami, the male lead finally begins to understand the heroine’s emotional state: her fears, her desires, her inner chaos. Dorami does not only help her, but also indirectly acts as an emotional bridge for the hero. Here, “healing the mind” does not mean correcting or imposing external order, but understanding, observing, and accompanying. Understanding inner chaos allows a path toward harmony.
The Japanese character is also very important: despite the language barrier, emotional understanding between him and the heroine is much clearer. Their relationship has a rom-com tone with genuine chemistry, while the main storyline, more grounded in reality, is more melodramatic and psychological. It almost feels like two parallel series, reinforcing the central message.
The series stands out for its careful writing and lack of clichés. All characters are well developed, both in the script and in their performances. This is not a light romance, but a deep psychological dramedy, pleasant to watch and inviting reflection on the importance of making the effort to emotionally understand the person one loves.
It is also important to highlight the quality of the writing: the series is written by the same screenwriters as Alchemy of Souls and Hotel de Luna. Their signature is clearly felt, particularly through certain atmospheres, the attention to emotions, and an almost melancholic sensitivity that recalls the universe of Hotel de Luna for attentive viewers.
The directing adopts a very benevolent approach, especially in the way foreign cultures are portrayed. They are shown in a positive, human, and respectful manner, through nuanced characters as well as beautiful locations that contribute to the emotional and cultural openness of the series.
As for the music, the result is more mixed. The Korean tracks lack a truly memorable theme. Opera, although present and important within the universe of the series, is often portrayed as something not very accessible to an uninitiated audience and is sometimes pushed into the background in favor of K-pop — which is somewhat disappointing given the emotional richness opera could have brought.
Kim Seon-ho is remarkable in his restrained and sensitive role, bringing real emotional nuance to his character. Go Youn-jung is also impressive, portraying her character as fragile, funny, and deeply human — far from being just a “famous actress.” Fukushi Sota is excellent in his role as a romantic lover and vulnerable. The other characters are also well developed, especially the the manager and i love the writer and director of show
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I dont like the story per se. Fabulous coupling i.e rich but complicated family background, personality disorder.
They surely picked the best actors and actresses for major and minor roles…even the cameo..Bloody Heart!! But some of their potentials remain unlocked and not fully utilised.
OST is not that impressive. Having watched many Kdramas, pulling off in this area seems easy, but it was not the case here.
I will definitely make the time to rewatch KSH acting and the cinematic frames.
Things i hate- reducing the first love interest by making the character reckless - the one night stand, unworthy of the 1ML.
Things i love- train imageries
Wish i could see more possible romance between the FL and 2ML just to add to the drama
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A beautiful translation of each other's love.
A heartfelt mature romance of two individuals showcasing vulnerabilities& miscommunication and the sheer efforts to understand each other's language of love. Its layered & nuanced. Its a love that explores connection and demands trust, patience,empathy. Its not loud but caring and provides healing& comfort to the broken soul.Sitting with this drama for a while, i have come to really appreciate the storytelling. It's very layered. Our main leads aren't the simple, cheerful , but complex charac with their own issues. I love how, throughout the drama, we explore their issues along w them. Since the very start, both laid out their true selves to each other, which they normally would hide from the world.
Its all important because this is eventually leading to them fully understanding each other amidst all the miscommunication between them. Because the central theme of this drama is understanding one another's love for each other.
Coming to hojin, he is a pretty emotionally restrained charac who translates people's words for a living. Hence, he is used to the direct ways of communication. language derived of emotions is where he loses his footing. He is someone very reserved and direct. Hence, his words can sometimes cut through like a knife, but he is also someone who is thoughtful in his own silent ways who eventually come around. And that's why muhee shakes his world. He has never been the one to initiate. We see his regrets over his first failed love. But muhee is the driving force that awakes his curiosity to understand the twisted language of love. Hence, you will see his gravity of loving someone isn't loud but quiet and profound. He observes, understands, and learns to reach out. Muhee is a tricky person to him. He sees himself drawn to her, and that's why he starts questioning everything. After understanding her trsuma more, he truly dives deep to help her out. Hence, kim seonho's performance might seem not so trivial, but in the end, it's exactly the opposite of it. He truly bought the simplicity yet the complexity of hojin's personality to life.
Coming to our muhee, truly broken and vulnerable charac. Her alter ego dorami being her protector of sort. Who is unapologetic and manipulative , helps her from getting hurt, and face more trauma. We are introduced to her since the very beginning, but her actual gravity comes in phases. She isn't a hateful version of muhee but a much more broken version of hers. Muhee is someone who is cheery and outgoing and wants to experience the world. But dorami holds her down. Not cos she is evil, but she is a shield for her to not face any more rejections from life. It's not easy to break away from that, considering everything she has been through in her life. It's sad and utterly heartbreaking. And that's where younjung does such a great job at potraying the stark difference in the characs. And that's why muhee doesn't want the world to know of it. She thinks she doesn't deserve the love and light of the world. She thinks she doesn't deserve the festival dedicated to her. But hojin being there to see both of her versions,thats why their love story brings a lot of mature points where we see them healing one another from their past and trauma.
Dorami, as mentioned above, is very bold in her actions, but the kindness and understanding that she never experienced from anyone, but now she does from hojin, confuses her. Hence, she becomes even more wary of him. But also can't help buy reach out to him as a last resort of her to save herself.
That's why episode 9s ending is so utterly heartbreaking but beautiful. It's her finally asking, letting herself breathe and tell hojin how she longs to be loved and that this facade of dorami is slowly weakening as she no longer wants to be this broken. She is pleading almost in a desperate attempt to disappear so that muhee can live her life and enjoy the festival.
Their love holds a lot of meaning considering we are so used to confessions being all promise of eternity but even though i have nothing against it but reality is far too twisted sometimes and someone dealing w trauma and healing through doesnt need things to be sugarcoated , especially in this case where muhee is still learning to let go of her trauma and trying to love herself. When all her life she believed she didn't deserve any bit and would run away. Hojin is trying his best to tell her that let's just love for today and not think bout tomorrow, and some might think this doesn't give a promising start to the future, but that's exactly the point. Future is too overwhelming, but assuring bout the present is sometimes one needs.
Overall, my one small complaint is that the personality disorder theme needed more medical attention. It needed a few more eps for finding a closure. I dont hate the outcome, but i genuinely felt 2 more eps could have been made to wrap up the journey.
But I'm m all in the feels and have come to appreciate this drama a lot. And a huge shoutout to the spectacular cinematography that made all the difference and elevated the drama to a whole another level. I truly wish kdramas would take this scenic route more, lol. Felt like living in a dream. 💜🍀
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Watch until the very end
"Go Away Ultramarine" is one of those movies that you must watch until the very end. It begins with a big mystery, and initially, nothing really makes sense. The characters seem uninterested in exploring the stranger events around them, which makes the viewer wonder about what's really happening. However, in the last 30 minutes of the movie, everything clicks into place. You finally understand why things occurred as they did and why the film was filled with question marks.**Possible Spoilers.**
The entire movie is about a mysterious island where 2,000 people live, and not a single one knows how or when they ended up there. They just found themselves on this island, which is overseen by a witch. According to the lore, the only way to leave safely is to find what you have lost. Although the island appears to be shrouded in mystery, its residents have accepted their fate and show little interest in discovering how they arrived there—until a new girl named Manabe joins the island. Manabe is determined to uncover why she’s there and encourages those around her to ask the same questions, but no one seems truly interested.
As Manabe embarks on her journey to find these answers, we gradually learn what this island really is.
**Spoiler!!**
It's an island created from discarded personalities—parts of ourselves that we let go of when we feel they no longer serve us. One character, Nanakusa, who was plagued by pessimism, decided to leave that side of himself behind, leading to that pessimistic trait becoming embodied in the island. When he meets Manabe, he realizes that in the real world, she's let go of her idealistic, carefree personality. This revelation drives Nanakusa to try to save Manabe. While Manabe believes that side of her personality has no value, it’s that very trait that made Nanakusa love her in the real world. As he encounters her on the island, he sees that she has abandoned what made her beautiful, so he seeks to help her return to the real world, ultimately trying to show her that she should not discard that part of her.
I think the movie does a wonderful job of illustrating how, in the process of growing up, we often let go of parts of ourselves that no longer serve us or even hinder us. Instead of focusing on how letting go changes a person, the film highlights those discarded personalities, showing why they were cast aside and how sometimes what we perceive as useless or negative traits can actually be the most beautiful. It’s definitely a movie worth watching, and you absolutely need to stick it out until the very end to fully grasp the story.
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Short honest review
R U NEXT? had insane talent and high-quality performances, but fairness was its biggest flaw. Many contestants were clearly debut-ready, yet skill didn’t always protect them from elimination.The screentime imbalance and favoritism were obvious early on—some trainees were constantly pushed, while others barely appeared until they were eliminated. This made several eliminations feel frustrating and undeserved.
Judges’ decisions were inconsistent, with harsh criticism for some and leniency for others, making it unclear what the show actually valued. While the concepts and stages were polished and trendy, not every contestant was given a fair chance to shine.
By the time ILLIT’s lineup was finalized, it felt more like the result of a pre-planned vision than a fair competition. The drama came more from frustration than excitement.
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GREATEST MAFIA BL TO EVER EXIST
-Let me warn you first, This show has a lot of red flags, when I tell you a lot I mean *a lot* like the three main love interests are red flags (Kinn, Vegas and Kim)my take on Kinnporsche's history:
-I love Kinnporsche's story but what I didn't like is the fact that KINN basically Sa'ed Porsche but when the story progressed man, I love Porsche sm he's such a green flag like Don't settle for someone that isn't Porsche.
plus that turbulence scene 😭😭 I DON'T EVEN WANNA TALK ABOUT IT
Vegaspete:
-Man, how I miss Biblebuild I mean Vegas is just a misunderstood character we all know that, Plus My Peteeee my baby, I really hate how his relationship with Porsche changed when he was like missing or like left the house plus WHY DIDN'T NO ONE LOOK FOR HIM BESIDES TONG (I forgot his character) LIKE PORSCHE YOU'RE BUSY DOING S__ WHILE YOU GUYS SENT PETE TO YOUR ENEMY. AND I LOVED THE ENDING
Kimchay:
-Lets not talk about them, Btw, "I'm hungry".
Ost take:
-I LOVE FREE FALL, LIKE ITS THE BEST OST TO EVER EXIST, IT'S SO BEAUTIFUL, MY EARS GOT BLESSED WHEN I FIRST HEARD IT, NOBODY FW THIS SONG MORE THAN ME, NO ONE LISTENS TO IT MORE THAN ME.
acting:
-Really loved everyone's acting especially Build cause THE PAIN SCENES, BRO IT LOOKS SO REAL
visuals of the actors:
-everyone is breathtaking, EVEN US AND TIME (?) EVEN THE FATHER IDK MAN, EVERYONE.
HERE'S SOME LINES YOU SHOULD WATCH OUT FOR OR YOU MIGHT LOVE:
Vegaspete (ep 14)-
P:"And don't turn your back away from me like this, cause I'm hungry"
Kimchay (I forgot which episode, maybe like 7 or 8?)
P:"I love you"
K:"I'm hungry"
Kimchay (ep 12?)
P:"Did you ever love me P'kim?"
K:"I'm sorry"
Porsche (ep 1)
P:"Me being your bodyguard? I'd rather die!!"
Tong's character (ep 3?):
"Elizabeth! Sebastian!"
Pete (I forgot which ep)
P:"KAMSAHAMNIDA!"
MAN I JUST REALIZED
THE BOTTOMS START WITH P:
PORSCHE, PETE AND PORSCHAY (I DON'T EVEN KNOW IF I SPELLED THAT RIGHT)
-bring back my Biblebuild and Jeffbarcode-
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