This review may contain spoilers
Some great moments and aspects but not a typical legal drama...
PROS:- Interesting and capturing dynamic between the FL and ML. While the story focus is mainly on the FL and her growing as a person and a lawyer, the story does include a romance line for the FL & ML (explored later in the series).
- Great acting from FL (Xin Zhi Lei) in portraying a character whose motives and actions we can understand
- Some cases that really capture your attention (in the first 16 episodes) with the music making it suspenseful.
- Some really "enjoyable to watch" scenes, including the support of FL from PeiLin and Kang Jun's ex-wife (briefly).
CONS:
- Termed as a legal drama but barely any scenes from court, and I believe at least 3 "cases" involved divorce.
- A lot of "cases" are to do with friends of the FL and Xiao Yun (2nd FL). Even the 3rd FL (PeiLin) and 2nd ML (Xiao Yue) have cases they are personally involved in. This aspect is too far-fetched, and the reason I say it's not a typical legal drama.
- Too much screen time given to flash-backs of the clients, when sometimes completely unnecessary. In the later half, you forget you are even watching a series that has anything to do with the leads or the law because of this.
- Sometimes it becomes a bit "preachy" as to what lesson to take from each case, rather than it being a "natural" talk between the characters.
I watched this drama for Xin Zhi Lei and Lin Yu Shen, so my rating is accordingly higher than the average. Would I recommend the drama? If you are a fan of melodramas, then absolutely, as there are a lot of situations that are "unrealistically dramatic". If you are a fan of the main actors, then I'd say sure give it a try. But whether it meets the standard for what a legal drama should entail, I'd say don't expect too much, as the series explores far more relationship dynamics than it does the law.
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Just a MASTERPIECE
I hesitated for a long time before watching this series, so highly praised by critics that I was afraid of being disappointed. I was wrong!! It deserves all the praise it receives \ \ \\٩(｡•ω•｡)و // / /PLOT: Porsche, a former taekwondo champion and bartender, takes odd jobs (and illegal fights with bets) to support his brother and cover his uncle's debts. One evening, he comes to help Kinn, the head of a major mafia gang, whose life is constantly in danger. Kinn eventually convinces Porsche to become his bodyguard. Initially very reluctant, Porsche eventually finds his footing and becomes Kinn's lover. Kim (Kinn's younger brother, a bit of an outsider) takes Chay (Porsche's younger brother) under his wing. But the Villains are working behind the scenes to seize power in the Main Branch. And Porsche discovers that his recruitment hides other secrets.
+++ The actors are ALL fantastic! Mile, Apo, Bible, Build, Tong, ... have brought to life complex, tormented, and moving characters. ꒒ ০ ⌵ ୧ ♡ ꒒ ০ ⌵ ୧ ♡
+++ The tone is violent and very dark. The direction is perfect, without downtime or flaws: lighting, framing, sets, action scenes, intimate scenes, costumes... everything is impeccably crafted.
+++ The storyline is coherent (mostly, I think), realistic, and intelligent. I don't know what the message of this series is, but it makes you question good/evil, family, loyalty, and more.
=> I now understand the enthusiasm surrounding this series, which will remain in our memories for a long time, and rightly so!
***************************************************************
MASTERPIECE
J'ai longtemps hésité à regarder cette série, tellement encensée par les critiques que j'avais peur d'être déçue. J'avais tort !! Elle mérite tous les éloges qu'on en fait \ \ \\٩(｡•ω•｡)و // / /
PLOT: Porsche, ex champion de taekwondo, barman, fait des petits boulots (et des combats avec paris) pour subvenir aux besoins de son frère et couvrir les dettes de son oncle. Un soir, il vient au secours de Kinn, chef d'1 gros gang de mafia, dont la vie est constamment en jeu. Kinn finit par convaincre Porsche de devenir son garde du corps. D'abord très réticent, Porsche finit par trouver ses marques et devient le lover de Kinn. Kim (jeune frère de Kinn, un peu à part) prend Chay (jeune frère de Porsche "sous son aile"). Mais les Villains œuvrent en coulisse pr prendre le pouvoir de la Main Branch. Et Porsche découvre que son recrutement cache d'autres secrets.
+++ Les acteurs sont fantastiques TOUS ! Mile, Apo, Bible, Build, Tong , ... ont donné vie à des personnages complexes, tourmentés, émouvants ꒒ ০ ⌵ ୧ ♡ ꒒ ০ ⌵ ୧ ♡
+++ Le ton est violent, très sombre. La réalisation est parfaite, sans temps mort, sans défaut : lumières, cadrages, décors, scènes d'action, scènes intimes, costumes, ... tout est impeccablement travaillé.
+++ La storyline est cohérente (ou presque), réaliste, intelligente. Je ne sais pas quel est le message de cette série, mais on se questionne sur le bien / le mal, la famille, la loyauté, ...
=> Je comprends maintenant l'engouement autour de cette série qui restera longtemps en mémoire, et à juste titre !
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Review on W/2 Worlds
It's a really good drama with a really good plot, there are overall many good moments but once you watch it, it's one of those shows which you can't rewatch because it's that good that first time watch is the best. But it's on you. Overall, I would recommend if you like dramas like Extra Ordinary you and etc.Was this review helpful to you?
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When Art, Love, and Ambition Burn Too Close
Burnout Syndrome isn’t your typical Thai BL—and that’s exactly why it hits so hard. This 10-episode GMMTV series (Nov 26, 2025–Feb 4, 2026) is a raw, character-driven drama about emotional exhaustion, creativity, power, and desire, set against a sleek but suffocating modern urban backdrop.After Not Me, I’d been waiting for Off Jumpol and Gun Atthaphan to return to something this emotionally dense—and Burnout Syndrome absolutely delivers. The mock trailer sparked excitement, the official trailer raised expectations, and the addition of Dew Jirawat into a volatile love triangle made it impossible to ignore.
Directed by Anucha “Nuchy” Boonyawatana (Not Me) and written by JittiRain and Ben Sethinun Jariyavilaskul, the series follows Jira (Gun Atthaphan), a gifted artist reeling from burnout after losing his job. Numb and creatively blocked, he drifts into a quiet bar where he meets Pheem (Dew Jirawat), a seemingly gentle, grounded IT specialist who offers comfort and emotional safety. Then enters Koh (Off Jumpol), a brilliant but reclusive tech entrepreneur who hires Jira as the public face of his company—pulling him into a messy collision of work, power, attraction, and compromise.
What unfolds isn’t a simple love triangle, but a slow, painful study of flawed people making selfish, human choices. Koh appears cold and calculating, yet hides a fragile, needy core. Pheem presents as soft and caring, but harbours manipulation, jealousy, and rage beneath the surface. Jira may look innocent, but he’s self-aware, morally stubborn, and quietly in control more often than he lets on.
This series is heavy—emotionally brutal, messy, toxic, and deeply affecting. Off Jumpol excels in roles you love to hate, and Koh might be his most infuriating yet. Gun Atthaphan once again proves he’s in a league of his own; his performance is layered, restrained, and devastatingly real. Dew Jirawat delivers his best work to date—volatile, wounded, magnetic, sexy —and honestly feels like the MVP here. Emi Thasorn is rock-solid as Jira’s no-nonsense confidant, while AJ Chayapol finally gets a role that lets him shine.
Visually, Burnout Syndrome is stunning. The contrast between cold tech spaces and warm, organic art is deliberate and loaded with meaning. Flowers, rooms, paintings, and even silence are used as symbols. The cinematography lingers just long enough to unsettle you, while the music choices are impeccable—never intrusive, always emotionally precise.
At its core, this series isn’t just about romance. It’s an allegory about art versus technology, capital versus creativity, and what happens when artists are forced to survive in systems that consume them. Its critique of generative AI is sharp without being preachy, and its portrayal of burnout feels painfully current. No one here is purely good or bad—and that realism is what makes it so powerful.
If you’re expecting fluffy romance or neat resolutions, this isn’t for you. But if you’re open to discomfort, symbolism, moral ambiguity, and queer storytelling that treats its audience like adults, Burnout Syndrome is essential viewing.
Bold, intelligent, emotionally punishing, and unapologetically human, Burnout Syndrome is one of the strongest Thai series of the year—BL or otherwise. It lingers long after the final episode, like art that refuses to let you look away.
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CONSENT DOESN'T NEED TO BE NEGOTIATED!!!! FFS !
I was curious how this would go and stayed up until Ep 3, skipping some parts along the way, but that third episode was so revolting that I immediately dropped the show.I am so glad I did, especially after reading comments confirming that the rest of the episodes are just as fucking disgusting.
Why the fuck do you need to negotiate consent with a game of rock-paper-scissors?
Consent should be an absolute given, not a gamble, but here it’s just the gamification of bodily autonomy. It clearly a rigged system where the top always "wins," and even on the rare occasion the other person actually wins a round, it isn't even respected. It is a disgusting way to manipulate someone into a corner while pretending they have a choice.
The black-haired dude constantly drones on about how he has “always loved” the other guy, but he doesn't give a single fuck about his partner’s comfort or agency.
Even worse, the show tries to excuse this by portraying it like the other dude "secretly" likes him but just isn't aware of it yet. That does not make these actions right. Just because two people are in a relationship or "meant to be" doesn't mean basic human decency and respect disappear.
This mindset is exactly why things like marital rape exist. Abuse and coercion don’t just happen between strangers; they often happen with the person closest to you, and being a "partner" isn't a license to ignore boundaries.
He uses "love" as a mask for predatory behavior, treating his "friend" like a toy to be dragged around and played with whenever the whim strikes him. I truly hate people who swear they like someone yet treat them like literal dirt. That dude is a walking talking red flag!
The constant hand-grabbing and dragging are infuriating as well no matter what the other person says or how much they protest, the black-haired just doesn't give a fuck.
The writer clearly thinks this physical coercion and arrogance are a substitute for chemistry, but romanticizing abuse and coercion is not fucking sexy at all. It is just a pathetic display of toxic dominance.
They managed to cram every trashy romance cliché and manipulative power imbalance into just three episodes ugh.
This is what I get going off a tictock recommendation without actually bothering to read the reviews beforehand.
I should have listened to my intuition and bailed after that bathroom scene in the first episode. I feel so salty that I gave into my curiosity just to see if it would progress.
An hour wasted on this predatory shit, ugh. 🤮 I wouldn't even give this story a 0; it deserves a -100.
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Head 2 Head — Carried by Chemistry, Not by the Weight of Its Own Story
Going into Head 2 Head, I already knew one thing: Keen and Sea together just work. And this drama basically confirms it. They have that rare kind of screen connection that you don’t have to “believe” — you just feel it. You could already catch glimpses of it back in Only Boo! (2024), like they genuinely enjoyed acting opposite each other, and here it evolves into something warmer, more natural, more grounded.They’re honestly adorable together, but not in an artificial fanservice way. It feels relaxed. Comfortable. Like two people who understand each other’s rhythm. And when a story is emotionally lighter than it maybe should be, that kind of chemistry ends up carrying everything.
Because if I’m being completely honest, the story itself is good… but it plays things very safe emotionally. When you compare it to something like I Saw You in My Dream (2024), which leaned harder into the supernatural emotional weight, Head 2 Head feels almost too soft for themes like grief and losing someone you love. Death is treated more like a narrative background than something that truly reshapes the characters’ emotional world. And that’s where I felt the biggest gap. Not bad writing — just… not as deep as it could have been.
But again, this is where Keen and Sea save the whole thing. They sell emotions that the script sometimes only sketches. That says a lot about their acting level, even if they’re not technically perfect yet. They have presence. They make you root for them. And sometimes that matters more than flawless technique.
The parents storyline honestly surprised me in the best way. Mam and Nui were incredible — not just as mothers, but as women, as friends, as emotional anchors to the story. Their dynamic felt lived-in and real, and sometimes I caught myself more invested in their scenes than I expected. Lift and Mos might not be central, but they complete the emotional ecosystem of the parents’ relationship. Nothing feels random. Everyone adds texture.
And yes, I need to say it: New Thitipoom showing up, even briefly, is one of those “oh wow” moments. He’s aging really well, and there’s something about seeing BL actors grow into more mature screen presence that makes me both proud and a little sad. Because realistically, many of them will transition more into mainstream roles as they age. And I get it — industry logic. But at the same time, I genuinely think BL with older characters, older bodies, older emotional baggage is something the industry is still missing. Love doesn’t stop existing after your twenties. And actors like him prove there is space for that if the industry ever wants to explore it.
Final feeling
Head 2 Head is one of those dramas where you remember the people more than the plot. And sometimes that’s okay. Because at the end of the day, what stayed with me wasn’t the story structure — it was the warmth, the chemistry, the feeling that these characters could exist outside the screen. And honestly, sometimes that’s enough to make a drama worth watching.
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For revenge drama it's quite bland
I watched this drama last year because of Zhao Xixi. Beside the plot twists about FL's father story, it was quite flat.The script isn't very engaging. Although it's a female-centric revenge story, it feels somewhat flat and lacks tension, wasting the good looks and acting skills of the leads. The romance between Zhao Xixi and Wang Yilei still underdeveloped and i feel this dram could give more romantic moment for them since they have chemistry.
The biggest plot hole in this drama if ML is so capable, why didn't he find out when SFL killed the FL?
Still watchable though.
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When a reincarnation plot is done so well!
I watched Between Us first, so I was pulled toward Pharm and Dean’s noticeable connection. I couldn’t have anticipated how incredible their reincarnated story would be.
Not usually a big fan of flashback scenes, more so because they only ever feel like a waste of screentime, but with Until We Meet Again, it felt like getting two stories in one and they were absolutely necessary to the present. Cooheart's portrayal of Intouch in a serious role was truly remarkable. When Cooheart was sobbing uncontrollably in the opening scene, it was so authentic that my heart ached. I'm eager to see him take on more roles of this kind in the future.
I enjoyed how this reincarnation story resolved many plot threads, which is uncommon. The past and present were once again intertwined, not just for our couple, but for the extended family as well. I disliked the fathers in the earlier scenes and their negative treatment of Korn and Intouch's relationship. Therefore, it was a welcome relief to see that the fathers immediately regretted their poor choices and rectified their mistakes by the conclusion.
In a lighter note, I loved seeing Hia Win! I love that man with his yearning eyes.
Also, how much crying was done by Pharm? Every episode, every scene, it felt like. I wouldn’t be surprised if that boy was bone dry by the final take!
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It's not common fake daughter-real daughter usual plot.
I watched this drama on November 2025 and i was surprised it was underrated drama It was look like common fake daughter-real daughter generic plot but the process how FL was accepting the phase from being adopted daughter, search her lost family to respect herself. I quite like Deng Yanni acting, she has lovely acting that tend to be not overreacted. Hu Jia Hao nailed the good guy MLML is green flag and i appreciate him since he tries so hard to give her space to heal and accept him since he is secretly in love with FL. FL's ex boyfriend is not typical evil villain he is too dumb and FL still appreciate him even she and him are not meant to be. This is the first time in a short drama that we've seen a relatively self-consistent explanation of SML behavior. SFL is still traditional villain on short drama so i count it as the cons of this drama.
Screenwriter give this drama reasonable logic, a decent post-production team, consistent costume (i love FL dresses) and creative direction, and a director with a very consistent sense of camerawork.
Recommended to watch.
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Reloved — Strong Chemistry, Visible Growth, But a Love Story That Feels Too Easy
Going into Reloved, I was honestly excited because you can see how much Golf and Peter have grown since The Renovation in 2024. There is a confidence now, especially in how they hold emotional scenes, that wasn’t fully there before. They feel more comfortable on screen, more grounded, like they finally understand how to let moments breathe instead of rushing through them.Peter Paratthakorn is, let’s be honest, insanely charming on screen. He’s cute, he has that very natural sensual presence, and physically he fits perfectly into the camera frame. But what really stood out to me is how natural he feels playing a gay character. It never feels like performance. It feels lived-in. Like he understands the emotional language of the character instinctively. And that creates this weird moment as a viewer where you stop thinking “he’s acting” and just accept him as the character.
If I compare him to Golf, Golf feels more like an actor building the character step by step, while Peter just exists in it. And that contrast actually makes their chemistry interesting, because it creates this balance between intensity and softness.
Now, where the drama loses me a bit is the relationship writing.
The love story itself feels… too smooth. Too easy. And when you’ve watched something like The Promise (2022), you know how powerful messy, complicated, slow emotional repair can be. Here, forgiveness comes fast. Reconnection happens fast. Emotional wounds close way too neatly. Real love, especially after separation and trauma, usually comes with hesitation, resentment, fear of being hurt again. And I wanted more of that.
The biggest missed opportunity for me is Donlaphat’s death.
That should have been the emotional core. The thing that shapes their choices, their guilt, their fears, their way of loving each other after loss. Instead, it feels like it’s treated like background lore instead of emotional fuel. And that made the story feel lighter than it should have been emotionally. Not bad, just… less impactful than it could have been.
And that’s the frustration with Reloved. Because it’s not badly made. The acting is solid. The chemistry is real. The production is clean. But the emotional writing sometimes plays too safe when it could have gone deeper and darker.
Final feeling
I liked it. I really did. But I kept thinking about what it could have been if it had allowed itself to hurt a little more. Because sometimes love stories become unforgettable when they stop trying to protect the audience and just show how messy love actually is.
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Show turned out to be interesting and gets a proper ending to the story. Suit designs was interesting, story was presented better than some Heisei era Kamen Rider shows, likeable characters, even bad guys story arc is interesting & had no issue finishing the show, usually some KR shows loses its steam after 30-40 episodes & sometimes feel it would have been better if story concluded within 30–40 episodes, some even fail to end the story even with 50 episodes, later need more specials & films or even many years to end the series properly.
Not a fan of main KR meeting next KR near end of the show & passing the baton, Drive meeting ghost when he has a dream like sequence was not bad, but next meeting in the show was not great because it was not needed, felt like forcing one more episode after story ended prior episode.
Kamen Rider Gaim was also a good show and film feature Drive & Gaim was interesting.
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My Secret of Seer — Good Concept, Weak Execution, and a Lot of Wasted Potential
This one is honestly frustrating for me, because there was something here.On paper, My Secret of Seer had everything to work. A fortune teller cursed by fate, forced to work with a skeptical ghost-show host, supernatural elements, destiny vs free will, slow-burn romance… it sounds like the perfect emotional and fantasy mix. And sometimes, you can actually see the version of this drama that could have been amazing.
But watching it, I kept feeling like the story and the performances were not living at the same level.
Tar Jirayu is genuinely adorable on screen, and you can see why he was cast. He has that natural softness that works well for Win — someone spiritual, fragile, and constantly carrying fear under the surface. But the problem is that most of the cast feels very new. And you can feel it in emotional scenes. Only Fluke Pusit really feels like he understands how to live inside a character instead of just reciting lines. Every time he was on screen, the acting suddenly felt grounded.
Then there is Aof Akekarin… and this is where it gets hard to watch. His performance often feels forced, especially in scenes where attraction is supposed to grow naturally. Instead of tension, it sometimes feels like the script is shouting “LOOK, ROMANCE IS HAPPENING.” And that kills immersion.
The story itself is not bad. Actually, the base concept is really interesting. A cursed seer forced to find someone with spiritual merit before time runs out is a strong emotional and fantasy hook. The mix of superstition, media world, and supernatural rules is genuinely cool. But the execution feels messy. Scenes sometimes jump too fast, emotional beats don’t always connect, and the romance ends up feeling like a subplot instead of the heart of the story. Even the love confession only really lands near the end, which makes the emotional payoff feel late. And that is what hurts the most.
Because the series could have been scary, emotional, mystical, romantic… all at once. But it never fully commits to any of those directions. The “seer senses” and fear elements should have been intense, psychological, unsettling. Instead, they often feel surface-level. You understand what Win is supposed to feel. But you don’t always feel it with him.
I also get why some people still liked it. The visuals are nice. The concept is original for a BL. And there is heart in the story. But it feels like a first draft of something that needed more time, more direction, and more experienced performances to truly land.
Final feeling :
This is not a disaster. It’s just disappointing. Because you can see the better version of this story hiding behind what we got. And that’s always harder to watch than something that was just bad from the start.
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Decent drama about entertainment issue but the romance quite lacking.
I watched this on August 2025 since i was on Wen Yuan marathon drama at that time.The premises was quite interesting, ML becomes a ghost since he is on vegetative mode, only the FL can see him, and he can possess her body, helping her transcend social classes and achieve her dreams. The overall plot and pacing are good, with no obvious plot holes, and the issues it explores in the entertainment industry are excellent. This drama explores topics like capital, billing order, and buying awards, which is quite relevant to current events.
The cons in this drama there is no chemistry between Hong Cheng Yue and Wen Yuan. The process of the ML and FL going from strangers to lovers feels rushed. ML is constantly helping FL grow, and while her feelings for him evolve from gratitude to love, it lacks a powerful climax. ML falling in love with her feels even less compelling.
Overall it's still interesting drama to watch.
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Chosen Home (2025) — When Love Is Just… Normal, and That’s the Whole Point
Chosen Home is one of those dramas that made me stop asking “is this BL?” and instead ask “why do we still need to label love at all?” And honestly, I think that’s exactly what the drama is trying to say.Going in, I expected something closer to a typical BL romance. Two men fall in love, conflict happens, feelings explode, happy ending, done. But this isn’t built like that at all. The romance exists, yes, but it never feels like the center of the universe. It just… exists. Quietly. Naturally. Like it would if it was a man and a woman. And that’s what hit me the most emotionally.
The story is really about connection and chosen family more than romance itself. At its core, it follows two gay men who end up building a life together in a very unconventional way, eventually forming a household that also includes a troubled young girl. It’s messy, warm, awkward, funny sometimes, and painfully real in others. It’s not about proving their love to the world. It’s about building a life that feels safe and meaningful, even if it doesn’t look “normal” from the outside.
What really worked for me is that the drama treats their relationship like just another relationship. No dramatic “BL framing”, no over-romanticizing, no fetishized tension. Just two adults trying to figure out life, love, and responsibility while carrying their own emotional baggage. Some reviewers even described it more as a queer found-family story than a pure BL, and honestly… I get that.
Emotionally, this hit me in a very quiet way. Not the kind of drama that makes you scream or throw pillows, but the kind that sits in your chest and makes you think about what “home” actually means. Loving your partner. Loving your family. Loving yourself. Loving your work. Loving the life you built even if it’s not what society expected from you. That theme is everywhere here, and it feels very mature, almost healing in some moments.
The cast really sells that natural feeling. The chemistry isn’t loud or flashy, but it feels lived-in. Like people who learned to exist around each other instead of performing love for the camera. That kind of acting is actually harder to do, and I respected it a lot.
That said, I do understand why my score isn’t higher. The story sometimes feels like it could have pushed emotional conflicts further. Some plot points feel like they stop right before becoming devastating. And maybe that’s intentional — maybe the drama wanted to stay grounded instead of dramatic — but part of me wanted just a little more emotional punch in some arcs.
Rewatch value is lower for me, not because it’s bad, but because once you understand the message, you kind of get it. It’s not a comfort watch. It’s more like a quiet life lesson disguised as a drama.
At the end of the day, Chosen Home isn’t trying to scream “this is a BL love story.” It’s trying to whisper “this is just love.” And honestly, that made it feel more powerful than a lot of louder romances.
If you want butterflies and dramatic declarations, this might feel slow. But if you want something that feels emotionally honest and very human, this is absolutely worth watching at least once.
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Reloved, but only halfway
It was such a frustrating watch. The main couple was honestly boring, and their breakup made no sense at all—I kept waiting for something interesting to happen, but it never did. Their endless “misunderstanding” talks were exhausting, and I couldn’t care less about their scenes. The second couple, on the other hand, was the only part that kept me invested—they felt real, had chemistry, and could actually act. Killing them off was such a waste, and the replacement characters added nothing meaningful. Even the kids, who were fun, couldn’t save the show. Overall, the drama could have been so much better if it had focused on the second couple, because everything else just dragged and annoyed me.Was this review helpful to you?
